Italy's First African War (1880-1896) pitted a young and ambitious European nation against the ancient Empire of Ethiopia. The Least of Europe's Great Powers rashly assailed Africa's most formidable military power. The outcome was humiliating defeat for Italy and the survival, uniquely for any African nation in the years of the European Scramble for that continent, of Ethiopian independence. Notwithstanding Italy's disastrous first experience in the colonial fray, this book argues that the impact of the war went well beyond the battlefields of the Ethiopian highlands and reached into the minds of the Italian people at home. Through a detailed and exhaustive study of Italian popular culture, this book asks how far the First African War impacted on the Italian nation-building project and how far Italians were themselves changed by undergoing the experience of war and defeat in East Africa. Finaldi argues, for the first time in historiography on the subject, that there was substantial support for and awareness of Italy's military campaign and that 'Empire', as has come to be regarded as fundamental in the histories of other European countries, needs to be brought firmly into the mainstream of Italian national history. This book is an essential contribution to debates on the relationship between European national identity and culture and imperialism in the late 19th century.

For much of the twentieth century the Mediterranean was a colonized sea. Italy’s Sea: Empire and Nation in the Mediterranean (1895-1945) reintegrates Italy, one of the least studied imperial states, into the history of European colonialism. It takes a critical approach to the concept of the Mediterranean in the period of Italian expansion and examines how within and through the Mediterranean Italians navigated issues of race, nation and migration troubling them at home as well as transnational questions about sovereignty, identity, and national belonging created by the decline and collapse of the Ottoman empire in North Africa, the Balkans, and the eastern Mediterranean, or Levant. While most studies of Italian colonialism center on the encounter in Africa, Italy’s Sea describes another set of colonial identities that accrued in and around the Aegean region of the Mediterranean, ones linked not to resettlement projects or to the rhetoric of reclaiming Roman empire, but to cosmopolitan imaginaries of Magna Graecia, the medieval Christian crusades, the Venetian and Genoese maritime empires, and finally, of religious diversity and transnational Levantine Jewish communities that could help render cultural and political connections between the Italian nation at home and the overseas empire in the Mediterranean. Using postcolonial critique to interpret local archival and oral sources as well as Italian colonial literature, film, architecture, and urban planning, the book brings to life a history of mediterraneità or Mediterraneanness in Italian culture, one with both liberal and fascist associations, and enriches our understanding of how contemporary Italy—as well as Greece—may imagine their relationships to Europe and the Mediterranean today.

The comparison of early Italy’s and Japan’s colonialism is without precedence. The majority of studies on Italian and Japanese expansion refer to the 1930–1940s period (fascist/totalitarian era) when Japan annexed Manchuria (1931) and Italy Ethiopia (1936). The first formative and crucial steps that paved the way for this expansion have been neglected. This analysis covers a range of social, political and economic parameters illuminating the diversity but also the common ground of the nature and aspirations of Japan's and Italy's early colonial systems. The two states alongside the Great Powers of the era expanded in the name of humanism and civilization but in reality in a way typically imperialistic, they sought territorial compensations, financial privileges and prestige. A parallel and deeper understanding of the nineteenth century socio-cultural-psychological parameters, such as tradition, mentality, and religion that shaped and explain the later ideological framework of Rome's and Tōkyō's expansionist disposition, has never been attempted before. This monograph offers a detailed examination of the phenomenon of colonialism by examining the issue from two different angles. The study contributes to the understanding of Italy's and Japan's early imperial expansion. In addition, it traces the origins of these states' similar and common historical evolution in late nineteenth and the first half of the twentieth century.

This book provides a narrative history of Italian colonialism from Italian unification in the 1860s to the first decade of the twentieth century; that is, it details Italy’s imperialism in the years of the Scramble for Africa. It deals with the factors that drove Italy to search for territory in Africa in the 1870s and 1880s and describes the reasoning behind the trajectories adopted and objectives pursued. The events that brought Italy to open conflict with the Ethiopian Empire culminating in the Italian defeat at Adowa in March 1896 are central to the book. However its scope is much broader, as it considers the establishment of Italian power in Eritrea as well as Somalia before and after the defeat. By telling its history, it explains why Italy emerged irresolute and humiliated in this, its first thrust into Africa, yet nonetheless determined to pursue expansion in the future. The seeds for the conquest of Libya in 1911 and Ethiopia in 1935 had been sown.

From neorealism's resolve to Berlusconian revisionist melodramas, this book examines cinema's role in constructing memories of Fascist Italy. Italian cinema has both reflected and shaped popular perceptions of Fascism, reinforcing or challenging stereotypes, remembering selectively and silently forgetting the most shameful pages of Italy's history.

When Italian forces landed on the shores of Libya in 1911, many in Italy hailed it as an opportunity to embrace a Catholic national identity through imperial expansion. After decades of acrimony between an intransigent Church and the Italian state, enthusiasm for the imperial adventure helped incorporate Catholic interests in a new era of mass politics. Others among Italian imperialists-military officers and civil administrators-were more concerned with the challenges of governing a Muslim society, one in which the Sufi brotherhood of the Sanusiyya seemed dominant. Eileen Ryan illustrates what Italian imperialists thought would be the best methods to govern in Muslim North Africa and in turn highlights the contentious connection between religious and political authority in Italy. Telling this story requires an unraveling of the history of the Sanusiyya. During the fall of Qaddafi, Libyan protestors took up the flag of the Libyan Kingdom of Idris al-Sanusi, signaling an opportunity to reexamine Libya's colonial past. After decades of historiography discounting the influence of Sanusi elites in Libyan nationalism, the end of this regime opened up the possibility of reinterpreting the importance of religion, resistance, and Sanusi elites in Libya's colonial history. Religion as Resistance provides new perspectives on the history of collaboration between the Italian state and Idris al-Sanusi and questions the dichotomy between resistance and collaboration in the colonial world.

Derek Hastings's Nationalism in Modern Europe is the essential guide to a potent political and cultural phenomenon that featured prominently across the modern era. With firm grounding in transnational and global contexts, the book traces the story of nationalism in Europe from the French Revolution to the present. Hastings reflects on various nationalist ideas and movements across Europe, and always with a keen appreciation of other prevalent signifiers of belonging – such as religion, race, class and gender – which helps to inform and strengthen the analysis. The text shines a light on key historiographical trends and debates and includes 20 images, 14 maps and a range of primary source excerpts which can serve to sharpen vital analytical skills which are crucial to the subject. New content and features for the second edition include: - A chapter examining region, religion, class and gender as alternative 'markers of identity' throughout the 19th century - An enhanced global dimension that covers transnational fascism and non-European comparatives - Additional primary source excerpts and figures - Historiographical updates throughout which account for recent research in the field