A wide-ranging collection of essays, examining the effects of the central phase of the Italian Wars on the politics, culture and society of Italy, on military organization and the conduct of war, and on the image and reputation of Italy and the Italians.

A wide-ranging collection of essays, examining the effects of the central phase of the Italian Wars on the politics, culture and society of Italy, on military organization and the conduct of war, and on the image and reputation of Italy and the Italians.

"A major, on-the-ground look at antiquities looting in Italy. More looting of ancient art takes place in Italy than in any other country. Ironically, Italy trades on the fact to demonstrate its cultural superiority over other countries. And, more than any other country, Italy takes pains to prevent looting by instituting laws, cultural policies, export taxes, and a famously effective art-crime squad that has been the inspiration of novels, movies, and tv shows. In fact, Italy is widely regarded as having invented the discipline of art policing. In 2006 the then-president of Italy declared his country to be "the world's greatest cultural power." Why do Italians believe this? Why is the patria, or "homeland," so frequently invoked in modern disputes about ancient art, particularly when it comes to matters of repatriation, export, and museum loans? Fiona Greenland's Ruling Culture addresses these questions by tracing the emergence of antiquities as a key source of power in Italy from 1815 to the present. Along the way, it investigates the activities and interactions of three main sets of actors: state officials (including Art Squad agents), archaeologists, and illicit excavators and collectors"--

Brings together 11 of the author's fundamental essays on the social history of the late Roman and early medieval period in Italy and, more generally, in Europe. The first section, The Roman Empire and After, focuses on the state and the economy of late Antiquity and what happened to them in the political crisis of the western empire in the fifth century. Part 2, Theorizing early medieval Europe, concentrates on the economy of the early medieval west, as seen through comparative surveys of pastoralism, the use of woodland and the relationships between peasants and lords. The last part, Italian society from the Carolingians to the communes contains analyses of medieval Italy that are of comparative interest.

The region between the Baltic and the Black Sea was marked by a set of crises and conflicts in the 1920s and 1930s, demonstrating the diplomatic, military, economic or cultural engagement of France, Germany, Russia, Britain, Italy and Japan in this highly volatile region, and critically damaging the fragile post-Versailles political arrangement. The editors, in naming this region as "Middle Europe" seek to revive the symbolic geography of the time and accentuate its position, situated between Big Powers and two World Wars. The ten case studies in this book combine traditional diplomatic history with a broader emphasis on the geopolitical aspects of Big-Power rivalry to understand the interwar period. The essays claim that the European Big Powers played a key role in regional affairs by keeping the local conflicts and national movements under control and by exploiting the region's natural resources and military dependencies, while at the same time strengthening their prestige through cultural penetration and the cultivation of client networks. The authors, however, want to avoid the simplistic view that the Big Powers fully dominated the lesser players on the European stage. The relationship was indeed hierarchical, but the essays also reveal how the "small states" manipulated Big-Power disagreements, highlighting the limits of the latters' leverage throughout the 1920s and the 1930s.

This book follows Italy's military history from the late Renaissance through the present day, arguing that its leaders have consistently looked back to the power of Imperial Rome as they sought to bolster Italy's status and influence in the world. As early as the late 15th century, Italian city-states played important roles in European conflicts. After unification in 1861, the military would become the nation's unifying force, the melting pot of the state. Italy's industrial and then colonial expansion brought it into the wars of the 20th century. The rise of fascist movement was the disastrous consequence of Italy's desire for colonial and military power, a history that the nation still confronts as it seeks to play a role in world politics. Wealthy, urban Italy has always had great political, cultural, and strategic importance for Europe. The leaders of its independent city-states intervened militarily in struggles among the European powers to its north and west but also against the expanding Muslim empires to its south and east. Italian culture supported military innovation, developing (for instance) new fortifications and naval organizations. After centuries of division, which limited Italy's power against the larger, unified European nations, the military played an important role in the nationalist unification of the entire country. Rapid industrialization followed, and along with it Italy's forays into overseas colonialism. Italy became a major power, but its turn to militant fascism during its expansionist era continues to haunt its state and military.

The Italian Wars of 1494-1559 had a major impact on the whole of Renaissance Europe. In this important text, Michael Mallett and Christine Shaw place the conflict within the political and economic context of the wars. Emphasising the gap between aims and strategies of the political masters and what their commanders and troops could actually accomplish on the ground, they analyse developments in military tactics and the tactical use of firearms and examine how Italians of all sectors of society reacted to the wars and the inevitable political and social change that they brought about. The history of Renaissance Italy is currently being radically rethought by historians. This book is a major contribution to this re-evaluation, and will be essential reading for all students of Renaissance and military history.