James Tower (1919-88) is widely regarded as one of the most distinctive figures in post-war British ceramics. Since his death over 20 years ago, his work has been often cited for its dramatic visual qualities, its subtle exploration of the boundaries of art and craft, and its lyrical integration of references to nature and the cosmos into an essentially abstract language of form and surface decoration. This is the first single publication to be devoted to his work and will reveal to a new audience the extraordinary range and quality of his achievement. Tower's career was unusual in inhabiting the worlds of fine art and ceramics which, in the 1950s and 1960s, still had only a low level of inter-penetration. Teaching at Corsham brought him into contact with some of the pioneering painters of post-war abstraction, including William Scott, Peter Lanyon and Howard Hodgkin, and as a potter Tower showed his work alongside Bernard Leach and Lucie Rie, contributing to a re-definition of modern craft. During the 1960s and 1970s he worked in white terra cotta and bronze, representing a diversity of sculptural practice during a period in which sculptors such as Anthony Caro and Phillip King were experimenting with new materials. From the late 1970s until his death, Tower concentrated again on glazed ceramic forms and was a highly original contributor to the 'New Ceramics'. This book provides a comprehensive visual document of Tower's work, incorporating a complete illustrated catalogue. It includes a detailed and authoritative biography, setting Tower in the social and artistic context in which he lived and worked.

Otto Shenk is the youngest son of a minor baron and a wizard. Abused by his family and considered less than human by his kingdom, Otto does his best to survive. But everything changes when Otto stumbles across a tower hidden deep in a dark part of the forest near his home. A tower that was once the home of an Arcane Lord, the immortal wizards that long ago ruled the world. Otto’s life will be changed forever. And so will the world.

*Monograph on the influential ceramicist James Tower*This centenary volume represents Tower's complete artistic output*Accompanies an exhibition at the Victoria Art Gallery, Bath, UK, 21 September - 24 November 2019James Tower (1919-1988) is best known for his elegant forms in glazed earthenware. During a career spanning four decades, from the 1950s to the 1980s, he worked unceasingly in a wide variety of media to achieve an elusive harmony of shape and surface, form and decoration, inert material and active design. His personal understanding of the purpose and meaning of abstraction embodies a perpetual dialogue between the visible world and the unseen dynamics which shape it. This centenary volume of essays considers Tower's entire output from a wide variety of perspectives, embracing paintings and drawings, as well as sculpture in bronze, terracotta and fiberglass. The contributions of leading critics and historians approach his work, situated at the junction of art, craft and design, in a broad historical and cultural context, illuminating key episodes in postwar British art, and Tower's unique place within it.This book accompanies an exhibition at Victoria Art Gallery, Bath, UK, 21 September - 24 November 2019

In 1914, Henry James began work on a major novel about the immense new fortunes of America's Gilded Age. After an absence of more than twenty years, James had returned for a visit to his native country; what he found there filled him with profound dismay. In The Ivory Tower, his last book, the characteristic pattern underlying so much of his fiction -- in which American "innocence" is transformed by its encounter with European "experience" -- receives a new twist: raised abroad, the hero comes home to America to confront, as James puts it, "the black and merciless things that are behind the great possessions." James died in 1916 with the first three books of The Ivory Tower completed. He also left behind a "treatment," in which he charted the further progress of his story. This fascinating scenario, one of only two to survive among James's papers, is also published here together with a striking critical essay by Ezra Pound. Book jacket.

Once upon a time… A duke fell in love Gowan Stoughton of Craigievar, Duke of Kinross, values order and self-control above all else. So when he meets a lady as serene as she is beautiful, he promptly asks for her hand in marriage. With a lady Edie—whose passionate temperament is the opposite of serene—had such a high fever at her own debut ball that she didn’t notice anyone, not even the notoriously elusive Duke of Kinross. When her father accepts his offer… she panics. And when their marriage night isn’t all it could be, she pretends. In a tower. But Edie’s inability to hide her feelings makes pretending impossible, and when their marriage implodes, she retreats to a tower—locking Gowan out. Now Gowan faces his greatest challenge. Neither commands nor reason work with his spirited young bride. How can he convince her to give him the keys to the tower… When she already has the keys to his heart?

Commander Dalgliesh is recuperating from a life-threatening illness when he receives a call for advice from an elderly friend who works as a chaplain in a home for the disabled on the Dorset coast. Dalgliesh arrives to discover that Father Baddeley has recently and mysteriously died, as has one of the patients at Toynton Grange. Evidently the home is not quite the caring community it purports to be. Dalgliesh is determined to discover the truth of his friend's death, but further fatalities follow and his own life is in danger as he unmasks the evil at the heart of Toynton Grange.

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