This book is a record of the Black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London’s precious, embattled multiculture. It tells the story of the linked Black musical scenes of the city, from ska, reggae and soul in the 1970s, to rare groove and rave in the 1980s and jungle and its offshoots in the 1990s, to dubstep and grime of the 2000s. Melville argues that these demonstrate enough common features to be thought of as one musical culture, an Afro-diasporic continuum. Core to this idea is that this dance culture has been ignored in history and cultural theory and that it should be thought of as a powerful and internationally significant form of popular art.

This book tells the history of the London black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London's precious, embattled multiculture. It conceives of the linked scenes around black music in London, from ska, reggae and soul in the 1970s, to rare groove and rave in the 1980s and jungle and its offshoots in the 1990s, to dubstep and grime of the 2000s, as demonstrating enough common features to be thought of as one musical culture, an Afro-diasporic continuum. Core to this idea is that this dance culture has been ignored in history and cultural theory and that it should be thought of as a powerful and internationally significant form of popular art.

A charming and inspiring book of 365 things to do in London. Beautifully illustrated with bitesize entries ranging from the well-known to the quirky, this is the perfect gift for anyone wanting to discover all of the gems London has to offer... 'One thing to do every day that'll stop you getting tired of the big smoke.' -- The Guardian 'A great way to explore London!' -- ***** Reader review 'Great fun and great information' -- ***** Reader review 'Great book to dip into. Always find something new to do/somewhere new to go' -- ***** Reader review 'A brilliant book with fascinating ideas to do around the city' -- ***** Reader review ****************************************************************************************************** As the late great Samuel Johnson sagely observed, 'When a man is tired of London, he is tired of life.' When author Tom Jones found himself doing the same things week in, week out while living in England's treasured capital, he decided to heed Johnson's words and seek out a thing to do each day in London to make him fall back in love with the city. Here, in Tired of London, Tired of Life, Tom shares the fun, diverting and imaginative things that you can do to keep yourself amused in London. With seasonally appropriate suggestions for each day of the year, you can explore East London by canoe, search for Fagin's lair in Clerkenwell, play petanque in Southwark, seek out Aphrodite in the British Museum on Valentine's Day and enjoy a host of unusual ways to enjoy the capital. So grab your A-Z and start discovering a whole other side to this majestic city!

The New York Times bestseller that gives readers a paradigm-shattering new way to think about motivation from the author of When: The Scientific Secrets of Perfect Timing Most people believe that the best way to motivate is with rewards like money—the carrot-and-stick approach. That's a mistake, says Daniel H. Pink (author of To Sell Is Human: The Surprising Truth About Motivating Others). In this provocative and persuasive new book, he asserts that the secret to high performance and satisfaction-at work, at school, and at home—is the deeply human need to direct our own lives, to learn and create new things, and to do better by ourselves and our world. Drawing on four decades of scientific research on human motivation, Pink exposes the mismatch between what science knows and what business does—and how that affects every aspect of life. He examines the three elements of true motivation—autonomy, mastery, and purpose-and offers smart and surprising techniques for putting these into action in a unique book that will change how we think and transform how we live.

For some people, at some times, in some places, on some drugs, dance music can be a gateway to transformative, even transcendent experiences. With the help of skilled DJs, dancers can reach euphoric states, discard their egos, and feel social barriers dissolve. Dance floors can be sites of openness, subversion, and even small-scale acts of political resistance. At a minimum, dance music lightens the burdens of contemporary life. At its best, dance music offers glimpses of better worlds. Yet even where dance music communities are built on principles of resistance and liberation, they nevertheless share the grittier realities of the rest of the world. Dance Music makes the case that dance music is ordinary and that something exceeding the social and spatiotemporal bounds of the dance floor is required for the transformative promise of dance music to be realized.

I Could Be So Good For You is a unique portrait of north London's working class from the 1950s to the 21st century, and how it lived, struggled, survived and sometimes thrived. I Could Be So Good For You tackles head-on the pernicious and implicitly racist fiction that London, most especially north London, has no "real" working class in comparison to a more "authentic" working class in a place called "the North". In doing so it offers a history and a portrait of north London's working class from the 1950s to the 21st century, based on a wide and original range of sources including personal memoirs, autobiographies, collected oral histories and new interviews conducted by the author. The result is an important social history and a rich panorama of working-class life — its struggles, work, celebrations, events, triumphs, tragedies and the occasional nice little earner. For good or ill, from the start of post-war affluence in the 1950s to the economic crash of 2008, north London's working class had a life experience like almost no other part of the British working class, one not just of poverty, racism and exploitation, but also of bold new housing schemes in the heart of the city, of great opportunity and diversity and enjoyment. Its about time to tell that story.

Considering Space demonstrates what has changed in the perception of space within the social sciences and how useful – indeed indispensable – this category is today. While the seemingly deterritorializing effects of digitalization might suggest that space is a secondary consideration, this book proves such a presumption wrong, with territories, borders, distances, proximity, geographical ecologies, land use, physical infrastructures – as well as concepts of space – all being shown still to matter, perhaps more than ever before. Seeking to show how society can and should be perceived as spatial, it will appeal to scholars of sociology, geography, architecture and urban studies.