Contemporary critical theory has customarily been dominated by French and German thought. However, a new wave of Italian thinkers has broken ground for new theoretical inquiries. This book seeks to explain and defend the new wave of Italian critical though, providing context and substance behind the praxis of this emerging school.

Contemporary critical theory has customarily been dominated by French and German thought. However, a new wave of Italian thinkers has broken ground for new theoretical inquiries. This book seeks to explain and defend the new wave of Italian critical though, providing context and substance behind the praxis of this emerging school.

Contemporary critical theory has customarily been dominated by French and German thought. However, a new wave of Italian thinkers has broken ground for new theoretical inquiries. This book seeks to explain and defend the new wave of Italian critical though, providing context and substance behind the praxis of this emerging school.

Discloses the richness of ideas and sheds light on the controversy that characterized the transition from fascism to democracy, examining authors, works and memories that were subsequently silenced by Cold War politics. How a shared memory of Fascism and its cultural heritage took shape is still today the most disputed question of modern Italy, crossing the boundaries between academic and public discourse. Against Redemption concentrates on the historical period in which disagreement was at its highest: the transition between the downfall of Mussolini in July 1943 and the victory of the Christian Democrats over the Left in the 1948 general elections. By dispelling the silence around the range of opinion in the years before the ideological struggle fossilized into Cold War oppositions, this book points to early postwar literary practices as the main vehicle for intellectual dissent, shedding new light on the role of cultural policies in institutionalizing collective memory. During Italy’s transition to democracy, competing narratives over the recent traumatic past emerged and crystallized, depicting the country’s break with Mussolini’s regime as a political and personal redemption from its politics of exclusion and unrestrained use of violence. Conversely, outstanding authors such as Elsa Morante, Carlo Levi, Alberto Moravia, and Curzio Malaparte, in close dialogue with remarkable but now-neglected figures, stressed the cultural continuity between the new democracy and Fascism, igniting heated debates from opposite political standpoints. Their works addressed questions such as the working through of national defeat, Italian responsibility in World War II, and the Holocaust, revealing how the social, racial, and gender biases that characterized Fascism survived after its demise and haunted the newborn democracy.

At once a social history and anthropological study of the world’s oldest voluntary collective farms, All or None is a story of how landless laborers joined together in Ravenna, Italy to acquire land, sometimes by occupying private land in what they called a “strike in reverse,” and how they developed sophisticated land use plans, based not only on the goal of profit, but on the human value of providing work where none was available. It addresses the question of the viability of cooperative enterprise as a potential solution for displaced workers, and as a more humane alternative to capitalist agribusiness.

A groundbreaking volume introduces the unique feminist thought of the longstanding Italian group known as Diotima Introducing Anglophone readers to a potent strain of Italian feminism known to French, Spanish, and German audiences but as yet unavailable in English, Another Mother argues that the question of the mother is essential to comprehend the matrix of contemporary culture and society and to pursue feminist political projects. Focusing on Diotima, a community of women philosophers deeply involved in feminist politics since the 1960s, this volume provides a multifaceted panorama of its engagement with currents of thought including structuralism, psychoanalysis, linguistics, and Marxism. Starting from the simple insight that the mother is the one who gives us both life and language, these thinkers develop concepts of the mother and sexual difference in contemporary society that differ in crucial ways from both French and U.S. feminisms. Arguing that Diotima anticipates many of the themes in contemporary philosophical discourses of biopolitics—exemplified by thinkers such as Giorgio Agamben, Antonio Negri, and Roberto Esposito—Another Mother opens an important space for reflections on the past history of feminism and on feminism’s future. Contributors: Anne Emmanuelle Berger, Paris 8 U–Vincennes Saint-Denis; Ida Dominijanni; Luisa Muraro; Diana Sartori, U of Verona; Chiara Zamboni, U of Verona.

Dachau to the Dolomites is the dramatic but little-known story of a group of prominent Nazi SS hostages transported from various concentration camps to a remote Alpine valley in the final days of the Third Reich. Five Irishmen were among the 160 prisoners whom Himmler and other SS leaders attempted to use as barter to save the regime or, as a final resort, themselves. As well as eminent international statesmen, aristocrats and clergy, the group contained opposition German generals and civilian relatives of those who had plotted against Hitler, including the family of Claus von Stauffenberg, who placed the bomb in Hitler's Wolf's Lair. Among the hostages were a number of British officers, survivors of the famous 'Great Escape', and also Colonel John McGrath from Roscommon, a World War I veteran who had left his job as manager of Dublin's Theatre Royal to rejoin the British Army in 1939. They had been held with Russian, Italian and Polish special prisoners as 'Nacht und Nebel' - Night and Fog - prisoners, whose existence was a state secret. They lived in constant danger of execution, a fate some did not escape, including Stalin's son, who died following a fracas with Irish prisoners. It is an astonishing and epic tale encompassing heroic endurance, escape, betrayal, tragedy and love.