Flavio, humanist and historian, was a pioneering figure in the Renaissance recovery of classical antiquity. His Italia Illustrata, here for the first time in English, is a topographical work describing Italy region by region. A quintessential work of Renaissance antiquarianism, its aim is to explore the Roman roots of the Renaissance world.

Biondo Flavio was a pioneering figure in the Renaissance discovery of antiquity and popularized the term Middle Age to describe the period between the fall of the Roman Empire and the revival of antiquity in his own time. Italy Illuminated is a topographical work exploring the Roman roots of Italy.

Biondo Flavio was a pioneering figure in the Renaissance discovery of antiquity and popularized the term Middle Age to describe the period between the fall of the Roman Empire and the revival of antiquity in his own time. Rome in Triumph is the capstone of his research program, addressing the question: What made Rome great?

A natural and social history of the great river of Rome

In 1447 Alfonso of Aragon, King of Naples, engaged the humanist antiquarian Biondo Flavio to compose in Latin a catalogue of famous men of Italy. This commission became Italia Illustrata, the first historical topography. In it, Biondo superimposed upon Italy’s classical heritage and her troubled medieval history a panorama of Italy in his own time. Although Italia Illustrata and three other major Latin treatises made Biondo’s reputation as the father of modern historiography and archaeology, these works have been accessible only in early modern printed editions to specialists with entrée to rare book rooms. Catherine J. Castner has now made this important treatise available in modern text with English translation and commentary. The Latin text is the best-known early printed edition, that of Froben (Basel, 1559). A clear, flowing English translation provides modern Italian equivalents for the majority of Biondo’s Latin toponyms. The commentary summarizes scholarship on the location and history of towns and cities of Italy and the building activities of their Renaissance lords. The plates include maps of cities and regions of Italy from medieval and early modern times. Italia Illustrata is an essential resource for any serious scholar of Renaissance humanism. Historians of medieval Italy, and of art and architecture, classicists, archaeologists, and epigraphers will value this work for its treasure of evidence: for example, Biondo’s eye-witness reports on the status of the building projects of the Malatesta; the Renaissance reception of Livy, Pliny, and Virgil (and the transmission of forged or misinterpreted inscriptions); and correlations of ancient sites with fifteenth-century settlements. This book will appeal to interests ranging from the current popular appetite for travel in Italy, to the growing scholarly attention to early modern geographical and travel literature; in short, to any reader with more than superficial interest in the urban centers and landscapes of Italy.

Pietro Bembo (1470-1547), scholar and critic, was one of the most admired Latinists of his day. The poems in this volume come from all periods of his life and reflect both his erudition and his wide-ranging friendships. This volume also includes the prose dialogue Etna, an account of Bembo's ascent of Mt. Etna in Sicily during his student days.

Poliziano was one of the great scholar-poets of the Italian Renaissance. This volume illuminates his close friendship with Pico della Mirandola and includes much of the correspondence about the composition and reception of his Miscellanies, a revolutionary work of philology. It also includes his famous letter on the death of Lorenzo de' Medici.