It's Raining in Moscow is a novel that goes both beyond and stays this side of history -- the history of a family, of the post-1945 deportations, of a multiethnic region in Eastern Europe, Transylvania, in the 20th century, of the interactions of animals, plants, and humans, where for once the text inhabits non-human perspectives. A novel that repeatedly asks the question: what do we need to face our own lies and the lies of others; what do we accept as truth if we are dispossessed, left to our own means and entirely alone in the wasteland, or in the torture chamber? Eleven stories from the short 20th century -- the defining events in the life of a man, István Beczássy, the author's grandfather, from sexual initiation to interrogation and torture at the hands of the Securitate, the secret police of communist Romania, narrated mostly from animal perspectives. The familiar historical traumas are shown in a strikingly defamiliarizing light: deportation into forced domicile, when seen through the eyes of a dog, becomes at once more bearable and more gripping, for the dog doesn't perceive the loss of property but senses all the more acutely the absence of his masters, the ghostly silence of the empty house. The interrogation and torture at the Securitate headquarters, when told by a bedbug that voices self-help psychological clichés and Coelho-like fatuities, at once hinders our natural empathizing with the victim of torture, and starkly exposes dominant behavior patterns in the world of the humans. Zsuzsa Selyem's books have been translated into German, French, and Romanian. Her stories have come out in English in World Literature Today, the anthology Best European Fiction 2017 (Dalkey Archive) and elsewhere. This is her first volume in English.

Billy has problems: bullying at school, missing parents and living on the dementia floor of Autumn Days. In Russia, family life drives Manya to the brink of a dark world she doesn't understand. Two stories slowly reveal an astonishing link.

For half a century, Michael Jackson’s music has been an indelible part of our cultural consciousness. Landmark albums such as Off the Wall and Thriller shattered records, broke racial barriers, amassed awards, and set a new standard for popular music. While his songs continue to be played in nearly every corner of the world, however, they have rarely been given serious critical attention. The first book dedicated solely to exploring his creative work, Man in the Music guides us through an unparalleled analysis of Jackson’s recordings, album by album, from his trailblazing work with Quincy Jones to his later collaborations with Teddy Riley, Jimmy Jam, Terry Lewis, and Rodney Jerkins. Drawing on rare archival material and on dozens of original interviews with the collaborators, engineers, producers, and songwriters who helped bring the artist’s music into the world, Jackson expert and acclaimed cultural critic Joseph Vogel reveals the inspirations, demos, studio sessions, technological advances, setbacks and breakthroughs, failures and triumphs, that gave rise to an immortal body of work.

WINNER OF THE 2018 READ RUSSIA PRIZE AND THE PUSHKIN HOUSE BEST BOOK IN TRANSLATION IN 2017 Considered Teffi’s single greatest work, Memories: From Moscow to the Black Sea is a deeply personal account of the author’s last months in Russia and Ukraine, suffused with her acute awareness of the political currents churning around her, many of which have now resurfaced. In 1918, in the immediate aftermath of the Russian Revolution, Teffi, whose stories and journalism had made her a celebrity in Moscow, was invited to read from her work in Ukraine. She accepted the invitation eagerly, though she had every intention of returning home. As it happened, her trip ended four years later in Paris, where she would spend the rest of her life in exile. None of this was foreseeable when she arrived in German-occupied Kiev to discover a hotbed of artistic energy and experimentation. When Kiev fell several months later to Ukrainian nationalists, Teffi fled south to Odessa, then on to the port of Novorossiysk, from which she embarked at last for Constantinople. Danger and death threaten throughout Memories, even as the book displays the brilliant style, keen eye, comic gift, and deep feeling that have made Teffi one of the most beloved of twentieth-century Russian writers.

Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly

The more one watches Moscow, the more it looks like a huge chameleon that keeps changing its face; and it isn't always pretty. Despite its stunning outward lustre, Moscow is above all a city of broken dreams and unrealised utopias, and all manner of scum oozes through the gap between dream and reality. Moscow Noir is an attempt to turn the tourist Moscow of gingerbread and woodcuts, of glitz and big money, inside out; an attempt to show its fetid womb and make sense of the desolation that reigns there.

'All the power and intrigue of a cinematic thriller ... immersive, dramatic, and historically edifying' Kirkus Moscow in the late 1970s: one by one, CIA assets are disappearing. The perils of American arrogance, mixed with bureaucratic infighting, had left the country unspeakably vulnerable to ultra-sophisticated Russian electronic surveillance.. The Spy in Moscow Station tells of a time when-much like today-Russian spycraft was proving itself far ahead of the best technology the U.S. had to offer. This is the true story of unorthodox, underdog intelligence officers who fought an uphill battle against their government to prove that the KGB had pulled off the most devastating and breathtakingly thorough penetration of U.S. national security in history. Incorporating declassified internal CIA memos and diplomatic cables, this suspenseful narrative reads like a thriller-but real lives were at stake, and every twist is true as the US and USSR attempt to wrongfoot each other in eavesdropping technology and tradecraft. The book also carries a chilling warning for the present: like the State and CIA officers who were certain their "sweeps" could detect any threat in Moscow, we don't know what we don't know.