The striking engravings of Julien-David Le Roy's The Ruins of the Most Beautiful Monuments of Greece (1758) first revealed the architectural wonders of ancient Athens to the West. Part architectural theory, part archaeological report, part travelogue, the greatly expanded edition of 1770 -- here translated into English -- is entirely original in its understanding of the spirit of classical Greek architecture and in its influence on the direction of contemporary architectural creation. Book jacket.

With Athena Itonia: Geography and Meaning of an Ancient Greek War Goddess Gerald V. Lalonde offers the first comprehensive history of the martial cult of Athena Itonia, from its origins in Greek prehistory to its demise in the Roman imperial age. The Itonian goddess appears first among the Thessalians and eventually as the patron deity of their famed cavalry. Archaic poets attest to "Athena, warrior goddess" and her festival games at the Itoneion near Boiotian Koroneia. The cult also came south to Athens, probably with the mounted Thessalian allies of Peisistratos. Hellenistic decrees from Amorgos tell of elaborate festival sacrifices to Athena Itonia, likely supplications for protection of the islanders and their maritime trade when piracy plagued the Cyclades after collapse of the Greek naval forces that policed the Aegean Sea. This will be an indispensable volume for all interested in the social, political, and military uses of ancient Greek religious cult and the geography, chronology, and circumstances of its propagation among Greek poleis and federations.

In this magisterial book, William St Clair unfolds the history of the Parthenon throughout the modern era to the present day, with special emphasis on the period before, during, and after the Greek War of Independence of 1821–32. Focusing particularly on the question of who saved the Parthenon from destruction during this conflict, with the help of documents that shed a new light on this enduring question, he explores the contributions made by the Philhellenes, Ancient Athenians, Ottomans and the Great Powers. Marshalling a vast amount of primary evidence, much of it previously unexamined and published here for the first time, St Clair rigorously explores the multiple ways in which the Parthenon has served both as a cultural icon onto which meanings are projected and as a symbol of particular national, religious and racial identities, as well as how it illuminates larger questions about the uses of built heritage. This book has a companion volume with the classical Parthenon as its main focus, which offers new ways of recovering the monument and its meanings in ancient times. St Clair builds on the success of his classic text, The Reading Nation in the Romantic Period, to present this rich and authoritative account of the Parthenon’s presentation and reception throughout history. With weighty implications for the present life of the Parthenon, it is itself a monumental contribution to accounts of the Greek Revolution, to classical studies, and to intellectual history.