Ask your brother's best friend nicely, and he'll teach you how to date. He might even teach you how to kiss... Zoe Walsh is the most awkward girl in Beachbreak High. For years, she's admired her crush from afar, but she's NEVER talked to him. What would she even say? She doesn't know the first thing about boys, or dating. The only thing she really knows is dancing. Mason McClellan is the charming, all-star quarterback who gets all the girls. He's also Zoe's brother's best friend. This year, he plans to take the hottest girl in school to Homecoming. But she refuses to be his date unless he can dance. Sadly, Mason has two left feet. When Zoe approaches Mason for dating advice, he cuts her a deal: if she teaches him how to dance, he'll teach her how to date. Lessons include how to get your crush to notice you, how to get asked on a date, and how to kiss. The last thing they expect is to fall for each other. But as Homecoming draws near, Zoe wonders - if dating Mason is just practice, how come it feels so much like the real thing? It Had to be Mason is the first book in the Beachbreak High YA sweet romance series. If you like adorable dates, laugh-out-loud moments, and all of the feels, you'll love Emily Lowry's sweet romances.

Charlotte Rodgers has always wanted too much. Too much love, too much attention, and had too many big dreams. It was how she ended up abandoning her two daughters, Connie and Reesy to chase after a man and the promise of a dream life. But Charlotte never anticipated how her world would be irrevocably changed. Now, twenty-seven years later, her whole world shifts yet again with a letter from one of her daughters. And the past is about to bust wide open. Reesy has always been obsessed with something. Obsessed with finding her birth mother. Obsessed with her sister's life. Obsessed with her own adopted daughter never finding out that Reesy is really her aunt. With a neglected husband, who is unknowingly drifting further and further away, a sister who is trying to escape her well-meaning clutches, and a daughter becoming more and more curious about her true parentage, finding the mother she always dreamed about seems to be an answered prayer to Reesy. That is until Reesy is brought crashing back to earth to find that her perfect life is in tattered pieces. Connie has always expected too little. Too little from the man she's been living with for years. Too little from her modest jewelry business. And too little from her relationships, or lack thereof, with her daughter, mother and sister. And too little from herself. Until she discovers she is pregnant again and decides that this time she is keeping her baby, sending her life and her relationship into a tailspin. And rediscovering the mother who left them behind is the last thing she wants. Thrown back together again, in a maelstrom of shocking truths, Charlotte, Reesy and Connie will discover on their journey to forgiveness and redemption that you just might have to sin first in order to be saved.

The bad girl of the magical underworld is back and badder than ever Someone wants Marla Mason dead. Usually that’s not news. As chief sorcerer of Felport, someone always wants her dead. But this time she’s the target of a renegade assassin who specializes in killing his victims over days, months, or even years. Not to mention a mysterious knife-wielding killer in black who pops up in the most unexpected places. To make matters worse, an inmate has broken out of the Blackwing Institute for criminally insane sorcerers—a troubled psychic who can literally reweave the fabric of reality to match her own traumatic past. With her wisecracking partner Rondeau reluctantly in tow, Marla teams up with a “love-talker” whose dangerous erotic spells not even she can resist. Together they’re searching the rapidly transforming streets of Felport for a woman who’s become the Typhoid Mary of nightmares, infecting everything—and everyone—she touches with a chaos worse than death itself.

From the moment I saw her, I wanted her in my bed. I should've stopped there. Everly Hall burst into my complicated life and changed it forever. I'm a fighter, but I had no defense against this beautiful, stubborn woman. Now, I stand to lose everything I have, everything I am. My secrets are dangerous, and put more lives at stake than my own. I intended to tell her in time, but my time is up. Everything rests on Everly. This is the conclusion of Mason and Everly's story.

On one terrible night, 17-year-old Harley's life changes forever. At a party she discovers her younger sister, Audrey, hooking up with her boyfriend, Mike, who then drunkenly attempts to drive Audrey home, crashing and leaving Audrey in a coma. Now Harley is left with guilt, grief, pain and the undeniable truth that her ex-boyfriend has a drinking problem. She finds herself reconnecting with Raf, a neighbour and childhood friend. He starts to show Harley a path forward that she never would have believed possible - one guided by honesty, forgiveness, and redemption.

Born a slave in Georgia in 1818, Bridget "Biddy" Mason learned to survive in a harsh world. Taken from her parents as a young child, Biddy grew up to be self-reliant and hard working. When she and her children finally found freedom in California in 1855, she turned her nursing skills into a successful career as a midwife. Even after she became a wealthy landowner in Los Angeles, Biddy never forgot her basic philosophy of sharing with others: "The open hand is blessed," she always said, "for it gives in abundance, even as it receives."

Everything happens for a reason. At least that's what everyone keeps telling Liam Cooper after his older brother Ethan is killed suddenly in a hit-and-run. Feeling more alone and isolated than ever, Liam has to not only learn to face the world without one of the people he loved the most, but also face the fading relationships of his two best friends in the process. Soon, Liam finds themself spending time with Ethan's best friend, Marcus, who might just be the only person that seems to know exactly what they're going through-for better and for worse. The Ghosts We Keep is an achingly honest portrayal of grief. But it is also about why we live. Why we have to keep moving on, and why we should.