The JAINA-RUPA-MANDANA Volume I is an authentic work on Jaina iconography from the pen of a well-known authority on the subject, Dr. Umakant P.Shah, an eminent Indologist and art-historian with specialization in Jaina art and literature. Illustrated profusely with over two hundred monochrome plates, the work is a standard textbook and a very useful guide to all students in Indian art and archaeology and to Museum Curators. The work is supplemented with a large number of iconographic tables for images of all important Jaina gods and goddesses. Dr. Shah, the author, has for the first time given solutions to various basis problems of Jaina iconography supported with ample evidence from both archaeology and literature including unpublished original texts still in manuscripts.

Selling Yoga looks at how modern yoga developed into the self-developmental products and services that are widely consumed across the world today.

The Lives of the Jain Elders is the standard synthesis of source material for the early history of Jainism by the great twelfth-century Jain scholar-monk, Hemacandra, also a key figure in the wider context of Sanskrit literature. An epic poem written in an allusive and ornamental style, itrelates the pupillary succession of the early monastic Jain community, their teaching and the legendary spread of their influence, the ascetisicism of the Elders, and their eventual liberation from the cycle of death and rebirth. Abounding in memorable characters, and providing a rich compendium ofIndian folk-tale, The Lives of the Jain Elders offers fascinating insight into the social life of medieval India. This new translation makes the complete work available for the first time in a European language and is complemented by a full introduction illuminating Jain belief and history.

This book is an analysis of the philosophical chapters of the Tattvārthādhigama (TA), a foundational text for the Jaina tradition and the first text that presented the Jaina worldview in a clear and systematic way. The book also includes the first English translation of its oldest commentary, the Tattvārthādhigamabhāṣya (TABh). Focusing on the philosophical sections of the TA and TABh, which deviate from the traditional views and introduce several new concepts for the Jaina tradition, the analysis suggests that the TA and the TABh were written by different authors, and that both texts contain several historical layers. The texts reflect aspects of the concurrent intellectual movements, and the textual analysis includes comparisons with the views of other schools, such as the Nyāya and Vaiśeṣika traditions, and offers an in-depth analysis of the philosophical content of these works. The appendix contains an English translation from the original Sanskrit text of the TA and provides the first English translation of the commentary on these passages from the TABh. Situating the text in the wider history of Indian philosophy, the book offers a better understanding of the role of the Jainas in the history of Indian thought. It will be of interest to those studying Indian philosophy, Indian thought and Asian religions.

Jain Rāmāyaṇa Narratives: Moral Vision and Literary Innovation traces how and why Jain authors at different points in history rewrote the story of Rāma and situates these texts within larger frameworks of South Asian religious history and literature. The book argues that the plot, characters, and the very history of Jain Rāma composition itself served as a continual font of inspiration for authors to create and express novel visions of moral personhood. In making this argument, the book examines three versions of the Rāma story composed by two authors, separated in time and space by over 800 years and thousands of miles. The first is Raviṣeṇa, who composed the Sanskrit Padmapurāṇa (“The Deeds of Padma”), and the second is Brahma Jinadāsa, author of both a Sanskrit Padmapurāṇa and a vernacular (bhāṣā) version of the story titled Rām Rās (“The Story of Rām”). While the three compositions narrate the same basic story and work to shape ethical subjects, they do so in different ways and with different visions of what a moral person actually is. A close comparative reading focused on the differences between these three texts reveals the diverse visions of moral personhood held by Jains in premodernity and demonstrates the innovative narrative strategies authors utilized in order to actualize those visions. The book is thus a valuable contribution to the fields of Jain studies and religion and literature in premodern South Asia.