Emerging from the unlikely background of the Scottish coalfields, unknown and untutored, Jack Vettriano has become Scotland's most successful and controversial contemporary artist. Appearing on posters and cards, mugs and umbrellas, prints of his work outsell van Gogh, Dali and Monet and his paintings have been acquired by celebrities around the world. Vettriano's images are a gateway to an alluring yet sinister world; a timeless place where past and present intertwine. Daylight scenes of heady optimism, painted against backdrops of beaches and racetracks, are counterbalanced by more disquieting canvases of complex night-time liaisons in bars, clubs, bedrooms and ballrooms. His powerful canvases are beautifully captured in this new edition of Jack Vettriano, which includes 15 more recent images, from exhibitions between 2006 and 2010.

"Alongside 44 Vettriano paintings are stories, poems, dialogue from plays, and other fine examples of Scottish writing"--Cover flap.

In December 2003 the painter Jack Vettriano, a coalminer’s son, met his parents off the train from Scotland on his way to collect an OBE. Over the last few years Vettriano has had a meteoric rise to fame – emerging from the unlikely background of the Scottish coalfields, unknown and untutored, he has become Scotland’s most successful and controversial contemporary artist. Appearing on posters and cards, mugs and umbrellas, prints of his work outsell Van Gogh, Dali and Monet and his paintings have been acquired by celebrities around the world. 'The Singing Butler', Britain's most reproduced painting, fetched a record £744,800 at auction in April 2004. Vettriano’s images have an often mysterious narrative and are a gateway to an alluring yet sinister world. Daylight scenes of heady optimism, painted against backdrops of beaches and racetracks, are counterbalanced by more disquieting canvases of complex night-time liaisons in bars and clubs, bedrooms and ballrooms. Both sexes are clearly styled – the men hard-edged and mysterious, the women seductive and enigmatic. Yet beneath the confident posturing, Vettriano recognizes our inherent human frailty, that there is no victor in the struggle between duplicity and desire. Men and women are ultimately trapped by the machinations of intense love and passion with little control over their destiny. 'Jack Vettriano' presents about thirty new images, as well as some recently surfaced works, plus the best of the paintings previously published in 'Lovers and Other Strangers' and 'Fallen Angels', also by Pavilion. In March 2004 Melvin Bragg’s The South Bank Show broadcast a programme dedicated to Jack entitled Jack Vettriano: The People’s Painter. Reissued in smaller user-friendly format.

Published to coincide with a new exhibition in September 2000, this book showcases over 100 paintings from renowned Scottish artist Jack Vettriano. The paintings are accompanied by a biographical review of the artist's life and achievements.

The arts.

This manual contains over 5500 photographs of men and women in a wide range of poses, both clothed and unclothed. Modelled by professional actors, each pose is naturally and expressively represented. From running, standing, sitting and lying down, to carrying, reaching, pushing and pulling, the book has an image to satisfy most needs.

Creativity and Learning in Later Life examines how processes such as ‘creativity’ and ‘inspiration’ are experienced by writers who engage with the visual arts, and questions how age is perceived in relation to these processes. The author’s careful analysis challenges many of the assumptions on which museum education currently operates, contributing to wider debates surrounding the value of arts and cultural heritage education. Containing detailed descriptions of museum tours, viewers’ engagements with specific artworks, and the processes of creative writing and editing that result from such encounters, the book draws on a ground-breaking study to challenge the way in which the value of education and creative activity for older adult learners has been conceptualized in existing literature. It also demonstrates how learners adapt and subvert the intended pedagogies to suit their own needs and accommodate their ageing selves. Drawing on a spectrum of disciplines including education, anthropology, art history, sociology, museum studies and the practice and theory of creative writing, this book will be of interest to academics, postgraduate students, and researchers in a range of fields, as well museum practitioners, creative writing teachers and those working in adult and community education settings.