WINNER OF THE BOOKER PRIZE ‘A passionate, scintillating, brilliant song of a book’ Guardian Sammy's had a bad week. Most of it's just a blank space in his mind, and the bits that he can remember, he'd rather not. His wallet's gone, along with his new shoes, he's been arrested then beaten up by the police and thrown out on the street - and he's just gone blind. He remembers a row with his girlfriend, but she seems to have disappeared; and he might have been trying to fix a bit of business up with an old mate, he's not too sure. Things aren't looking too good for Sammy and his problems have hardly begun.

Murdo, a teenager obsessed with music, dreams of a life beyond his Scottish island home. His dad Tom has recently lost his wife and stumbles towards the future, terrified of losing control of what remains of his family life Both are in search of something as they set out on an expedition into the American South. As they travel they encounter a new world and we discover whether the hopes of youth can conquer the fears of age. Dirt Road is a major novel exploring the brevity of life, the agonising demands of love and the lure of the open road. It is also a beautiful book about the power of music and all that it can offer.

James Kelman, the Man Booker Prize–winning author of How Late It Was, How Late, tells the story of Helen—a sister, a mother, a daughter—a very ordinary young woman. Her boyfriend said she was quirky but she is much more than that. Trust, love, relationships; parents, children, lovers; death, wealth, home: these are the ordinary parts of the everyday that become extraordinary when you think of them as Helen does, each waking hour. Mo Said She Was Quirky begins on Helen’s way home from work, with the strangest of moments when a skinny, down-at-heel man crosses the road in front of her and appears to be her lost brother. What follows is an inspired and absorbing story of twenty-four hours in the life of a young woman.

Jack Proctor, a celebrated older writer and curmudgeon, goes off to residency where he is to be an honored part of teaching and giving public readings, he soon finds the atmosphere of the literary world has changed since his last foray into the public sphere. Unknown to most, unable to work on his own writing, surrounded by a host of odd characters, would-be writers, antagonists, handlers, and members of the elite House of Art and Aesthetics, Proctor finds himself driven to distraction (literally in a very very tiny car). This is a story of a man attempting not to go mad when forced to stop his own writing in order to coach others to write. Proctor’s tour of rural places, pubs, theaters, fancy parties, where he is to be headlining as a "Banker-Prize-Winning-Author" reads like a literary version of Spinal Tap. Uproariously funny, brilliantly philosophical, gorgeously written this is James Kelman at his best.

Living in a bedsit, just coping with the boredom of being a busconductor, and fully aware that his plans to emigrate to Australia won't come to anything, Robert Hines is a young Glaswegian leading a pretty drab life. There are compensations, however, in his wife and child, and his eccentric, anarchic imagination. Kelman provides a brilliantly executed, uncompromising slice of Glasgow life – an intelligent, funny and humane novel.

Eleven-year-old Harrison Opoku, the second best runner in Year 7, races through his new life in England with his personalised trainers - the Adidas stripes drawn on with marker pen - blissfully unaware of the very real threat around him. Newly-arrived from Ghana with his mother and older sister Lydia, Harri absorbs the many strange elements of city life, from the bewildering array of Haribo sweets, to the frightening, fascinating gang of older boys from his school. But his life is changed forever when one of his friends is murdered. As the victim's nearly new football boots hang in tribute on railings behind fluorescent tape and a police appeal draws only silence, Harri decides to act, unwittingly endangering the fragile web his mother has spun around her family to keep them safe.

Intimate new stories from the Booker Prize-winning James Kelman, bringing 'alive a human consciousness like no other writer can'. A trucker passes through a town he used to know and a local tries to sell him his sister; a couple put their children to bed and hear a loud scratching at the wall; a Principal and his associate examine the dead body before them; a man looks into a mirror and reflects on becoming more like his father. Sparky, touching and brilliantly daring, these stories reveal profound human feeling in the ordinary and the everyday, and are a reminder of Kelman's exceptional talent.