In 1888 Oswell Danford is living a hard but satisfying life as a rancher in Virginia when he receives an unexpected telegram. A wedding invitation should be cause to celebrate but not when it means he'll have to face past deeds that he's deeply ashamed of. Now he and his brother, along with their ex-compatriot, an inveterate gambler from New York, will have to travel to Montana Territory to settle an old score they'd nearly forgotten. They will join the expectant congregation at the church for the marriage of their former brother-in-arms. But while everyone else will be wishing a blissful future for the happy couple they will be praying the darkness from their past doesn't devour the entire town. A Congregation of Jackals is an unrelenting tale of betrayal and revenge told with a precision and brutality that will leave you breathless and haunted. Fans of Zahler's breakout hits Bone Tomahawk and Wraiths of the Broken Land will be floored by this, originally the first installment of his western horror trilogy.

The sequel to THE BLACK JACKALS is set in the turmoil of the eastern Mediterranean in 1941, with the Brits struggling to hold their line in Greece against the powerful German and Italian forces.

Meet James Keane: loveable rogue and unlikely hero. 'Wonderfully imaginative' Bernard Cornwell, author of The Last Kingdom. Perfect for fans of Simon Scarrow and Bernard Cornwell. James Keane - card sharp and ladies' man - is one of the finest soldiers of Wellington's army. Keane - hot-tempered, a maverick, never quite accepted by his fellow officers - is in trouble for killing his man in a duel: an activity forbidden by Wellington. To avoid court martial, he takes on an unwelcome assignment: to form an ill-assorted bunch of reprobates into an elite unit capable of operating behind the lines. A nineteenth-century Dirty Dozen.

'Wonderfully imaginative' Bernard Cornwell, author of The Last Kingdom British Intelligence maverick James Keane goes undercover in Napoleon's Paris for his most daring espionage mission yet. Perfect for fans of Simon Scarrow and Bernard Cornwell. It's 1812, and one man is on the top of the world. Napoleon Bonaparte has enjoyed victories all over Europe and is rebuilding the glorious city of Paris. Meanwhile, his enemies struggle to keep alive the embers of rebellion that still burn at the city's heart. To aid this noble cause, a few British intelligence officers have been smuggled in, and James Keane is one of them. Keane finds himself at once adrift in a world of gambling houses and derelict cemeteries - of ex-Jacobites, disaffected French royalists, Irishmen and Americans, all of them voicing dissension. If Keane is to succeed, a means must be discovered by which to persuade these miscreants to rise against Napoleon's rule, without alerting the endless spies and informers that surround them. Forging alliances between unlikely collaborators proves especially difficult for Keane, whose honourable nature objects so strongly to this double-dealing. But he must persevere, or else lose the golden opportunity to aid in the defeat of the tyrannical French Emperor once and for all. WHAT READERS ARE SAYING 'Enthralling' ***** 'Full of intrigue' ***** 'I can't wait for the next in the series' *****

You ask what the Jackals do in the Zaharets. I ask you, what happens if they do nothing? – Nawsi Namar of Orsem Honess, speaking to the Sar of Ameena Noani The Fall of the Children of Bronze is a grand campaign for Jackals, and includes 14 adventures spanning 9 years. Players will explore the ancient myths and legends of the War Road, from the bustling streets of Ameena Noani in the north and Sentem in the south, to abandoned temples in the wastes and mansions deep within the earth. They will encounter beings and powers from the past – ancient but far from dormant – and come face to face with the hidden hand that would the Law of Men torn down and chaos brought to the Zaharets.

For most Americans, terrorism made the transformation from theoretical threat to frightening reality on September 11, 2001, yet America has been the target of terrorist acts for over four decades. Piszkiewicz recounts the changing political orientation of terrorists and highlights the challenge that faces America and the community of nations in putting terrorists out of business without adopting their tactics. Piszkiewicz tells the history of modern international terrorism from its beginning in 1958 with the Cuban hijacking of an airliner en route from Miami. He recounts the changing political orientation of the enemy, the growing viciousness of their attacks, and the blundering responses by the U.S. government: inaction, impotent verbal assaults, and ill-conceived acts of retaliation. This book highlights the challenge that faces America and the community of nations in putting terrorists out of business without adopting their tactics. The assault began with the hijacking of airliners, but soon included the bombing of embassies, as well as attacks on military units and navy ships. Terrorism has evolved from a disorganized activity of individuals and small groups, through its adoption of political warfare by nationalists, insurgents, and the disenfranchised, to its current incarnation as a weapon of political change used by rogue states and radical religious movements.

In Between God and Beast, Avraham Balaban argues that Oz's fiction has, from the outset, followed Jung's psychological theory. The major psychic processes that are depicted throughout Oz's prose are typically Jungian. For example, the treasure hunt, which is the deep structure of many of Oz's stories and novels, reflects the search for the "self" in which all the vying forces of one's psyche coexist peacefully. Oz uses many of the symbols of the treasure as well as of the self as they are presented by Jung. Many of the symbols examined in this study have never before been discussed in articles about Oz's writings. Balaban also devotes a considerable portion of his study to the religious dimension of Oz's work as well as the impact of his personal life on his writings. Balaban reveals that from the beginning Oz's work has moved in two directions: it demonstrates an unceasing effort to delve ever deeper into the dark side of consciousness while heightening the contrast between the opposing elements vying within his protagonists; and it consistently attempts to bring those oppositions to peaceful coexistence and even to a fruitful mutual relationship.