A major work of contemporary Turkish literature, Istanbul Was a Fairy Tale tells the stories of three generations of a Jewish family from the 1920s to the 1980s. Istanbul is their only home, and yet they live in a state of alienation, isolating themselves from the world around them. As witness, observer, and protagonist, the narrator—at once inside and outside of his story—records their many tales, as well as those of their friends and neighbors, creating an expansive mosaic of characters, each doing their best to survive the twentieth century.

This volume is a treasure chest of classic Eastern tales drawing on the rich folklore of Turkey. Forty-four Turkish Fairy Tales has not been in print for almost 100 years, mainly because the original edition had lavish production standards. On the used market, mint copies of the 1913 original can cost up to four figures. This volume is appropriately titled Fairy Tales because something definitely 'fairy' occurs. There are talking animals, flying horses, birds that magically change into beautiful maidens, quests to win the hand of a princess, magical objects, simple, yet brave, peasants, wizards, witches, dragons and dungeons, epic journeys, and loveable fools. The majority of these stories contain encounters with 'Dews', or Turkish supernatural beings, better known in the West as 'Genies.' Sometimes the Turkish Dews are also called 'Arabs ' There are many other specifically Turkish elements and references in the stories, for which the glossary at the end of the book is of particular help. So this isn't simply an orientalised set of European Tales, but was drawn from an authentic Turkish oral storytelling tradition by Dr. Ignacz Kunos . Plus, there are almost 200 illustrations exquisitely crafted by Willy Pogany. While our production is not as lavish as the original, it does contain the original illustrations. Note: some of the illustrations could be considered unsuitable by 21st Century standards because they can be considered as caricatures with obvious ethnic stereotypes. However, in most cases, the illustrator is portraying imaginary creatures, which are supposed to be grotesque. Also to be remembered is the book was originally produced in 1913 when the world's attitudes towards racial tolerance and acceptance were quite different to those of today. 33% of the net will be donated to charities in Turkey for education scholarships

From the Nobel Prize winner and acclaimed author of My Name is Red comes a portrait of Istanbul by its foremost writer, revealing the melancholy that comes of living amid the ruins of a lost empire. "Delightful, profound, marvelously origina.... Pamuk tells the story of the city through the eyes of memory." —The Washington Post Book World A shimmering evocation, by turns intimate and panoramic, of one of the world’s great cities, by its foremost writer. Orhan Pamuk was born in Istanbul and still lives in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy—or hüzün—that all Istanbullus share. With cinematic fluidity, Pamuk moves from his glamorous, unhappy parents to the gorgeous, decrepit mansions overlooking the Bosphorus; from the dawning of his self-consciousness to the writers and painters—both Turkish and foreign—who would shape his consciousness of his city. Like Joyce’s Dublin and Borges’ Buenos Aires, Pamuk’s Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

Istanbul is the cornerstone of this culturally significant collection of short stories written exclusively by women. Ranging from ancient Constantinople to the modern capital of Turkey, these 27 short stories show the colorful traces of the people that have lived in that city throughout the ages. Highlighting the rich historical, political, and cultural accents of the city, this compilation provides a unique perspective about this fascinating and global metropolis.

ISSN: 2397-9607 Issue 05 In issue 5 of the Baba Indaba children's Stories, Baba Indaba narrates the Turkish story of a poor Woodcutter, tired of being poor goes off to seek his fame and fortune. Along the way he meets a Pixie in need whom he helps. Well where does this end up.....? You'll have to read the story to find out! Baba Indaba is a fictitious Zulu storyteller who narrates children's stories from around the world. Baba Indaba translates as "Father of Stories". Each issue also has a "WHERE IN THE WORLD - LOOK IT UP" section, where young readers are challenged to look up a place on a map somewhere in the world. The place, town or city is relevant to the story. HINT - all places can be found using Google maps. In looking up these place names, using Google Maps, it is our hope that young people will click on the images and do further investigations about the people who live in these towns in order to gain an understanding of the many and varied cultures from around the world. Through such an exercise, it is also our hope that young people will not only increase their knowledge of world geography but also increase their appreciation and tolerance of other peoples and cultures. VIEW ANY of the BABA INDABA CHILDREN’S STORIES here on Google Play or by clicking on this link https://goo.gl/65LXNM 10% of the profit from the sale of this book will be donated to charities. INCLUDES LINKS TO DOWNLOAD 8 FREE STORIES

Excerpt from Forty-Four Turkish Fairy Tales: Collected and Translated Nearly all Turkish stories belong to the category of fairy tales. These marvellous scenes are enacted in that imaginary country wherein Padishahs have multifarious relations with the rulers of the fairy world. The Shahzadas, their sons, or the Sultanas, their daughters, are either the only children of their parents, or else they appear as three or seven brothers or sisters, whose careers are associated with miraculous events from birth onward. Their kismet, or fate, is controlled by all'powerful dervishes or peri-magicians. Throughout their lives, peris, to the number of three, seven, or forty, are their beneficent helpers while dews, or imps, are the obstructors of their happiness. Besides the dews, there are also ejderha, or dragons, with three, seven, or more heads, to be encountered, and peris in the form of doves to come to the rescue in the nick of time. Each of these supernatural races has its separate realm abounding with spells and enchantments. To obtain these latter, and to engage the assistance of the peris, the princes of the fairy tales set out on long and perilous journeys, during which we find them helped by good spirits (ins) and attacked by evil ones (jins). These spirits appear sometimes as animals, at others as owers, trees, or the elements of nature, such as wind and fire, rewarding the good and punishing the evil. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."