A biography and discography of James P. Johnson, whose musical career spanned the ragtime era.

These thirty-four letters, written by members of the William Ellison family, comprise the only sustained correspondence by a free Afro-American family in the late antebellum South. Born a slave, Ellison was freed in 1816, set up a cotton gin business, and by his death in 1861, he owned sixty-three slaves and was the wealthiest free black in South Carolina. Although the early letters are indistinguishable from those of white contemporaries, the later correspondence is preoccupied with proof of their free status.

Chaplain James D. Johnson chose to accompany his men, unarmed, on their daily combat operations. This is his chronicle of Vietnam and the aftermath of war, of his coming to terms with his post-traumatic demons, and his need for healing and cleansing which led him to revisit Vietnam years later.

Black Bottom Stomp tells the compelling stories of the lives and times of nine seminal figures in American music history, including Scott Joplin, Louis Armstrong, and Jelly Roll Morton.

The inspirational sermons of the old Negro preachers are set down as poetry in this collection -- a classic for more than forty years, frequently dramatized, recorded, and anthologized. Mr. Johnson tells in his preface of hearing these same themes treated by famous preachers in his youth; some of the sermons are still current, and like the spirituals they have taken a significant place in black folk art. In transmuting their essence into original and moving poetry, the author has also ensured the survival of a great oral tradition. Book jacket.

"A remarkably fine work of creative scholarship." —C. Vann Woodward, New York Review of Books In 1860, when four million African Americans were enslaved, a quarter-million others, including William Ellison, were "free people of color." But Ellison was remarkable. Born a slave, his experience spans the history of the South from George Washington and Thomas Jefferson to Robert E. Lee and Jefferson Davis. In a day when most Americans, black and white, worked the soil, barely scraping together a living, Ellison was a cotton-gin maker—a master craftsman. When nearly all free blacks were destitute, Ellison was wealthy and well-established. He owned a large plantation and more slaves than all but the richest white planters. While Ellison was exceptional in many respects, the story of his life sheds light on the collective experience of African Americans in the antebellum South to whom he remained bound by race. His family history emphasizes the fine line separating freedom from slavery.