In A Portrait and Ulysses, Joyce carefully disassembles the totality of civil society Dubliners inhabit to reveal the ways in which the church and state circumscribe citizens' imagination. The colonized, however, do possess power to deform cultural directives and to resist the roles in which colonizers cast them, but this power originates within logics which exclude and divide."--Jacket.

James Joyce's near blindness, his peculiar gait, and his death from perforated ulcers are commonplace knowledge to most of his readers. But until now, most Joyce scholars have not recognized that these symptoms point to a diagnosis of syphilis. Kathleen Ferris traces Joyce's medical history as described in his correspondence, in the diaries of his brother Stanislaus, and in the memoirs of his acquaintances, to show that many of his symptoms match those of tabes dorsalis, a form of neurosyphilis which, untreated, eventually leads to paralysis. Combining literary analysis and medical detection, Ferris builds a convincing case that this dread disease is the subject of much of Joyce's autobiographical writing. Many of this characters, most notably Stephen Dedalus and Leopold Bloom, exhibit the same symptoms as their creator: stiffness of gait, digestive problems, hallucinations, and impaired vision. Ferris also demonstrates that the themes of sin, guilt, and retribution so prevalent in Joyce's works are almost certainly a consequence of his having contracted venereal disease as a young man while frequenting the brothels of Dublin and Paris. By tracing the images, puns, and metaphors in Ulysses and Finnegans Wake, and by demonstrating their relationship to Joyce's experiences, Ferris shows the extent to which, for Joyce, art did indeed mirror life.

Traditional readings of "Dubliners" have entrapped themselves in easy identifications with the narrator in the stories. Later critics have used strong overarching theories to explore the techniques through which the narrator produces these reductive effects. This study applies a different contemporary theoretical lens to each of the stories.

Over twenty years ago an event occurred in Milwaukee, Wisconsin that shocked the nation as well as the world. His name has been spoken from lips of many people and continues to do so. It has never before been revealed about what it was like to live across the hall from one of the world's most evil serial killers. Imagine moving into what's considered to be one of the nicest buildings in a troublesome and drug infested area and soon after you begin to notice a horrible odor unlike anything you have ever smelled but there's no way of knowing what it is or where it's coming from? What would you do? It has never been written about how life was living in the Oxford Apartments in 1991 across the hall from Jeffrey Dahmer before now. My story tells what I did as I didn't have to imagine how it was. So come with me as I tell about my life, during a time when I lived only small steps away from the door of TERROR.

A highly original exploration of Joyce's engagement with sexual questions.