We all know the old adage. You can't believe everything you read. So why do we panic the minute The American Something or the Blah Blah Institute releases a new study proving that millions of Americans will die next year from inhalation of a gas none of us can even pronounce?

During his five years in captivity in Beirut, John McCarthy had very little reading material. But the one book he did have was the Bible, which he read from cover to cover--twice. He was particularly intrigued by the stories of the Old Testament. But how much of this 'history' is actually true? Returning to the Holy Land, John McCarthy visited sites associated with the great biblical stories and spoke to the archaeologists and the historians who are uncovering the truth of the biblical past. This book encapsulates the evidence, examines the arguments and, offers fresh, sometimes shocking but challenging perspectives on the Bible.

Is our nature—as individuals, as a species—determined by our evolution and encoded in our genes? If we unravel the protein sequences of our DNA, will we gain the power to cure all of our physiological and psychological afflictions and even to solve the problems of our society? Today biologists—especially geneticists—are proposing answers to questions that have long been asked by philosophy or faith or the social sciences. Their work carries the weight of scientific authority and attracts widespread public attention, but it is often based on what the renowned evolutionary biologist Richard Lewontin identifies as a highly reductive misconception: "the pervasive error that confuses the genetic state of an organism with its total physical and psychic nature as a human being." In these nine essays covering the history of modern biology from Darwin to Dolly the sheep, all of which were originally published in The New York Review of Books, Lewontin combines sharp criticisms of overreaching scientific claims with lucid expositions of the exact state of current scientific knowledge—not only what we do know, but what we don't and maybe won't anytime soon. Among the subjects he discusses are heredity and natural selection, evolutionary psychology and altruism, nineteenth-century naturalist novels, sex surveys, cloning, and the Human Genome Project. In each case he casts an ever-vigilant and deflationary eye on the temptation to look to biology for explanations of everything we want to know about our physical, mental, and social lives. These essays—several of them updated with epilogues that take account of scientific developments since they were first written—are an indispensable guide to the most controversial issues in the life sciences today. The second edition of this collection includes new essays on genetically modified food and the completion of the Human Genome Project. It is an indispensable guide to the most controversial issues in the life sciences today.

(Fretted). Long out of print, these virtuoso transcriptions by the legendary violinist Jascha Heifetz date from 1947, and have previously been available only separately. These showpieces capture the excitement of Gershwin's score in a unique and fascinating way. Includes: It Ain't Necessarily So * Summertime * A Woman Is a Sometime Thing * I Got Plenty O' Nuttin' * Bess, You Is My Woman * Tempo Di Blues.

Discovering what is "real" or "not real" can be difficult. This Book One starts with the true nature of the 'universe', From the very basic Fabric of the Universe, then to following nature or "all things", and that includes what is commonly known as "God" or "gods". Following that we deal with human origins, evolution alternatives, then discover our true nature and problems with religions Reclaiming our individual value in life is critically covered. Human's lost prehistory is looked as a prelude to later books A mountain of lies and cover-ups are revealed. This book covers many original writings by Bob Maddison plus many items of interest compiled from research. Sufficient evidence is included in all cases so that you, the critical reader, is not faced with "my assertions" only, but can do your independent research.

One of the most distinguished lyric-writers of his time, Ira Gershwin wrote for his brother George as well as Jerome Kern, Kurt Weill, Harold Arlen and others. Limelight presents a selection of stage and screen lyrics written for sundry situations and now arranged in arbitrary categories, to which have been added many informative annotations and disquistions on their why and wherefore, their whom-for, their how, and matters associative. "Gershwin's comments, witty and irreverent, and his anecdotes about the making of many favorites, are invariably interesting and frequently surprising." Chicago Tribune