First-hand accounts of travel provide windows into places unknown to the reader, or new ways of seeing familiar places. In Jade Mountains and Cinnabar Pools, the first book-length treatment in English of Chinese travel literature (youji), James M. Hargett identifies and examines core works in the genre, from the Six Dynasties period (220�581), when its essential characteristics emerged, to its florescence in the late Ming dynasty (1368�1644). He traces the dynamic process through which the genre, most of which was written by scholars and officials, developed, and shows that key features include a journey toward an identifiable place; essay or diary format; description of places, phenomena, and conditions, accompanied by authorial observations, comments, and even personal feelings; inclusion of sensory details; and narration of movement through space and time. Travel literature�s inclusion of a variety of writing styles and purposes has made it hard to delineate. Hargett finds, however, that classic pieces of Chinese travel literature reveal much about the author, his values, and his view of the world, which in turn tells us about the author�s society, making travel literature a rich source of historical information.

"This broad-ranging study is the first book-length treatment in English or any other European language of Chinese travel literature (youji) as a genre. The material addressed, most of which was written by members of the scholar-official class, extends from the Six Dynasties period (220-581), when the essential, characteristic elements of prose travel literature in China emerged, to fluorescence in the late Ming dynasty (1368-1644), after which the tremendous physical expansion of the Chinese empire fundamentally changed the nature of travel. James Hargett identifies and examines the works that constitute the core of China's travel-literature tradition and traces the dynamic process through which the genre developed, as it incorporated interplay among authors and audiences, literary milieus, and cultural institutions. Travel literature's inclusion of a variety of writing styles and purposes has made it hard to delineate. Hargett finds, however, that classic pieces of Chinese travel literature present a coherent prose narrative of the physical experience of a journey through space towards an identifiable place; are written in essay or diary format, usually as an "account" (ji); describe places, phenomena, and conditions, accompanied by authorial observations, comments, and even personal feelings; include sensory details; and narrate movement through space and time. These accounts based on first-hand observation provide windows into places unknown to the reader, or new ways of seeing familiar places. They also reveal much about the author, his values, and his view of the world, and these features in turn tells us about the author's society, making travel literature a rich source of historical information"--

Using the concept of theatricality to study Water Margin and Journey to the West, this study illustrates how writing and reading in early modern China became fused with a theatrical imagination in response to destabilizing social and political forces.

The history of a single book sheds light on the beginnings of modern Jewish thought In 1797, in what is now the Czech Republic, Pinḥas Hurwitz published Book of the Covenant. Nominally an extended commentary on a sixteenth-century kabbalist text, Pinḥas’s publication was in fact a compendium of scientific knowledge and a manual of moral behavior. Its popularity stemmed from its ability to present the scientific advances and moral cosmopolitanism of its day in the context of Jewish legal and mystical tradition. Describing the latest developments in science and philosophy in the sacred language of Hebrew, Hurwitz argued that an intellectual understanding of the cosmos was not at odds with but actually key to achieving spiritual attainment. In A Best-Selling Hebrew Book of the Modern Era, David Ruderman offers a literary and intellectual history of Hurwitz’s book and its legacy. Hurwitz not only wrote the book, but also was instrumental in selling it, and his success ultimately led to the publication of more than forty editions in Hebrew, Ladino, and Yiddish. Ruderman provides a multidimensional picture of the book and the intellectual tradition it helped to inaugurate. Complicating accounts that consider modern Jewish thought to be the product of a radical break from a religious, mystical past, Ruderman shows how, instead, a complex continuity shaped Jewish society’s confrontation with modernity.

Fan Chengda (1126-1193) was a high-ranking Chinese government official in Guangxi, an experienced traveler, a keen observer, and a gifted writer. His observations on a wide range of subjects are always interesting and revealing, and constitute an important contribution to the literature on Song dynasty China’s frontier peoples. Originally written in direct, unadorned, and allusion-free classical Chinese prose, the complete and annotated English translation of Treatises of the Supervisor and Guardian of the Cinnamon Sea (Guihai yuheng zhi) captures its charm and significance.

This fundamentally new interpretation of the Qing reveals how Sino-Western engagements transformed traditions, institutions, and networks of communications.