Jane Austen and Mary Shelley and Their Sisters is an unprecedented work that provides an in-depth analysis of the work of women novelists from the Romantic age, a period that has long been exclusively designated as the province of canonized male poets. Although there are many volumes on the works of Austen and Shelley, this collection is the first to consider these writers and others in the wider context of English fiction by women during the 1780s to 1830s. Collectively, the authors examine the works of nearly fifteen women novelists of the Romantic period whose works encompass the prevailing social and political realities of the time. They demonstrate that women writers were not following a specific formula to produce their creative works but were instead responding to an insatiable market for their imaginative and infinitely varied wares. A must-read for scholars of women's studies as well as 19th century British literature, Jane Austen and Mary Shelley and Their Sisters is sure to be an important resource for years to come.

“Dark and gripping and tense and beautiful.” —Karen Joy Fowler, New York Times bestselling author of The Jane Austen Book Club and Pulitzer Prize finalist for We Are All Completely Besides Ourselves Pride and Prejudice meets Frankenstein as Mary Bennet falls for the enigmatic Victor Frankenstein and befriends his monstrous Creature in this clever fusion of two popular classics. Threatened with destruction unless he fashions a wife for his Creature, Victor Frankenstein travels to England where he meets Mary and Kitty Bennet, the remaining unmarried sisters of the Bennet family from Pride and Prejudice. As Mary and Victor become increasingly attracted to each other, the Creature looks on impatiently, waiting for his bride. But where will Victor find a female body from which to create the monster’s mate? Meanwhile, the awkward Mary hopes that Victor will save her from approaching spinsterhood while wondering what dark secret he is keeping from her. Pride and Prometheus fuses the gothic horror of Mary Shelley with the Regency romance of Jane Austen in an exciting novel that combines two age-old stories in a fresh and startling way.

Almost Persuaded In this Regency tale of Robert and Jane, New York Times bestselling author Mary Balogh brings together former lovers who have seen beyond their past mistakes, and are determined to be together in this life and forever. Northanger Castle Caroline's obsession with Gothic novels serves as good training for a lifetime of destroying the undead with her newfound beau in this Regency by Colleen Gleason. Blood and Prejudice In fast-paced present-day New York City, Liz Bennett joins Mr. Darcy on his hunt to cure vampirism in New York Times bestselling author Susan Krinard's version of the classic story. Little to Hex Her Emma, a witch with a wizard boyfriend, runs a paranormal dating service in modern-day Washington, D.C., in this story from Janet Mullany.

'I prayed for a brother every night. My two older sisters also prayed. They felt the want of a brother equally keenly, for our father's estate was entailed upon a male heir, and without a brother to provide for us or a rich husband to rescue us, we would all be destitute.' Mary Bennet has been long overshadowed by the beauty and charm of her older sisters, Jane and Elizabeth, and by the forwardness and cheek of her younger sisters, Kitty and Lydia. From her post in the wings of the Bennet family, Mary now watches as Mr Bingley and Mr Darcy - and Mr Wickham - glide into her sisters' lives. While she can view these three gentlemen quite dispassionately (and, as it turns out, accurately), can she be equally clear-sighted when she finally falls in love herself? In this elegant retelling of Pride and Prejudice, Mary at last learns - with a little help from the man she loves - to question her family's values and overcome her own brand of 'pride and prejudice'.

England, 1813. Nineteen-year-old Catherine Bennet lives in the shadow of her two eldest sisters, Elizabeth and Jane, who have both made excellent marriages. No one expects Kitty to amount to anything. Left at home in rural Hertfordshire with her neurotic and nagging mother, and a father who derides her as "e;silly and ignorant,"e; Kitty is lonely, diffident and at a loss as to how to improve her situation. When her world unexpectedly expands to London and the Darcy's magnificent country estate in Derbyshire, she is overjoyed. Keen to impress this new society, and to change her family's prejudice, Kitty does everything she can to improve her mind and manners-and for the first time feels liked and respected. However, one fateful night at Pemberley, a series of events and misunderstandings conspire to ruin Kitty's reputation. Accused of theft-a crime almost worse than murder among the Georgian aristocracy-she is sent back home in disgrace. But Kitty has learnt from her new experiences and what she does next does next will not only surprise herself, but everyone else too.

Jane Austen and Masculinity is an eclectic collection of contemporary scholarship addressing the representation of men and masculinity in the fiction and popular adaptations of Austen. This anthology includes work by a variety of esteemed and emergent Austen scholars from around the world who engage in a dialogue on critical questions surrounding her fictional treatment of men and masculinity, such as historical (post-French Revolutionary) changes in social expectations for men and women, brothers and fathers, male lovers, soldiers and the military, queer and alternative sexualities, violence, and male devotees of Austen. The collection addresses Austen’s fiction, including her juvenilia, as well as the ongoing popular appeal of her work and the enduring Austen vogue. The work in this anthology builds on established critical discourses in Austen scholarship as well as important conversations in Masculinity Studies.