It's Hard to Be a Black Man in America and Other African American Poems By: Elroy Alister Esdaille This book examines the African-American experience from multiple perspectives and cannot be nailed down to any singular thematic presentation. By peering through the pages of time to current day, the book attempts to disclose the African-American experience in The United States, and it can be applied to other countries as well that once had former colonial designs and slave labor. Modern day America, for many Black people, can be said to be a sum total of its messy history of slavery and segregation, and the recalcitrant roots that still persist today. Life for many black men and women in America is extremely challenging for we have to negotiate systemic, and institutionalize racism on a daily basis, while simultaneously wrestling with issues of colorism and microaggressions that continue to pervade society. It’s difficult to understand the perspective of a black man or black woman in America without getting at least a glimpse into his or her insight about race relations and its impact on him or her. Many African Americans feel that the system is designed against them, but their racial concerns often fall on deaf ears. This book gives in-depth examinations about race in America and it asks questions about accountability through the stylist forms of the poems. As a Caribbean immigrant who migrated to The United States, Elroy Alister Esdaille’s experiences as a black man with race relations has at times been painful as he has experienced firsthand the ugliness of racism and how the system so often makes it extremely hard for many black men to strive and live with dignity and pride. He has watched how the stereotype of criminality has informed decisions made against black men like him, and how one must develop a will stronger than iron in order to survive. As he envisions his readers, it is his desire to speak to all truth seekers and world changers. Race is a messy topic that many people avoid, but it is his aim to confront the issues head-on and lay the foundation for honest and controversial conversations that could inspire meaningful change in society. He would not say he is attempting to enlighten anyone, but rather for people to find their true selves and push hard for the future that they want and deserve.

Discover the voices of a culture from legendary New York Timesbestselling author Nikki Giovanni HEAR: Langston Hughes Gwendolyn Brooks Countee Cullen Paul Laurence Dunbar Robert Hayden Etheridge Knight READ: Rita Dove Sonia Sanchez Richard Wright Tupac Shukar Lucille Clifton Mari Evans Kevin Young Including one audio CD featuring many of the poems read by the poets themselves, 100 Best African-American Poems is at once strikingly original and a perfect fit for the original poetry anthologies from Sourcebooks, including Poetry Speaks, The Spoken Word Revolution, Poetry Speaks to Children, and the Nikki Giovanni-edited Hip Hop Speaks to Children. Award-winning poet and writer Nikki Giovanni takes on the difficult task of selecting the 100 best African-American works from classic and contemporary poets. This startlingly vibrant collection spans from historic to modern, from structured to free-form, and reflects the rich roots and visionary future of African-American verse in American culture. The resulting selections prove to be an exciting mix of most-loved chestnuts and daring new writing. Most of all, the voice of a culture comes through in this collection, one that is as talented, diverse, and varied as its people.

* Finalist for the National Book Award in Poetry * * Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award * ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . . A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric. Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.

Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements. Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole. A Friends Fund Publication.

A literary landmark: the biggest, most ambitious anthology of Black poetry ever published, gathering 250 poets from the colonial period to the present Across a turbulent history, from such vital centers as Harlem, Chicago, Washington, D.C., Los Angeles, and the Bay Area, Black poets created a rich and multifaceted tradition that has been both a reckoning with American realities and an imaginative response to them. Capturing the power and beauty of this diverse tradition in a single indispensable volume, African American Poetry reveals as never before its centrality and its challenge to American poetry and culture. One of the great American art forms, African American poetry encompasses many kinds of verse: formal, experimental, vernacular, lyric, and protest. The anthology opens with moving testaments to the power of poetry as a means of self-assertion, as enslaved people like Phillis Wheatley and George Moses Horton and activist Frances Ellen Watkins Harper voice their passionate resistance to slavery. Young’s fresh, revelatory presentation of the Harlem Renaissance reexamines the achievements of Langston Hughes and Countee Cullen alongside works by lesser-known poets such as Gwendolyn B. Bennett and Mae V. Cowdery. The later flowering of the still influential Black Arts Movement is represented here with breadth and originality, including many long out-of-print or hard-to-find poems. Here are all the significant movements and currents: the nineteenth-century Francophone poets known as Les Cenelles, the Chicago Renaissance that flourished around Gwendolyn Brooks, the early 1960s Umbra group, and the more recent work of writers affiliated with Cave Canem and the Dark Room Collective. Here too are poems of singular, hard-to-classify figures: the enslaved potter David Drake, the allusive modernist Melvin B. Tolson, the Cleveland-based experimentalist Russell Atkins. This Library of America volume also features biographies of each poet and notes that illuminate cultural references and allusions to historical events.

Offers a critical history of African American poetry from the transatlantic slave trade to present day hip-hop.

In The Vintage Book of African American Poetry, editors Michael S. Harper and Anthony Walton present the definitive collection of black verse in the United States--200 years of vision, struggle, power, beauty, and triumph from 52 outstanding poets. From the neoclassical stylings of slave-born Phillis Wheatley to the wistful lyricism of Paul Lawrence Dunbar . . . the rigorous wisdom of Gwendolyn Brooks...the chiseled modernism of Robert Hayden...the extraordinary prosody of Sterling A. Brown...the breathtaking, expansive narratives of Rita Dove...the plaintive rhapsodies of an imprisoned Elderidge Knight . . . The postmodern artistry of Yusef Komunyaka. Here, too, is a landmark exploration of lesser-known artists whose efforts birthed the Harlem Renaissance and the Black Arts movements--and changed forever our national literature and the course of America itself. Meticulously researched, thoughtfully structured, The Vintage Book of African-American Poetry is a collection of inestimable value to students, educators, and all those interested in the ever-evolving tradition that is American poetry.