An Indian writer gives her version of the romance which Mircea Eliade, the Romanian writer, described in his novel, Bengal Nights. "Why did you not tell the truth, Mircea?" she asks, not at all pleased that he portrayed her as an Oriental vamp.

Khorramshahr, Iran, May 1982—It was the bloodiest battle of one of the most brutal wars of the twentieth century, and Najah, a twenty-nine-year-old wounded Iraqi conscript, was face to face with a thirteen-year-old Iranian child soldier who was ordered to kill him. Instead, the boy committed an astonishing act of mercy. It was an act that decades later would save his own life. This is a remarkable story. It is gut-wrenching, essential, and astonishing. It’s a war story. A love story. A page-turner of vast moral dimensions. An eloquent and haunting act of witness to horrors beyond grimmest fiction, and a thing of towering beauty. More importantly, it is a story that must be told, and a richly textured view into an overlooked conflict and misunderstood region. This is the great untold story of the children and young men whose lives were sacrificed at the whim of vicious dictators and pointless, barbaric wars. Little has been written of the Iran-Iraq war, which was among the most brutal conflicts of the twentieth century, one fought with chemical weapons, ballistic missiles, and cadres of child soldiers. The numbers involved are staggering: —All told, it claimed 700,000 lives—200,000 Iraqis, and 500,000 Iranians. —Young men of military service age—eighteen and above in Iraq, fifteen and above in Iran—died in the greatest numbers. —80,000 Iranian child soldiers were killed, mostly between the ages of sixteen and seventeen. —The two countries spent a combined 1.1 trillion dollars fighting the war. Rarely does this kind of reportage succeed so power- fully as literature. More rarely still does such searingly brilliant literature—fit to stand beside Remarque, Hemingway, and O’Brien—emerge from behind “enemy” lines. But Zahed, a child, and Najah, a young restaurateur, are rare men—not just survivors, but masterful, wondrously gifted storytellers. Written with award-winning journalist Meredith May, this is literature of a very high order, set down with passion, urgency, and consummate skill. This story is an affirmation that, in the end, it is our humanity that transcends politics and borders and saves us all.

Dera White's I Will Not Die Alone is a hilarious, feel-good story about the end of the world. Featuring illustrations by Joe Bennett, it is a story full of realistic self-love affirmations for all of us who are just trying to get by, until we die. “It’s funny, it's dark, and there's a lion wearing pants. If you only read one more book before the world ends, make it this one.”—Brooke Barker, New York Times bestselling author of Sad Animal Facts “Oh man. This is a sweet yet sad, heartwarming yet heartbreaking read. I loved it! And it’s so wonderfully funny!” —Martin Starr “I Will Not Die Alone is a delightful and necessary hand-hold from a friend that steadies your pulse in the face of ultimate anxiety. Joe Bennett presents the finite and the infinite through a deeply optimistic lens that's far from cloying and makes you feel really good inside. His characters are relatable, funny, and rich with detail in a snapshot.” —Sunita Mani “I Will Not Die Alone, is poignant, smart, and oddly both a little alarming and comforting. This book is a must read for anyone trying to survive through this decade and will have you laughing through your tears.” —Loryn Brantz, bestselling author of Feminist Baby “Joe Bennett always knows how to find the depth in the shallow things, bringing our attention along with his to see what’s been profound all along, right there, in the profane.” —Brad Neely

The author and psychotherapist shares her journey of illness and recovery in this inspiring guide to living your life to the fullest. In I Will Not Die an Unlived Life, Dawna Markova recounts her incredible journey from being diagnosed with a life-threatening illness to finding deeper meaning in her life. Along the way, she guides readers toward discovering their own sense of value and purpose. When we feel lost, Markova points out, we can either continue to live habitual lives and resign our strength—or we can choose to follow our passions. Many of us have times of feeling stagnant and sapped of energy. Rather than judging these moments negatively, Dr. Markova reframes them as periods of rest for our passions. In doing so, she challenges us to slow down and stay in touch with ourselves. Poetic and inspiring, I Will Not Die an Unlived Life is a powerful reminder that it is never too late to live your life.

Are near-death experiences (NDEs) just elaborate hallucinations produced by a dying brain? Or the exuberant fantasies of attention-seeking narcissists? As the accounts in this book abundantly demonstrate: Neither! This book contains over 100 reliable, often firsthand accounts of perceptions during NDEs that were later verified as accurate by independent sources. These near-death experiencers were everyday people from all over the world-many of whom were clinically dead, unable to see or hear, and yet able to perceive new vistas of a world beyond the senses and even beyond death. "The Self Does Not Die" is a trailblazing effort to present the most confirmed cases of consciousness beyond death ever compiled. In these cases, the authors have gone back to the original sources, the people involved in each case, whenever possible, rather than relying on secondhand sources. In so doing, they have assembled a unique collection of empirical data that any scholar worthy of the name must take into account. By carefully studying and describing many convincing and corroborated cases, during cardiac arrest and other cases, the authors conclude that there are good reasons to assume that our consciousness does not always coincide with the functioning of our brain: Enhanced consciousness can sometimes be experienced separately from the body. This book is a "must read" for anyone wanting to know more about this fascinating subject with its implications about the very nature of human consciousness and its survival of physical death. It has the potential to radically change the currently still widely accepted materialist paradigm in science.

Adam Silvera reminds us that there’s no life without death and no love without loss in this devastating yet uplifting story about two people whose lives change over the course of one unforgettable day. #1 New York Times bestseller * 4 starred reviews * A School Library Journal Best Book of the Year * A Kirkus Best Book of the Year * A Booklist Editors' Choice * A Bustle Best YA Novel * A Paste Magazine Best YA Book * A Book Riot Best Queer Book * A Buzzfeed Best YA Book of the Year * A BookPage Best YA Book of the Year On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They’re going to die today. Mateo and Rufus are total strangers, but, for different reasons, they’re both looking to make a new friend on their End Day. The good news: There’s an app for that. It’s called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure—to live a lifetime in a single day. In the tradition of Before I Fall and If I Stay, They Both Die at the End is a tour de force from acclaimed author Adam Silvera, whose debut, More Happy Than Not, the New York Times called “profound.” Plus don't miss The First to Die at the End: #1 New York Times bestselling author Adam Silvera returns to the universe of international phenomenon They Both Die at the End in this prequel. New star-crossed lovers are put to the test on the first day of Death-Cast’s fateful calls.