Best Books of the Month: Wall Street Journal, Kirkus Reviews From the Pulitzer Prize–winning author of The Gulf, a sweeping cultural and natural history of the bald eagle in America. The bald eagle is regal but fearless, a bird you’re not inclined to argue with. For centuries, Americans have celebrated it as “majestic” and “noble,” yet savaged the living bird behind their national symbol as a malicious predator of livestock and, falsely, a snatcher of babies. Taking us from before the nation’s founding through inconceivable resurgences of this enduring all-American species, Jack E. Davis contrasts the age when native peoples lived beside it peacefully with that when others, whether through hunting bounties or DDT pesticides, twice pushed Haliaeetus leucocephalus to the brink of extinction. Filled with spectacular stories of Founding Fathers, rapacious hunters, heroic bird rescuers, and the lives of bald eagles themselves—monogamous creatures, considered among the animal world’s finest parents—The Bald Eagle is a much-awaited cultural and natural history that demonstrates how this bird’s wondrous journey may provide inspiration today, as we grapple with environmental peril on a larger scale.

Winner • Pulitzer Prize for History Winner • Kirkus Prize for Nonfiction Finalist • National Book Critics Circle Award (Nonfiction) A New York Times Notable Book of the Year Named one of the Best Books of the Year by the Washington Post, NPR, Library Journal, and gCaptain Booklist Editors’ Choice (History) Longlisted for the Andrew Carnegie Medal for Excellence In this “cri de coeur about the Gulf’s environmental ruin” (New York Times), “Davis has written a beautiful homage to a neglected sea” (front page, New York Times Book Review). Hailed as a “nonfiction epic . . . in the tradition of Jared Diamond’s best-seller Collapse, and Simon Winchester’s Atlantic” (Dallas Morning News), Jack E. Davis’s The Gulf is “by turns informative, lyrical, inspiring and chilling for anyone who cares about the future of ‘America’s Sea’ ” (Wall Street Journal). Illuminating America’s political and economic relationship with the environment from the age of the conquistadors to the present, Davis demonstrates how the Gulf’s fruitful ecosystems and exceptional beauty empowered a growing nation. Filled with vivid, untold stories from the sportfish that launched Gulfside vacationing to Hollywood’s role in the country’s first offshore oil wells, this “vast and welltold story shows how we made the Gulf . . . [into] a ‘national sacrifice zone’ ” (Bill McKibben). The first and only study of its kind, The Gulf offers “a unique and illuminating history of the American Southern coast and sea as it should be written” (Edward O. Wilson).

Play about an Aboriginal (Nyoongah) family, their relationships and problems; Aboriginal men dying in police custody.

Growing up, Jerry Thompson knew only that his grandfather was a gritty, “mixed-blood” Cherokee cowboy named Joe Lynch Davis. That was all anyone cared to say about the man. But after Thompson’s mother died, the award-winning historian discovered a shoebox full of letters that held the key to a long-lost family history of passion, violence, and despair. Wrecked Lives and Lost Souls, the result of Thompson’s sleuthing into his family’s past, uncovers the lawless life and times of a man at the center of systematic cattle rustling, feuding, gun battles, a bloody range war, bank robberies, and train heists in early 1900s Indian Territory and Oklahoma. Through painstaking detective work into archival sources, newspaper accounts, and court proceedings, and via numerous interviews, Thompson pieces together not only the story of his grandfather—and a long-forgotten gang of outlaws to rival the infamous Younger brothers—but also the dark path of a Cherokee diaspora from Georgia to Indian Territory. Davis, born in 1891, grew up on a family ranch on the Canadian River, outside the small community of Porum in the Cherokee Nation. The range was being fenced, and for the Davis family and others, cattle rustling was part of a way of life—a habit that ultimately spilled over into violence and murder. The story “goes way back to the wild & wooly cattle days of the west,” an aunt wrote to Thompson’s mother, “when there was cattle rustling, bank robberies & feuding.” One of these feuds—that Joe Davis was “raised right into”—was the decade-long Porum Range War, which culminated in the murder of Davis’s uncle in 1907. In fleshing out the details of the range war and his grandfather’s life, Thompson brings to light the brutality and far-reaching consequences of an obscure chapter in the history of the American West.

Jack Davis: Drawing American Pop Culture is a gigantic, unparalleled career-spanning retrospective, between whose hard covers resides the greatest collection ― in terms of both quantity and quality ― of Jack Davis’ work ever assembled! It includes work from every stage of his long and varied career, such as: excerpts of satirical drawings from his college humor ’zine, The Bull Sheet; examples of his comics work from EC, MAD, Humbug, Trump, and obscure work he did for other companies in the 1950s such as Dell; movie posters including It’s a Mad, Mad, Mad, Mad World, The Bad News Bears, Woody Allen’sBananas, The Party, and others; LP jacket art for such musicians and bands as Hans Conreid and the Creature Orchestra’s Monster Rally, Spike Jones and Ben Cooler; cartoons and illustrations fromPlayboy, Sports Illustrated, Time, TV Guide, Esquire, and many others; unpublished illustrations and drawings Davis did as self-promotional pieces, proposed comic strips that never sold (such as his Civil War epic “Beaureagard”), finished drawings for unrealized magazine projects ― and even illustrations unearthed in the Davis archives that the artist himself can’t identify!