Jeffrey Jacob “J. J.” Abrams (b. 1966) decided to be a filmmaker at the age of eight after his grandfather took him on the back-lot tour of Universal Studios. Throughout his career, Abrams has dedicated his life to storytelling and worked tirelessly to become one of the best-known and most successful creators in Hollywood. The thirty interviews collected in this volume span Abrams’s entire career, covering his many projects from television and film to video games and theater. The volume also includes a 1982 article about Abrams as a teen sensation whose short film High Voltage won the Audience Award at a local film festival and garnered the attention of Steven Spielberg. Beginning his career as a screenwriter on films like Regarding Henry and Armageddon, Abrams transitioned into a TV mogul with hit shows like Alias and Lost. Known for his imaginative work across several genres, from science fiction and horror to action and drama, Abrams’s most successful films include Mission: Impossible III; Star Trek; and Star Wars: The Force Awakens, which went on to become the highest-grossing film of all time in the United States. His production company, Bad Robot, has produced innovative genre projects like Cloverfield and Westworld. Abrams also cowrote a novel with Doug Dorst called S., and, most recently, he produced the Broadway run of The Play That Went Wrong. In conversations with major publications and independent blogs, Abrams discusses his long-standing collaborations with others in the field, explains his affinity for mystery, and describes his approach to creating films like those he gravitated to as a child, revealing that the award-winning director-writer-producer is a fan before he is a filmmaker.

American auteur Jeffrey Jacob "J. J." Abrams's genius for creating densely plotted scripts has won him broad commercial and critical success in TV shows such as Felicity (1998--2002), Emmy-nominated Alias (2001--2006), Emmy and Golden Globe-winning Lost (2004--2010), and the critically acclaimed Fringe (2008--2013). In addition, his direction in films such as Cloverfield (2008), Super 8 (2011), and the new Mission Impossible and Star Trek films has left fans eagerly awaiting his revival of the Star Wars franchise. As a writer, director, producer, and composer, Abrams seamlessly combines geek appeal with blockbuster intuition, leaving a distinctive stamp on all of his work and establishing him as one of Tinsel Town's most influential visionaries. In The Philosophy of J.J. Abrams, editors Patricia L. Brace and Robert Arp assemble the first collection of essays to highlight the philosophical insights of the Hollywood giant's successful career. The filmmaker addresses a diverse range of themes in his onscreen pursuits, including such issues as personal identity in an increasingly impersonal digitized world, the morality of terrorism, bioethics, friendship, family obligation, and free will. Utilizing Abrams's scope of work as a touchstone, this comprehensive volume is a guide for fans as well as students of film, media, and culture. The Philosophy of J.J. Abrams is a significant contribution to popular culture scholarship, drawing attention to the mind behind some of the most provocative television and movie plots of our day.

Sydney's conscience struggles with her job, which too often asks her to work with criminals she'd much rather put away. She understands the logic -- the small fish versus big fish pragmatism -- but that doesn't make acceptance easier. Someone else is less conflicted and is assassinating APO's shadier contacts. Only the calling card of a black star with the number 13 in its center hints at the culprit. When it becomes clear that a highly trained -- and lethal -- vigilante organization is interfering with APO's missions, Sydney must put aside her empathy and help shut down the mysterious "13 Stars." But after Sydney herself is mistaken for a freelance terror agent, she worries that the mistake is not so far from the truth. And now that she's marked, both her cover and her welfare are in immediate jeopardy.

Bestselling sci-fi author Card ("Ender's Game") presides over this collection of essays that examines the supernatural television phenomenon "Lost," providing insight into the show's most talked-about issues.

A brilliant Alliance geneticist who disappeared years ago walks into a police station in Siberia wearing a hazmat suit and claims to be responsible for the deaths of his wife and three children. But before he can be questioned, he is kidnapped by his former employer, Gai Dong Jing, an ex-Alliance officer who is head of a terrorist network conducting bioweapon research of deadly proportions. With the threat of a worldwide epidemic looming, Sydney and the APO team must locate Jing and decode the toxic scientist's medical diary, which holds the answers to the virus he carries and the fate of the scientist's family. In the meantime, the highly contagious geneticist plans to rid himself of his illness in the most unimaginable way....

In J.J. Abrams vs. Joss Whedon, Wendy Sterba compares the parallel careers in film and television of two creative masterminds--pitting one against the other in a light-hearted competition. The author looks back upon the beginnings of both men's careers--Whedon's stint as a writer on Roseanne and Abrams' early scripts for films like Regarding Henry-

Jeffrey Jacob “J. J.” Abrams (b. 1966) decided to be a filmmaker at the age of eight after his grandfather took him on the back-lot tour of Universal Studios. Throughout his career, Abrams has dedicated his life to storytelling and worked tirelessly to become one of the best-known and most successful creators in Hollywood. The thirty interviews collected in this volume span Abrams’s entire career, covering his many projects from television and film to video games and theater. The volume also includes a 1982 article about Abrams as a teen sensation whose short film High Voltage won the Audience Award at a local film festival and garnered the attention of Steven Spielberg. Beginning his career as a screenwriter on films like Regarding Henry and Armageddon, Abrams transitioned into a TV mogul with hit shows like Alias and Lost. Known for his imaginative work across several genres, from science fiction and horror to action and drama, Abrams’s most successful films include Mission: Impossible III; Star Trek; and Star Wars: The Force Awakens, which went on to become the highest-grossing film of all time in the United States. His production company, Bad Robot, has produced innovative genre projects like Cloverfield and Westworld. Abrams also cowrote a novel with Doug Dorst called S., and, most recently, he produced the Broadway run of The Play That Went Wrong. In conversations with major publications and independent blogs, Abrams discusses his long-standing collaborations with others in the field, explains his affinity for mystery, and describes his approach to creating films like those he gravitated to as a child, revealing that the award-winning director-writer-producer is a fan before he is a filmmaker.