Due in part to the many film and video releases in the last decade of the twentieth century, there is a renewed interest in Jane Austen in high school and college classrooms. As an educational resource, Jane Austen in the Classroom helps teachers to guide readers who are being introduced to these novels - as well as readers who know and love Austen's works - through the process of «viewing the novel», reading Austen with an imaginative eye, and «reading the film», analyzing the adaptations as re-creations of Austen's cultural and fictional worlds. This book references the latest critical analyses of the novels and the videos. As a pedagogical tool, the text is a valuable resource for educators and students of the British novel and literature by women, offering innovative approaches to discussion, analysis, writing, and research.

There were no reviews of Mansfield Park when it first appeared in 1814. Austen's reputation grew in the Victorian period, but it was only in the twentieth century that formal and sustained criticism began of this work, which addresses the controversies of its time more than Austen's earlier novels did. Lionel Trilling praised Mansfield Park for exploring the difficult moral life of modernity; Edward Said brought postcolonial theory to the study of the novel; and twenty-first-century critics scrutinize these and other approaches to build on and go beyond them. This volume is the third in the MLA Approaches series to deal with Austen's work (Pride and Prejudice and Emma were the subject of the first and second volumes on Austen, respectively). It provides information about editions, film adaptations, and digital resources, and then nineteen essays discuss various aspects of Mansfield Park, including the slave trade, the theme of reading, elements of tragedy, gift theory, landscape design, moral improvement in the spirit of Samuel Johnson and of the Reformation, sibling relations, card playing, and interpretations of Fanny Price, the heroine, not as passive but as having some control.

Exam board: AQA, Edexcel, OCR, Eduqas, WJEC; CXC Level & Subject: GCSE English Literature; Cape Literatures in English First teaching: September 2015; 2016 First examination: June 2017; May-June 2018

Jane Austen is a favorite with many students, whether they've read her novels or viewed popular film adaptations. But Persuasion, completed at the end of her life, can be challenging for students to approach. They are surprised to meet a heroine so subdued and self-sacrificing, and the novel's setting during the Napoleonic wars may be unfamiliar. This volume provides teachers with avenues to explore the depths and richness of the novel with both Austen fans and newcomers. Part 1, "Materials," suggests editions for classroom use, criticism, and multimedia resources. Part 2, "Approaches," presents strategies for teaching the literary, contextual, and philosophical dimensions of the novel. Essays address topics such as free indirect discourse and other narrative techniques; social class in Austen's England; the role of the navy during war and peacetime; key locations in the novel, including Lyme Regis and Bath; and health, illness, and the ethics of care.

This exhilarating collection of essays is the product of a lifetime's engagement with Jane Austen's writing. They are modest, searching, wonderfully perceptive essays from which all lovers of Jane Austen, the most knowledgeable as well as those who have just discovered her, will have much to learn. They are essays that send us back to the novels with a renewed understanding of Jane Austen's extraordinary achievement. Prof. Richard Cronin, University of Glasgow This volume presents an exhilarating and insightful collection of essays on Jane Austen – distilling the author’s deep understanding and appreciation of Austen’s works across a lifetime. The volume is both intra- and inter-textual in focus, ranging from perceptive analysis of individual scenes to the exploration of motifs across Austen’s fiction. Full of astute connections, these lively discussions hinge on the study of human behaviour – from family relationships to sickness and hypochondria – highlighting Austen’s artful literary techniques and her powers of human observation. Jane Austen: Reflections of a Reader by (the late) Nora Bartlett is a brilliant contribution to the field of Jane Austen studies, both in its accessible style (which preserves the oral register of the original lectures), and in its foregrounding of the reader in a warm, compelling and incisive conversation about Austen’s works. As such, it will appeal widely to all lovers of Jane Austen, whether first-time readers, students or scholars.

What's so friendly about Jane Austen? Every generation rediscovers Jane Austen with a renewed enthusiasm for her timeless novels. In recent years, Austen has become more popular than ever as nearly every one of her books has been gorgeously filmed and reinterpreted to reflect today's sensibilities. Both diehard Austen addicts and new converts to the cult will find endless revelations and witty insights in The Friendly Jane Austen. With quizzes, eye-catching illustrations, interviews with Austen scholars and admirers, a filmography, bibliography, browsable quotes and sidebars, and engaging commentaries that illuminate her family life, early writings, and novels, The Friendly Jane Austen answers such questions as: What are Jane Austen's ten surefire ways to be vulgar? How do you tell a rake from a rattle? (Hint: They're both rascals.) Why is Jane Austen sometimes called the mother of the romance novel? Who is Sense and Sensibility's only sexy man? How much money did Jane Austen earn from her books during her lifetime? Reading The Friendly Jane Austen is like stepping into the happy world of her fiction.

An engaging account of how Jane Austen became a household name. Just how did Jane Austen become the celebrity author and the inspiration for generations of loyal fans she is today? Devoney Looser's The Making of Jane Austen turns to the people, performances, activism, and images that fostered Austen's early fame, laying the groundwork for the beloved author we think we know. Here are the Austen influencers, including her first English illustrator, the eccentric Ferdinand Pickering, whose sensational gothic images may be better understood through his brushes with bullying, bigamy, and an attempted matricide. The daring director-actress Rosina Filippi shaped Austen's reputation with her pioneering dramatizations, leading thousands of young women to ventriloquize Elizabeth Bennet's audacious lines before drawing room audiences. Even the supposedly staid history of Austen scholarship has its bizarre stories. The author of the first Jane Austen dissertation, student George Pellew, tragically died young, but he was believed by many, including his professor-mentor, to have come back from the dead. Looser shows how these figures and their Austen-inspired work transformed Austen's reputation, just as she profoundly shaped theirs. Through them, Looser describes the factors and influences that radically altered Austen's evolving image. Drawing from unexplored material, Looser examines how echoes of that work reverberate in our explanations of Austen's literary and cultural power. Whether you're a devoted Janeite or simply Jane-curious, The Making of Jane Austen will have you thinking about how a literary icon is made, transformed, and handed down from generation to generation.