Italian Opera in Late Eighteenth-century London: The Pantheon Opera and its aftermath, 1789-1795
Title | Italian Opera in Late Eighteenth-century London: The Pantheon Opera and its aftermath, 1789-1795 PDF eBook |
Author | Curtis Alexander Price |
Publisher | |
Pages | 698 |
Release | 1995 |
Genre | Ballet |
ISBN | 9780198161660 |
Italian Opera in Late Eighteenth-century London
Title | Italian Opera in Late Eighteenth-century London PDF eBook |
Author | Judith Milhous |
Publisher | |
Pages | 0 |
Release | 2001 |
Genre | Opera |
ISBN |
London Opera Observed 1711-1844, Volume I
Title | London Opera Observed 1711-1844, Volume I PDF eBook |
Author | Michael Burden |
Publisher | Taylor & Francis |
Pages | 320 |
Release | 2024-08-23 |
Genre | Drama |
ISBN | 1040245080 |
The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying’ or ‘observing’ by a narrator, or rambler, as a means of establishing a discourse on aspects of London life. The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them — placing an emphasis on rare texts that have not been reproduced in modern editions. The aim of this collection is not to provide a history of opera in England but to facilitate the writing of them or to assist those wishing to study topics within the field. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The notes concentrate on attempting to identify those figures mentioned within the texts. The approach is one of presentation, not interpretation, ensuring that the collection occupies a position that is neutral rather than polemical.
Operatic Pasticcios in 18th-Century Europe
Title | Operatic Pasticcios in 18th-Century Europe PDF eBook |
Author | Berthold Over |
Publisher | transcript Verlag |
Pages | 799 |
Release | 2021-04-30 |
Genre | Art |
ISBN | 3839448859 |
In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.
Mozart, Haydn and Early Beethoven, 1781-1802
Title | Mozart, Haydn and Early Beethoven, 1781-1802 PDF eBook |
Author | Daniel Heartz |
Publisher | W. W. Norton & Company |
Pages | 876 |
Release | 2009 |
Genre | Biography & Autobiography |
ISBN | 9780393066340 |
A vivid portrait of Mozart and Haydn's greatest achievements and young Beethoven's works under their influence.
London Opera Observed 1711-1844
Title | London Opera Observed 1711-1844 PDF eBook |
Author | Michael Burden |
Publisher | Taylor & Francis |
Pages | 1819 |
Release | 2024-07-31 |
Genre | Music |
ISBN | 1040156118 |
The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying’ or ‘observing’ by a narrator, or rambler, as a means of establishing a discourse on aspects of London life. The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them — placing an emphasis on rare texts that have not been reproduced in modern editions. The aim of this collection is not to provide a history of opera in England but to facilitate the writing of them or to assist those wishing to study topics within the field. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The notes concentrate on attempting to identify those figures mentioned within the texts. The approach is one of presentation, not interpretation, ensuring that the collection occupies a position that is neutral rather than polemical.
The Italian Opera Singers in Mozart's Vienna
Title | The Italian Opera Singers in Mozart's Vienna PDF eBook |
Author | Dorothea Link |
Publisher | University of Illinois Press |
Pages | 459 |
Release | 2022-11-22 |
Genre | Music |
ISBN | 0252053656 |
Dorothea Link examines singers’ voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna’s court opera from 1783 to 1791. The investigation into the singers’ voices proceeds on two levels: understanding the performers in terms of the vocal-dramatic categories employed in opera at the time; and creating vocal profiles for the principal singers from the music composed expressly for them. In addition, Link contextualizes the singers within the company in order to expose the court opera's casting practices. Authoritative and insightful, The Italian Opera Singers in Mozart's Vienna offers a singular look at a musical milieu and a key to addressing the performance-practice problem of how to cast the Mozart roles today.