Index.

In the ruins of civilization, a young girl's kindness and capacity for love will either save humanity -- or wipe it out in this USA Today bestselling thriller Joss Whedon calls "heartfelt, remorseless, and painfully human." Melanie is a very special girl. Dr Caldwell calls her "our little genius." Every morning, Melanie waits in her cell to be collected for class. When they come for her, Sergeant keeps his gun pointed at her while two of his people strap her into the wheelchair. She thinks they don't like her. She jokes that she won't bite, but they don't laugh.

Bringing social theory and philosophy to bear on popular movies, novels, myths, and fairy tales, The Gift and its Paradoxes explores the ambiguity of the gift: it is at once both a relation and a thing, alienable and inalienable, present and poison. Challenging the nature of giving as reciprocal, the book engages critically with the work of Mauss and develops a new theory of the gift according to which the gift cannot be reduced to a model of exchange, but must instead entail a loss or sacrifice. Ultimately, the gift is examined in the book as the impossible occurrence of gratuitous giving. In addition to exploring the conditions of possibility and impossibility of the gift, the book draws on the thought of figures such as Derrida, Serres, Simmel, Cixous, Irigaray and Heidegger to argue for the relevance of the phenomenon of the gift to broader issues in contemporary social sciences. It takes up questions concerning the constitution of community and the processes by which people are included in or excluded from it, gender relations, materiality, the economy, and the possibility that death itself could be a gift, in the form of euthanasia or self-sacrifice. A rigorous yet accessible examination of the phenomenon of the gift in relation to a range of contemporary concerns, The Gift and its Paradoxes will appeal to scholars and students within sociology, philosophy, anthropology, political theory and film and literature studies.

A blues musician is blasted into a parallel world in a novel that’s “a houserockin’ good time” cowritten by the New York Times–bestselling author (Booklist). Slim’s a Texas bluesman of a certain age, down on his luck and just about broke—but hey, that’s what the blues are all about. He loves his music: “Not the popular blues, homogenized, synthesized, and zombilized; but the real down-home gut-bucket blues.” Then one day the music loves him back. In a single hot burst of lightning that comes straight up out of the ground, Slim finds himself in Tejas. It’s a little bit magic and a whole lot different, but the blues are the same. And the blues—manifest here in the form of a maple-necked, pearl-gray Fender Stratocaster with blue-chrome pickups, aka the Gutbucket—need him and need him bad. The Strat’s fallen into the hands of T-Bone Pickens and his Vipers, who want to suck up all its power and turn it to evil. Slim’s off and running on the Gutbucket Quest, with the help of his new mentor, rhythm guitarist Progress T. Hornsby, and a purely unstoppable blues singer named Nadine.