It Happened in Brazil: Chronicle of a North American Researcher in Brazil II is the English version of Aconteceu no Brasil: Crnica de um Pesquisador Norte - Americano II. The book is a continuation of the first volume in the series published in 2012 in both Portuguese and English: Adventures of a Gringo Researcher in Brazil in the 1960s. It continues Currans love affair with Brazil and the Brazilians and work in Brazil from 1969 to 1985; a third volume to be published in coming years will bring everything to the present. This volume deals with various researches and travel trips to Brazil, the author now professor at Arizona State University. Themes will be continued research on the Literatura de Cordel, conferences, important moments with authors of cordel and Brazilian Literature, the odyssey of publishing in Brazil, journeys to new parts of Brazil, and fine moments of tourism with wife, Keah. Among academic moments and high points will be 1973 and the First International Congress on Portuguese and Brazilian Philology in Rio de Janeiro where the author is introduced to the Luso-Brazilian Academic World and especially in 1981 when Curran took part in the 50 Years of Literature of Jorge Amado Commemoration in Salvador da Bahia. Among other memorable moments over the years was the trip with wife Keah to Brazil in 1985. The occasion was to receive a literary prize combined with new tourism to various parts of the country. Written in the spirit and style of the genre of short chronicles in Brazil, the book will comment as well on the political, economic and social scene over the years and will note the many changes in the dynamic Brazil of the late twentieth century.

Diary of a North American Researcher in Brazil III is the last in the series Stories I Told My Students. It is the continuation of the authors love affair and odyssey in Brazil, this time from 1988 to 2005. The volume brings to the present moments lived in Brazil and is written much more in the framework of a travel diary in Brazil. Short vignettes about people and places flavor the book. There is emphasis on academic conferences with many Brazilian Stories, the publication of works in Brazil, and more important, times shared with cordel poets, professors and researchers of Brazilian literature, folklore and popular literature in verse. Something new in this final phase of research, writing and professional life was the time spent in the city of So Paulo, at first glance an unlikely place for a student of folklore. A special moment was the participation in a unique event: 100 Years of Cordel sponsored by the SESC-POMPEIA in 2001 in that city. Others were with cordel poets and poet-singers in the Northeastern Cultural Center in So Paulo, and with Srgio Miceli of the University of So Paulo Press and Plnio Martins of Ateli Press, dealing with the publication of Currans final research efforts in Brazil. And lastly the book recalls fondly the time spent with friends who were with me in moments of happiness but also of solitude and some loneliness. I dedicate the book to all of them: cordel poets, researchers, professors, writers, friends, and to the person who sustained me most, my wife Keah.

Letters from Brazil II is a continuation of Letters from Brazil, 2017. Mike Gaherty, now an assistant professor at the University of Nebraska in Lincoln, is back in Brazil to continue research and begin the battle for publication in a “publish or perish” academic world. He now has a Brazilian visa as journalist-researcher in his role of writing occasional “Letters” to the New York Times’s international section and is working in liaison with the Department of Research–Western Hemisphere Analysis of the US State Department (INR–WHA). “Letters” will chronicle what he sees and experiences in Brazil – politics, economics, and especially, daily life under the evolving military regime. The Brazilian intelligence agencies, the DOPS and the SNI, are aware of his role and keep constant surveillance on his activities. Life gets complicated as Mike juggles romantic interests both back at home and in Rio de Janeiro. And research evolves to treat the relationship between the folk-popular stories in verse (“literatura de cordel”) and MPB (Brazilian Popular Music), especially regarding the composer, singer, and musician Chico Buarque de Hollanda and his efforts to write and perform in Brazil while battling with the general’s censorship laws under AI-5. There are many surprises for Mike—some pleasurable, a few dangerous. Life for a researching professor turns out to be not as pedestrian as might be expected.

Letters from Brazil: A Cultural-Historical Narrative Made Fiction recounts the adventures of young researcher Mike Gaherty in Brazil in the turbulent 1960s. It tells the story of his research on Brazilian folklore and folk-popular literature (with inevitable amorous moments along the way) while dodging encounters and threats from agents of the DOPS, Brazils chief espionage and anti-communist, anti-subversion agency. The nations military revolution of 1964 and subsequent evolution to dictatorship are the background for Gahertys ups and downs in Brazils Northeast, the Northeast Interior, Salvador da Bahia, Rio de Janeiro, Braslia, the Amazon, and a final harrowing time in Recife. The thread of the narrative is the series of letters requested of Gaherty by James Hansen of the New York Times (international section) and his later involvement with Stanley Iverson of the INR (Bureau of Intelligence and Research of the United States Department of State)-WHA (Western Hemisphere Affairs) reporting on Gahertys own research activities in Brazil and his discoveries of political and social sentiment in northeastern Brazil. The young American researcher reports as well on meetings with major Brazilian cultural figures, encounters with Brazilian Afro-Brazilian phenomena like Xango, Candomble, and Capoeira, impressive times during New Years Eve and the Carnival in Rio de Janeiro, and cultural-travel highlights throughout Brazil. The fly in the ointment was the DOPS.

"Letters from Brazil III" is a continuation of Professor Mike Gaherty's adventures in Brazil. It chronicles in fiction Mike's initiation into the Portuguese-Brazilian academic world in the milieu of a major international "congress." The academic affair is followed by Mike's friendship and involvement with singer-composer Chico Buarque de Hollanda, the reporting for the New York Times of his songs jousting with Brazil's "prior censorship" board, and Mike's participation in one of Chico's LP's and successive concerts in Sao Paulo and Rio. The latter experience becomes dicey and dangerous with interference, surprising cooperation and then bad times with the military regime's enforcement agency - the "Department of Public Security." Mike, still a bachelor, is entertained and then becomes enmeshed in fun times turned complicated with beautiful "carioca" women.

Around Brazil on the “International Adventurer” – a Fictional Panegyric is the story of Professor Mike Gaherty in a new “gig” as Cultural Speaker for Adventure Travel’s small ship expedition around Brazil, a thirty-plus day trip from Manaus in the Amazon Basin to Rio Grande in the South with major stops in Belém do Pará, Recife, Salvador, Ilhéus, Rio de Janeiro and Parati. Adventurers will experience nature on the entire trip, birds, animals and plant life, but will be exposed to the history and culture of a good part of Brazil. The date is 1972 and the political undercurrent of Brazil’s Military Regime and its battle against Leftist Subversion affects the expedition. This however is the old, fun, colorful and entertaining Brazil of years past. Mike and his new colleagues of staff and crew of “Adventurer” mesh well, and there is time for an amorous relationship with Amy, the Assistant Adventure Leader on the ship. Surprises are in tow.

"Letters from Brazil IV" is the most recent in the series of Professor Mike Gaherty's travel and research in Brazil. He has returned in 1984 after an "invited" hiatus since 1971 by the General heading Brazil's Pre-Censorship Board, this due to Mike's friendship, research, collaboration with, and defense of singer-composer Chico Buarque de Hollanda. He is reporting on current events and politics for the International Section of the "New York Times," in liason with the Institute of International Research, Latin American Sector. This includes the volatile climate of "Direct Elections Now" for the presidency. He is shadowed by the DOPS (the Brazilian Security Agency) but has become great friends with the Captain in charge of keeping an eye on him. Mike renews many old friendships and finds time to update his research specialty "The Literatura de Cordel" as folk - popular journalism since censorship ended in 1979. He also has to maneuver between some and side step other former romantic liasons in Brazil. Further collaboration in a Chico Buarque concert and dealing with Brazilian security forces gets dicey. Brazilian literature, religion, music, food and his own nostalgia for "Black Orpheus" complete the adventure.