The essays in this anthology study Israeli television, its different forms of representation, audiences and production processes, past and present, examining Israeli television in both its local, cultural dynamics, and global interfaces. The book looks at Israeli television as a creator, negotiator, guardian and warden of collective Israeli memory, examining instances of Israeli original television exported and circulated to the US and the global markets, as well as instances of American, British, and global TV formats, adapted and translated to the Israeli scene and screen. The trajectory of this volume is to shed light on major themes and issues Israeli television negotiates: history and memory, war and trauma, Zionism and national disillusionment, place and home, ethnicity in its unique local variations of Ashkenazim and Mizrahim, immigrants from the former Soviet Union and Ethiopia, Israeli–Arabs and Palestinians, gender in its unique Israeli formations, specifically masculinity as shaped by the military and constant violent conflict, femininity in this same context as well as within a complex Jewish oriented society, religion, and secularism. Providing multifaceted portraits of Israeli television and culture in its Middle Eastern political and local context, this book will be a key resource to readers interested in media and television studies, cultural studies, Israel, and the Middle East.

Israeli television, currently celebrating fifty years of broadcasting, has become one of the most important content sources on the international TV drama market, when serials such as Homeland, Hostages, Fauda, Zaguory Empire and In Treatment were bought by international networks, HBO included. Offering both a textual reading and discourse analysis of contemporary Israeli television dramas, Itay Harlap adopts a case study approach in order to address production, reception and technological developments in its accounts. His premise is that the meeting point between social trends within Israeli society (primarily the rise of opposition groups to the hegemony of the Zionist-Jewish-masculine-Ashkenazi ideologies) and major changes in the medium in Israel (which are comparable to international changes that have been titled "post-TV"), led to the creation of television dramas characterized by controversial themes and complex narratives, which present identities in ways never seen before on television or in other Israeli mediums.

A NEW YORK TIMES BESTSELLER A “fascinating and very moving” (Aaron Sorkin, award-winning screenwriter of The West Wing and The Social Network) chronological timeline spanning from Biblical times to today that explores one of the most interesting countries in the world—Israel. Israel. The small strip of arid land is 5,700 miles away but remains a hot-button issue and a thorny topic of debate. But while everyone seems to have a strong opinion about Israel, how many people actually know the facts? Here to fill in the information gap is Israeli American Noa Tishby. But “this is not your Bubbie’s history book” (Bill Maher, host of Real Time with Bill Maher). Instead, offering a fresh, 360-degree view, Tishby brings her “passion, humor, and deep intimacy” (Yossi Klein Halevi, New York Times bestselling author of Letters to My Palestinian Neighbor) to the subject, creating an accessible and dynamic portrait of a tiny country of outsized relevance. Through bite-sized chunks of history and deeply personal stories, Tishby chronicles her homeland’s evolution, beginning in Biblical times and moving forward to cover everything from WWI to Israel’s creation to the disputes dividing the country today. Tackling popular misconceptions with an abundance of facts, Tishby provides critical context around headline-generating controversies and offers a clear, intimate account of the richly cultured country of Israel.

What does a country's television programming say about its deep character, beliefs, dreams and fears? Here, Tasha G. Oren recounts the volatile history of Israeli television and aiming to reveal the history of the nation itself. television became the object of fantasies and anxieties that went to the heart of Israel's most pressing concerns: Arab-Israeli relations, immigration and the forging of a modern Israeli. Television broadcasting was aimed toward external relations - the flow of messages across borders, Arab-Israeli conflict, and the shaping of public opinion worldwide - as much as it was toward internal needs and interests. Through archival research and analysis of public scandals and early programmes, Oren traces Israeli television's transformation from a feared agent of decadence to a powerful national communication tool, and eventally, to a vastly popular entertainment medium.

The sequel to the acclaimed Gaza in Crisis from world-famous political analyst Noam Chomsky and Middle East historian Ilan Pappé. Operation Protective Edge, Israel’s 2014 assault on Gaza, left thousands of Palestinians dead and cleared the way for another Israeli land grab. The need to stand in solidarity with Palestinians has never been greater. Ilan Pappé and Noam Chomsky, two leading voices in the struggle to liberate Palestine, discuss the road ahead for Palestinians and how the international community can pressure Israel to end its human rights abuses against the people of Palestine. Praise for Gaza in Crisis by Noam Chomsky and Ilan Pappé “This sober and unflinching analysis should be read and reckoned with by anyone concerned with practicable change in the long-suffering region.” —Publishers Weekly “Both authors perform fiercely accurate deconstructions of official rhetoric.” —The Guardian Praise for Noam Chomsky . . . “Chomsky is a global phenomenon . . . perhaps the most widely read American voice on foreign policy on the planet.” —The New York Times Book Review “One of the radical heroes of our age . . . a towering intellect . . . powerful, always provocative.” —The Guardian . . . and Ilan Pappé “Ilan Pappé is Israel’s bravest, most principled, most incisive historian.” —John Pilger, journalist, writer, and filmmaker “Along with the late Edward Said, Ilan Pappé is the most eloquent writer of Palestinian history.” —New Statesman