An amazing autobiography of a criminal from a forgotten time in american history. Jack Black was a burgler, safe-cracker, highwayman and petty thief.

Comic misadventures ensue when seventh-grader Jack tries to write the great American novel.

"Much of this book is about loneliness. Yet its pages are bracingly companionable. It is one of the friendliest books ever written. It is a superb piece of autobiography, testimony that cannot be impeached. While it is a statement of an American tragedy, it has laughter, brevity, style; as a book to pass the time away with, it is in a class with the best fiction." — Carl Sandburg, New York World "Nothing half as rewarding has come down the highway of books about thieves, tramps, murderers, bootleggers and crooks in years " — New Republic "I believe Jack Black has written a remarkable book; it is vivid and picturesque; it is not fiction; it is a book that was needed and it should be widely read." — Clarence Darrow, New York Herald Tribune A major influence on William S. Burroughs and other Beat writers, this lost classic was written by Jack Black, a drifter and small-time criminal. Born in 1872, Black hit the road at the age of 16 and spent most of his life as a vagabond. In this plainspoken but colorful memoir, he recaptures a hobo underworld of the early twentieth century, a time when it was possible to pass anonymously from town to town. Black's firsthand accounts of hopping trains, burglaries, prison, and drug addiction offer a compelling portrait of life outside the law and honor among thieves.

Jack Black is thrilled when his father, the captain of the largest airship in the world, invites him on the ship’s maiden voyage. Once aloft, Jack overhears a plot to sabotage the ship. But before he can tell his father, Jack falls, plummeting through the air to be caught in the sails of a pirate ship. Now Jack must try to convince a crew of thieves to rescue his father. . . . In this robust blend of fantasy and whirlwind adventure, Carol Hughes confronts the difficult, real-life issues of trust, loyalty, and deception.

From the Newbery Medal–winning author of Dead End in Norvelt, nine semi-autobiographical stories that will make you laugh so hard it hurts In Jack on the Tracks, fifth-grader Jack Henry is hoping for fresh adventure when he moves to a new home in Miami with his family, but he can't escape his old worrying ways. He worries about being fascinated with all things gross and disgusting. He worries about his crazy French-obsessed schoolteacher. And most of all he worries about worrying so much. In this cycle of interrelated stories, there may be light at the end of the tunnel, if only Jack can get on the right track to survive his outrageous year. This title has Common Core connections.

Dead End in Norvelt is the winner of the 2012 Newbery Medal for the year's best contribution to children's literature and the Scott O'Dell Award for Historical Fiction! Melding the entirely true and the wildly fictional, Dead End in Norvelt is a novel about an incredible two months for a kid named Jack Gantos, whose plans for vacation excitement are shot down when he is "grounded for life" by his feuding parents, and whose nose spews bad blood at every little shock he gets. But plenty of excitement (and shocks) are coming Jack's way once his mom loans him out to help a fiesty old neighbor with a most unusual chore—typewriting obituaries filled with stories about the people who founded his utopian town. As one obituary leads to another, Jack is launced on a strange adventure involving molten wax, Eleanor Roosevelt, twisted promises, a homemade airplane, Girl Scout cookies, a man on a trike, a dancing plague, voices from the past, Hells Angels . . . and possibly murder. Endlessly surprising, this sly, sharp-edged narrative is the author at his very best, making readers laugh out loud at the most unexpected things in a dead-funny depiction of growing up in a slightly off-kilter place where the past is present, the present is confusing, and the future is completely up in the air.

Few Americans, black or white, recognize the degree to which early African American history is a maritime history. W. Jeffrey Bolster shatters the myth that black seafaring in the age of sail was limited to the Middle Passage. Seafaring was one of the most significant occupations among both enslaved and free black men between 1740 and 1865. Tens of thousands of black seamen sailed on lofty clippers and modest coasters. They sailed in whalers, warships, and privateers. Some were slaves, forced to work at sea, but by 1800 most were free men, seeking liberty and economic opportunity aboard ship.Bolster brings an intimate understanding of the sea to this extraordinary chapter in the formation of black America. Because of their unusual mobility, sailors were the eyes and ears to worlds beyond the limited horizon of black communities ashore. Sometimes helping to smuggle slaves to freedom, they were more often a unique conduit for news and information of concern to blacks.But for all its opportunities, life at sea was difficult. Blacks actively contributed to the Atlantic maritime culture shared by all seamen, but were often outsiders within it. Capturing that tension, Black Jacks examines not only how common experiences drew black and white sailors together--even as deeply internalized prejudices drove them apart--but also how the meaning of race aboard ship changed with time. Bolster traces the story to the end of the Civil War, when emancipated blacks began to be systematically excluded from maritime work. Rescuing African American seamen from obscurity, this stirring account reveals the critical role sailors played in helping forge new identities for black people in America.An epic tale of the rise and fall of black seafaring, Black Jacks is African Americans' freedom story presented from a fresh perspective.