He was known as The Golden Torso, the underwear model who famously dated Keira Knightley. But Jamie Dornan has always dreamed of being an actor - and as star of the hotly-anticipated Fifty Shades of Grey movie he has finally sealed his position in Hollywood. From his role as S&M hero Christian Grey in the adaptation of EL James' hit novel to playing a serial killer in BBC series The Fall and Abe Goffe in New Worlds, Jamie is carving a name for himself playing characters with a serious passionate side. But the path to success has been far from easy for the Northern Irish actor. His personal life has had as many twists and turns, highs and devastating lows as the shows that are making him famous. Son of a doctor, Jamie and his two sisters had what looked like a charmed childhood growing up in a sprawling family home in an affluent area of Belfast, attending a top boarding school with dreams of treading the boards like his legendary great aunt Greer Garson. But looks can be deceiving and behind the sports trophies and amateur acting triumphs, there was a series of personal tragedies, the burden of which Jamie still carries with him today. He later struggled to cope with life in the limelight as an internationally famous model in his twenties dating an actress and winning hordes of female fans the world over posing alongside Kate Moss and Eva Mendes. Now married and father to a baby daughter, the Bafta-nominated star has a new set of challenges on his hands. In this insightful biography, Louise Ford reveals Jamie's successes and struggles both on and off screen and explores what the future holds for the model turned actor who once doubted he could ever have it all.

Jamie Dornan is becoming a megastar. His announcement as lead role Christian Grey in the upcoming film adaptation of Fifty Shades of Grey caused a media frenzy and he has been hitting the headlines ever since. After Charlie Hunnam drastically stepped away from the role, the model-turned-actor Dornan was catapulted into the international spotlight. As well as modelling for Calvin Klein alongside Kate Moss, he appeared in Sofia Coppola's Marie Antoinette, has dated Keira Knightley, was cast as the sheriff in the hit US fantasy TV drama Once Upon a Time, and followed it up with an acclaimed leading performance in the Gillian Anderson-starring TV thriller The Fall. Now set for the part of auburn-haired, sexually deviant billionaire Christian Grey, this book will reveal 50 shades of Jamie Dornan - a no holds barred biography of the man who, come 2015, everyone will want to know intimately.

The story of three young provincials of no great heritage who together helped to destroy a way of life and, in the process, destroyed themselves: Camille Desmoulins, bisexual and beautiful, charming, erratic, untrustworthy; Georges Jacques Danton, hugely but erotically ugly, a brilliant pragmatist who knew how to seize power and use it; and Maximilien Robespierre, "the rabid lamb," who would send his dearest friend to the guillotine. Each, none older than thirty-four, would die by the hand of the very revolution he had helped to bring into being.

Updated, with new research and over 100 revisions Ten years later, they're still talking about the weather! Kate Fox, the social anthropologist who put the quirks and hidden conditions of the English under a microscope, is back with more biting insights about the nature of Englishness. This updated and revised edition of Watching the English - which over the last decade has become the unofficial guidebook to the English national character - features new and fresh insights on the unwritten rules and foibles of "squaddies," bikers, horse-riders, and more. Fox revisits a strange and fascinating culture, governed by complex sets of unspoken rules and bizarre codes of behavior. She demystifies the peculiar cultural rules that baffle us: the rules of weather-speak. The ironic-gnome rule. The reflex apology rule. The paranoid pantomime rule. Class anxiety tests. The roots of English self-mockery and many more. An international bestseller, Watching the English is a biting, affectionate, insightful and often hilarious look at the English and their society.

In 2000, HUD, in recognition that any solution to homelessness must emphasize housing, targeted its McKinney-Vento Act homeless competitive programs towards housing activities. This policy decision presumed that programs such as Medicaid, TANF and General Assistance could pick up the slack produced by the change. This study examines how 7 communities sought to improve homeless people¿s access to mainstream services following this shift away from funding services through the Supportive Housing Program. Provides communities with models and strategies that they can use. Highlights the limits of what even the most resourceful of communities can do to enhance service and benefit access by homeless families and individuals.

Political time is counted not in years, but in issues—the Depression defined the political era of the 1930s just as the Cold War did the 1950s and civil rights the 1960s. In the 1980s, the federal budget loomed as the dominant issue by which all others were considered and has become a concern that catalyzes debate in our nation's capital. In this definitive work, Joseph White and Aaron Wildavsky describe and analyze the struggles over taxing and spending from Carter's last year through the Reagan administration. The battle of the budget is largely about defining the role of the government and its relationship to the people. It involves congressional horse-trading, partisan posturing, and technical tricks that affect billions of dollars. It is also a story of politicians operating within constraints set by both public opinion and political interpretation of economic reality. Though budgeting has always been important, its impact on the national agenda has grown dramatically. Based on documentary sources and extensive interviews with participants, The Deficit and the Public Interest explains how budgeting works so the reader can see what is at stake in seemingly arcane disputes. It also explains the relationship of the budget to the media as well as to party and policy activists and explores the ways in which the deficit represents a crisis of confidence in our institutions, preeminently Congress and the presidency. Along the way, it provides a uniquely comprehensive account of the entire budget problem, exploring Gramm-Rudman, tax reform, and the continuing political gridlock. The authors demonstrate that institutions have performed better than their members and critics believe, and they contend that extreme solutions to the deficit would likely be much worse than the original problems. Redefining the problem as one of reducing interest costs so the deficit becomes manageable, they proffer political advice on how to make this approach politically acceptable, both at home and abroad. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.