Islands have an irresistible attraction and an enduring appeal. Naturalist Roger Lovegrove has visited many of the most remote islands in the world, and in this book he takes the reader to twenty that fascinate him the most. Some are familiar but most are little known; they range from the storm-bound island of South Georgia and the ice-locked Arctic island of Wrangel to the wind-swept, wave-lashed Mykines and St Kilda. The range is diverse and spectacular; and whether distant, offshore, inhabited, uninhabited, tropical or polar, each is a unique self-contained habitat with a delicately-balanced ecosystem, and each has its own mystique and ineffable magnetism. Central to each story is also the impact of human settlers. Lovegrove recounts unforgettable tales of human endeavour, tragedy, and heroism. But consistently, he has to report on the mankind's negative impact on wildlife and habitats — from the exploitation of birds for food to the elimination of native vegetation for crops. By looking not only at the biodiversity of each island, but also the uneasy relationship between its wildlife and the involvement of man, he provides a richly detailed account of each island, its diverse wildlife, its human history, and the efforts of conservationists to retain these irreplaceable sites.

We know the tales of Columbus and Captain Cook, yet much earlier mariners made equally bold and world-changing voyages. In Beyond the Blue Horizon, archaeologist and historian Brian Fagan tackles his richest topic yet: the enduring quest to master the oceans, the planet's most mysterious terrain. From the moment when ancient Polynesians first dared to sail beyond the horizon, Fagan vividly explains how our mastery of the oceans changed the course of human history. What drove humans to risk their lives on open water? How did early sailors unlock the secrets of winds, tides, and the stars they steered by? What were the earliest ocean crossings like? With compelling detail, Fagan reveals how seafaring evolved so that the forbidding realms of the sea gods were transformed from barriers into a nexus of commerce and cultural exchange. From bamboo rafts in the Java Sea to triremes in the Aegean, from Norse longboats in the North Atlantic to sealskin kayaks in Alaska, Fagan crafts a captivating narrative of humanity's urge to challenge the unknown and seek out distant shores.

In June, 2004, Colin Angus left Vancouver on his bicycle. Nearly two years later, he rolled back in, looking like a castaway, and having completed the first human-powered circumnavigation of the globe. Angus cycled, skiied, and rowed a route that took him to Alaska, across the Bering Sea and the Siberian winter, across Europe from Moscow to Portugal, then across the Atlantic to Costa Rica–a 156-day rowing odyssey. From there it was a short 8,300 kilometre ride back to Vancouver. Along the way he burned through 4,000 chocolate bars, 72 inner tubes, 250 kgs of freeze-dried foods, 31 dorado fish (caught from the sea), 2 offshore rowboats, 4 bicycles, 80 kgs of clothing. And he showed the world that if he can travel 43,000 kilometres without polluting the planet, then the rest of us can get off our butts, and clean up our own acts. “We lay in the rowboat cabin as the seas swelled and the sky boiled like a devil’s cauldron. Slanting yellow sun beams cut between black squalls, and corrugated cirrus clouds interlaced the remaining areas of blue. Huge anvil heads roiled and billowed, like slow-moving atomic explosions. Flashes of lightning illuminated the IMAX screen of the horizon. Such energy and volatility would have been breathtakingly beautiful, if we had been watching from nearly anywhere else, and if it weren’t for the fact that it was all just a prelude to a killer storm. It was hard to believe that yet another tropical cyclone was heading our way. We had chosen the worst hurricane season in recorded history to make our five-month, 10,000 km unsupported rowboat crossing of the Atlantic Ocean. Now, two months into our voyage, it looked very likely our expedition might come to an abrupt end. Our voyage across the Atlantic was only a part of a much larger expedition: an attempt to complete the first human-powered circumnavigation of the planet. So far we had trekked, skied, cycled, canoed, and rowed non-stop across three continents and were half-way across our second ocean. Now, as I huddled in the dog-house sized cabin with my fiancée waiting for the Hurricane Epsilon to reach us, I cursed myself for ever believing I could achieve such an impossible quest.” —From Beyond the Horizon

She points the lens of the camera. The artist turns his head slightly. The light catches his brow and his silver-white hair. She snaps. He is lit like a Vermeer. Ireland. County Wexford, 1951. A father and son go swimming in the sea. The waves crash. The wind rises. Only one comes back—Colin, aged six. His mother, Eileen, runs to seek help, but this is a tragedy that will haunt them forever. Colin won’t speak a word. He is mute and struggling to cope. But Eileen can see he has a talent for painting. She shows him his father’s artwork and gives him a print of a Paul Henry landscape, and slowly, with her encouragement, he begins to follow his dream. Years later on Inishbofin island off the west coast of Ireland, out walking with his dog on the sand, Colin meets Laura, a young woman on holiday, and a tentative friendship starts to develop. Gradually his past comes to life in a story filled with love and frustration, loss and betrayal, but above all with the passion he has held through his life for the light in the sea and the sky and his search for that distant shore where the sky sweeps down to the water. One man. The sea. One painting.

'A must read … a new analytical agenda for the Anthropocene, coherently drawing out the power of thinking with islands.' – Elena Burgos Martinez, Leiden University ‘This is an essential book. [The] analytics they propose … offer both a critical agenda for island studies and compass points through which to navigate the haunting past, troubling present, and precarious future.’ – Craig Santos Perez, University of Hawai’i, Manoa ‘All academic books should be like this: hard to put down. Informative, careful, sometimes devasting, yet absolutely necessary - if you read one book about the Anthropocene let it be this. You will never think of islands in the same way again.’ – Kimberley Peters, University of Oldenburg ‘ … a unique journey into the Anthropocene. Critical, generous and compelling’. — Nigel Clark, Lancaster University The island has become a key figure of the Anthropocene – an epoch in which human entanglements with nature come increasingly to the fore. For a long time, islands were romanticised or marginalised, seen as lacking modernity’s capacities for progress, vulnerable to the effects of catastrophic climate change and the afterlives of empire and coloniality. Today, however, the island is increasingly important for both policy-oriented and critical imaginaries that seek, more positively, to draw upon the island’s liminal and disruptive capacities, especially the relational entanglements and sensitivities its peoples and modes of life are said to exhibit. Anthropocene Islands: Entangled Worlds explores the significant and widespread shift to working with islands for the generation of new or alternative approaches to knowledge, critique and policy practices. It explains how contemporary Anthropocene thinking takes a particular interest in islands as ‘entangled worlds’, which break down the human/nature divide of modernity and enable the generation of new or alternative approaches to ways of being (ontology) and knowing (epistemology). The book draws out core analytics which have risen to prominence (Resilience, Patchworks, Correlation and Storiation) as contemporary policy makers, scholars, critical theorists, artists, poets and activists work with islands to move beyond the constraints of modern approaches. In doing so, it argues that engaging with islands has become increasingly important for the generation of some of the core frameworks of contemporary thinking and concludes with a new critical agenda for the Anthropocene.

Why discovering the limits to science may be the most powerful discovery of allHow much can we know about the world? In this book, physicist Marcelo Gleiser traces our search for answers to the most fundamental questions of existence, the origin of the universe, the nature of reality, and the limits of knowledge. In so doing, he reaches a provocative conclusion: science, like religion, is fundamentally limited as a tool for understanding the world. As science and its philosophical interpretations advance, we face the unsettling recognition of how much we don't know. Gleiser shows that by aband.

ONE OF THE BEST BOOKS OF THE YEAR: THE NEW YORK TIMES • NPR • THE GUARDIAN From pole to pole and across decades of lived experience, National Book Award-winning author Barry Lopez delivers his most far-ranging, yet personal, work to date. Horizon moves indelibly, immersively, through the author’s travels to six regions of the world: from Western Oregon to the High Arctic; from the Galápagos to the Kenyan desert; from Botany Bay in Australia to finally, unforgettably, the ice shelves of Antarctica. Along the way, Lopez probes the long history of humanity’s thirst for exploration, including the prehistoric peoples who trekked across Skraeling Island in northern Canada, the colonialists who plundered Central Africa, an enlightenment-era Englishman who sailed the Pacific, a Native American emissary who found his way into isolationist Japan, and today’s ecotourists in the tropics. And always, throughout his journeys to some of the hottest, coldest, and most desolate places on the globe, Lopez searches for meaning and purpose in a broken world.