Activists and politicians have long recognized the power of a good story to move people to action. In early 1960 four black college students sat down at a whites-only lunch counter in Greensboro, North Carolina, and refused to leave. Within a month sit-ins spread to thirty cities in seven states. Student participants told stories of impulsive, spontaneous action—this despite all the planning that had gone into the sit-ins. “It was like a fever,” they said. Francesca Polletta’s It Was Like a Fever sets out to account for the power of storytelling in mobilizing political and social movements. Drawing on cases ranging from sixteenth-century tax revolts to contemporary debates about the future of the World Trade Center site, Polletta argues that stories are politically effective not when they have clear moral messages, but when they have complex, often ambiguous ones. The openness of stories to interpretation has allowed disadvantaged groups, in particular, to gain a hearing for new needs and to forge surprising political alliances. But popular beliefs in America about storytelling as a genre have also hurt those challenging the status quo. A rich analysis of storytelling in courtrooms, newsrooms, public forums, and the United States Congress, It Was Like a Fever offers provocative new insights into the dynamics of culture and contention.

“A wonderful nightmare of a book: tender and frightening, disturbing but compassionate. Fever Dream is a triumph of Schweblin’s outlandish imagination.” –Juan Gabriel Vasquez, author of The Sound of Things Falling and Reputations A young woman named Amanda lies dying in a rural hospital clinic. A boy named David sits beside her. She’s not his mother. He's not her child. Together, they tell a haunting story of broken souls, toxins, and the power and desperation of family. Fever Dream is a nightmare come to life, a ghost story for the real world, a love story and a cautionary tale. One of the freshest new voices to come out of the Spanish language and translated into English for the first time, Samanta Schweblin creates an aura of strange psychological menace and otherworldly reality in this absorbing, unsettling, taut novel.

Little Bear learns that if he becomes sick, Mama Bear will nurse him, and a variety of zoo animals, back to health.

CAUGHT IN THE CROSSFIRE OF VENGEANCE AND DESIRE Undercover mercenary Trace Rivers loves the adrenaline rush of a well-planned mission. First he’ll earn the trust of corrupt businessman Murray Coburn, then gather the proof he needs to shut down the man’s dirty smuggling operation. It’s a perfect scheme—until Coburn’s long-lost daughter saunters in with her own deadly plan for revenge. With a smile like an angel and fire in her eyes, Priscilla Patterson isn’t who she seems to be. But neither is the gorgeous bodyguard who ignites all her senses. Joining forces to plot Coburn’s downfall, Priss and Trace must fight the undeniable heat between them. For one wrong move, one lingering embrace, will expose them to the wrath of a merciless opponent….

In the second novel in the Breathless trilogy, a woman's undeniable allure takes a dominant man completely by surprise... Jace Crestwell, Ash McIntyre, and Gabe Hamilton have been best friends and successful business partners for years. They’re powerful, they’re imposing, they’re irresistibly sexy, and Jace and Ash share everything—including their women. When they meet Bethany, Jace begins to feel things he’s never experienced before: jealousy, and a powerful obsession that threatens him, overwhelms him—and excites him beyond control. Jace isn’t sharing Bethany—with anyone. He’s determined to be the only man in her life, and it’s jeopardizing a lifelong friendship with Ash. Bethany will be his and his alone. Even if it means turning his back on his best friend.

Benjamin January made his debut in bestselling author Barbara Hambly's A Free Man of Color, a haunting mélange of history and mystery. Now he returns in another novel of greed, madness, and murder amid the dark shadows and dazzling society of old New Orleans, named a Notable Book of the Year by the New York Times. The summer of 1833 has been one of brazen heat and brutal pestilence, as the city is stalked by Bronze John—the popular name for the deadly yellow fever epidemic that tests the healing skills of doctor and voodoo alike. Even as Benjamin January tends the dying at Charity Hospital during the steaming nights, he continues his work as a music teacher during the day. When he is asked to pass a message from a runaway slave to the servant of one of his students, January finds himself swept into a tempest of lies, greed, and murder that rivals the storms battering New Orleans. And to find the truth he must risk his freedom...and his very life.

Uses a story about Peeper, a young frog with a fever, to offer reassurance to families dealing with a child's fever.