Every bride wants to feel beautiful and wants to have her dress express the essence of who she is. Now choosing the perfect thing to wear on that special day is easier than ever! Drawing on his experience as fashion director at Kleinfeld Bridal, Randy Fenoli has written a guidebook bursting with insights and inspiration for helping brides-to-be determine what story they want their dress to tell. It's All About the Dress covers: -Suggestions on flattering cuts, fabrics, and styles for every body type -Price ranges and budget -Trains, veils, headpieces, undergarments, and accessories -Insider secrets on managing the bridal dress appointment -Options for bridesmaids, mother of the bride, and more! Featuring 100 inspiring photos plus invaluable tips on how to deal with bridal dress 911's, It's All About the Dress is the ultimate sourcebook no bride-to-be should say "I do" without!

Vicky Tiel started as an "it" girl of the 1960s and has had a four decade career designing clothes that make real women look fabulous. Her sexy, fresh hot pants and miniskirts were used by Woody Allen in his first movie, What's New, Pussycat?, her classic design inspired the red dress that transformed Julia Roberts in Pretty Woman, and her creations are worn today by stars such as Halle Berry and Kim Kardashian. Tiel's own life has been dance-the-night-away fun, from her earliest days flunking out of Parsons to design on her own, to starting a chic boutique with best friend Mia Fonssagrives in Paris, from marrying MGM's top make-up man to becoming Elizabeth Taylor's dear friend and part of her longtime entourage. Tiel forged her own path, and picked up some distinctive and hard-earned lessons from the rich, famous and celebrated along the way. In IT'S ALL ABOUT THE DRESS, you'll get a glimpse of what it's like to be Hollywood royalty (think yachts, tiny dogs, giant pearls and peanut butter sandwiches washed down with Chateau Margaux), discover the seduction secrets of the greats (from Kim Novak to Goldie Hawn to Warren Beatty), take in a little husband-hunting advice, and even learn legendary model Dorian Leigh's recipe for gigot d'agneau sept heures. Vicky Tiel will teach you to dress like a sex symbol, cook like the owner of a French country inn, and seize what you want from the world like an American ingénue.

Martha Aguas has it all: a job she likes, a puppy she loves, and a wardrobe that makes her feel beautiful. Yes, everyone tries to make her feel bad for being mataba, she can't buy bras in the Philippines, and she's never had a boyfriend. But so what? It's never mattered before. But when her perfect cousin Regina announces her engagement Enzo, the blast from the past boy whom she might have loved before, it suddenly feels like a big deal. Aguases from all over the globe are coming in for the engagement of the century, and the last thing Martha wants to hear is a well-meaning barb about how she should watch her weight. Thank god for Max. Her funny, dependable, best friend Max, who doesn't mind playing the role of fake boyfriend for the family festivities. But the more Martha plays along, the less it feels like pretend, and more she starts to wonder if Max had maybe loved her all along.

Eleanor Estes's The Hundred Dresses won a Newbery Honor in 1945 and has never been out of print since. At the heart of the story is Wanda Petronski, a Polish girl in a Connecticut school who is ridiculed by her classmates for wearing the same faded blue dress every day. Wanda claims she has one hundred dresses at home, but everyone knows she doesn't and bullies her mercilessly. The class feels terrible when Wanda is pulled out of the school, but by that time it's too late for apologies. Maddie, one of Wanda's classmates, ultimately decides that she is "never going to stand by and say nothing again." This powerful, timeless story has been reissued with a new letter from the author's daughter Helena Estes, and with the Caldecott artist Louis Slobodkin's original artwork in beautifully restored color.

"A tribute to a time when style -- and maybe even life -- felt more straightforward, and however arbitrary, there were definitive answers." -- Sadie Stein, Paris Review As a glance down any street in America quickly reveals, American women have forgotten how to dress. We lack the fashion know-how we need to dress professionally and beautifully. In The Lost Art of Dress, historian and dressmaker Linda Przybyszewski reveals that this wasn't always true. In the first half of the twentieth century, a remarkable group of women -- the so-called Dress Doctors -- taught American women that knowledge, not money, was key to a beautiful wardrobe. They empowered women to design, make, and choose clothing for both the workplace and the home. Armed with the Dress Doctors' simple design principles -- harmony, proportion, balance, rhythm, emphasis -- modern American women from all classes learned to dress for all occasions in ways that made them confident, engaged members of society. A captivating and beautifully illustrated look at the world of the Dress Doctors, The Lost Art of Dress introduces a new audience to their timeless rules of fashion and beauty -- rules which, with a little help, we can certainly learn again.

'Glamorous, gripping and moving. I just loved it' MARIAN KEYES. Joy is beautiful, but she has a secret fear. Although she is the toast of 1950s New York Society, with everything money can buy, she is afraid that one day her beauty will fade and she will lose the love of her glamorous husband. Honor is a young seamstress, who has been working her fingers to the bone with little reward, but her luck is about to change. For her 30th birthday, Joy commissions Honor to create the the most dazzling dress ever seen. Lily has always loved vintage clothes. Thousands follow her fashion blog. One day she stumbles upon an article about a legendary evening dress, created in the 1950s, but now lost to history. She knows that she must find out more. What Lily uncovers is a story of glamour, friendship and love betrayed. The story of two women, one ruthless man – and a dress so sublime, nothing in couture would ever match it again.

Open up a fresh and stylish story about growing up and keeping hold of your favorite memories. As the year passes, the narrator’s favorite dress goes through a series of creative changes, from dress to shirt to tank top to scarf and so on, until all that’s left of it is a good memory. Assisted by her patient and crafty mama, the narrator finds that when disaster strikes her favorite things, she doesn’t need to make mountains out of molehills—she “makes molehills out of mountains” instead! Structured around the days of the week, the story is also illustrated to show the passing of the seasons, a perfect complement to the themes of growing older and keeping hold (and letting go) of special mementos. Praise for I Had a Favorite Dress "A spunky story about adjusting to change with creativity and style. Tailor-made, so to speak, for the Etsy generation of DIY enthusiasts.” –Publishers Weekly “Everyone is smiling in the buoyant confections created by illustrator Julia Denos—including, it’s fair to say, young readers looking at them. Endearing picture book.” –Wall Street Journal “What could have been yet another example of kindergarten consumerism instead becomes one of resourcefulness and resilience.” –New York Times “Denos’s multimedia illustrations reinforce the narrator’s vibrant personality and the amazing transformations of the dress while capturing the action and emotion of the story. This book is sure to capture the imaginations of would-be seamstresses; children who can’t bear to part with a favorite item; and those who want to reduce, reuse, recycle.” –School Library Journal “Breezy in style, they smartly stitch each scene of alteration as the not-so-little girl sashays through the days of the week and the seasons. A charming interpretation of an old story that will speak to young fashionistas.” –Kirkus Reviews