Ismail Merchant's account of the filming of A Room with a View is really a song in praise of the Tuscan table. For while Merchant recounts the problems - both hilarious and daunting - in trying to shoot a movie in the crowded tourist mecca of Florence, his most passionate prose is reserved for those moments - and there were many of them - when he and his cast and crew stopped to sample the bounty of the Tuscan countryside and the world-famous creations of the Florentine kitchen. Accompanied by production shots and stunning still life photographs by Derrick Santini, Ismail Merchant's text lets the reader wander behind the scenes in the shooting of a major motion picture. We learn how, for example, a "view" was created from a room that, in fact, had no view, and how, amid angry demonstrators and hungry pigeons, fully dressed stars and extras managed successfully to complete the famous scene in the Piazza Signoria. But between takes, Ismail Merchant always returns to the table, whether it is set at Florence's famous Il Cavallino restaurant or in the stately Villa Maiano, whether it is really only a picnic spread out on a hillside or tripe eaten on the street. And, when not at the table, Merchant is in the markets, sampling the fruit and vegetables fresh from the farm that give Tuscan cooking its unique character. When the tale has been told, and the last meal eaten, to satisfy the reader's inevitable hunger, Merchant provides seventy recipes from antipasti to desserts that can be successfully prepared in any kitchen.

His partnership with director James Ivory has yielded a succession of acclaimed and award-winning films, including A Room with a View, Howard's End and The Remains of the Day. But Merchant's talents extend into the culinary world as well, as evidenced by this exquisite collection of over 100 recipes from his native India.

Interviews with the team that created the films Howard's End, Mr. and Mrs. Bridge, The Remains of the Day, The White Countess, and The City of Your Final Destination, among many others

Bring on the Books for Everybody is an engaging assessment of the robust popular literary culture that has developed in the United States during the past two decades. Jim Collins describes how a once solitary and print-based experience has become an exuberantly social activity, enjoyed as much on the screen as on the page. Fueled by Oprah’s Book Club, Miramax film adaptations, superstore bookshops, and new technologies such as the Kindle digital reader, literary fiction has been transformed into best-selling, high-concept entertainment. Collins highlights the infrastructural and cultural changes that have given rise to a flourishing reading public at a time when the future of the book has been called into question. Book reading, he claims, has not become obsolete; it has become integrated into popular visual media. Collins explores how digital technologies and the convergence of literary, visual, and consumer cultures have changed what counts as a “literary experience” in phenomena ranging from lush film adaptations such as The English Patient and Shakespeare in Love to the customer communities at Amazon. Central to Collins’s analysis and, he argues, to contemporary literary culture, is the notion that refined taste is now easily acquired; it is just a matter of knowing where to access it and whose advice to trust. Using recent novels, he shows that the redefined literary landscape has affected not just how books are being read, but also what sort of novels are being written for these passionate readers. Collins connects literary bestsellers from The Jane Austen Book Club and Literacy and Longing in L.A. to Saturday and The Line of Beauty, highlighting their depictions of fictional worlds filled with avid readers and their equations of reading with cultivated consumer taste.

Readers are invited to join the renowned filmmaker for a feast of memories and film in a lavish, photo-memoir as rich and vivid as the land he celebrates. Full color.

The complete screenplay, photos, and Merchant's own account of the making of this special film.

The irreverent, brilliant memoirs of the legendary filmmaker James Ivory In Solid Ivory, a carefully crafted mosaic of memories, portraits, and reflections, the Academy Award–winning filmmaker James Ivory, a partner in the legendary Merchant Ivory Productions and the director of A Room with a View, Howards End, Maurice, and The Remains of the Day, tells stories from his remarkable life and career as one of the most influential directors of his time. At times, he touches on his love affairs, looking back coolly and with unexpected frankness. From first meeting his collaborator and life partner, Ismail Merchant, at the Indian Consulate in New York to winning an Academy Award at age eighty-nine for Call Me by Your Name; from seeing his first film at age five in Klamath Falls, Oregon, to memories of Satyajit Ray, Jean Renoir, The New Yorker magazine’s film critic Pauline Kael (his longtime enemy), Vanessa Redgrave, J. D. Salinger, George Cukor, Kenneth Clark, Bruce Chatwin, Ruth Prawer Jhabvala, and Merchant—Ivory writes with invariable fluency, wit, and perception about what made him who he is and how he made the movies for which he is known and loved. Solid Ivory, edited by Peter Cameron, is an utterly winning portrait of an extraordinary life told by an unmatched storyteller.