A richly illustrated celebration of Ruisdael's achievements as the greatest and most versatile of seventeenth-century Dutch landscape painters

If you know the 26 letters of the alphabet and can count to 99 -- or are just learning -- you'll love Tana Hoban's brilliant creation. This innovative concept book is two books in one!

Jacob van Ruisdael is widely acknowledged as one of the great Dutch landscape artists of the 17th century. This major study aims to provide a comprehensive overview of the artist's work and critical reception.

Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.

In 1644 the young Alkmaar artist Allart van Everdingen (1621-1675) travelled through Norway. It was an inspiring experience that set the course for his career. He went on to make countless paintings, drawings and etchings of rugged landscapes with waterfalls, log cabins and pine trees. These seemingly realistic snapshots of Norwegian scenery prove on closer examination to be artistic constructs, conceived and executed in the workshop. Van Everdingen had created a new genre in Dutch art that sold very well and was picked up by other artists, Jacob van Ruisdael among them. In the nineteenth century, his impressive mountain views became an important inspiration for the Romantics. He also painted dramatic seascapes and river views, Dutch landscapes full of narrative details, scenes of the springs at Spa and illustrations for the Tale of Reynard the Fox. This book is the first to be devoted to Allart van Everdingen's oeuvre in all its surprising scope. Exhibition: Stedelijk Museum Alkmaar, The Netherlands (18.09.2021 - 16.01.2022).

" ... accompanies the exhibition of the same name organized by the Peabody Essex Museum, Salem, Massachusetts, in conjunction with the Mauritshuis, The Hague. The exhibition is on view from February 26 through June 19, 2011; and travels to the Fine Arts Museums of San Francisco, July 9 through October 2, 2011, and the Museum of Fine Arts, Houston, November 13, 2011 through February 12, 2012"--T.p. verso.