Jan Miense Molenaer
Title | Jan Miense Molenaer PDF eBook |
Author | Dennis P. Weller |
Publisher | Hudson Hills |
Pages | 224 |
Release | 2002 |
Genre | Painters |
ISBN | 9780882599878 |
This volume looks at the work of Jan Miense Molenaer, an artist of the age of Rembrandt and Vermeer. He was probably a student of Hals and a spiritual heir of Pieter Bruegel the Elder. Essays and plates focus on Molenaer's comic scenes of Dutch peasant life. His versatile work, painted in Haarlem and Amsterdam, also includes: portraits; gene scenes including peasant weddings, theatrical performances, religious narratives and children at school and play; and allegories. 92 colour & 128 b/w illustrations
Molenaer, Jan Miense
Title | Molenaer, Jan Miense PDF eBook |
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Jan Miense Molenaer: Painter of the Dutch Golden Age
Title | Jan Miense Molenaer: Painter of the Dutch Golden Age PDF eBook |
Author | Dennis P. Weller |
Publisher | |
Pages | 0 |
Release | 2002 |
Genre | Genre painting |
ISBN |
Jan Miense Molenaer (c. 1609/1610-1668)
Title | Jan Miense Molenaer (c. 1609/1610-1668) PDF eBook |
Author | Dennis Paul Weller |
Publisher | |
Pages | 506 |
Release | 1992 |
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Village School by Jan Miense Molenaer, 1668, Canvas 18 X 33 Inches, [1935].
Title | Village School by Jan Miense Molenaer, 1668, Canvas 18 X 33 Inches, [1935]. PDF eBook |
Author | Jan Miense Molenaar |
Publisher | |
Pages | 3 |
Release | 1935 |
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Judith Leyster
Title | Judith Leyster PDF eBook |
Author | Pieter Biesboer |
Publisher | Conran Octopus |
Pages | 400 |
Release | 1993 |
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ISBN |
Shifting Priorities
Title | Shifting Priorities PDF eBook |
Author | Nanette Salomon |
Publisher | Stanford University Press |
Pages | 288 |
Release | 2004 |
Genre | Art |
ISBN | 9780804744775 |
This ground-breaking book offers the first sustained examination of Dutch seventeenth-century genre painting from a theoretically informed feminist perspective. Other recent works that deal with images of women in this field maintain the paradoxical combination of seeing the images as positivist reflections of “life as it was” and as emblems of virtue and vice. These reductionist practices deprive the works of their complex nature and of their place in visual culture, important frameworks that the book attempts to restore to them. Salomon expands the possibilities for understanding both familiar and unfamiliar paintings from this period by submitting them to a wide range of new and provocative questions. Paintings and prints from the first half of the century through to the second are analyzed to understand the changing social roles and values attributed to the sexes as they were introduced and reflected in the visual arts.