“A delicious escape.” —People Love is in the salty sea air in this smart and steamy ensemble romantic comedy set in a tropical paradise, from the author of the “sparkly and entertaining” (Oprah Daily) It Had to Be You. This is one island you won’t want to be rescued from. The Kellys are messy, loud, loving Australians. The Lees are sophisticated, aloof, buttoned-up Americans. They have nothing in common…except for the fact that their daughters are married. When a nearby volcano erupts during their short vacation to a remote tropical island off the coast of Queensland, the two families find themselves stranded together for six weeks. With only two island employees making up the rest of their party, everyone is forced to question what—or who—they really want. Island Time is a sumptuous summer read that dives deep into queer romance, family secrets, ambition, parenthood, and a bird-chasing bromance. This sexy, sun-soaked paradise of white sandy beaches, crystal-clear waters, and lush rainforest will show you it’s never too late to change your destiny.

Capturing the history and beauty of a key destination in the land of the Golden Isles... Eighty miles south of Savannah lies St. Simons Island, one of the most beloved seaside destinations in Georgia and home to some twenty thousand year-round residents. In Island Time, Jingle Davis and Benjamin Galland offer a fascinating history and stunning visual celebration of this coastal community. Prehistoric people established some of North America's first permanent settlements on St. Simons, leaving three giant shell rings as evidence of their occupation. People from other diverse cultures also left their mark: Mocama and Guale Indians, Spanish friars, pirates and privateers, British soldiers and settlers, German religious refugees, and aristocratic antebellum planters. Enslaved Africans and their descendants forged the unique Gullah Geechee culture that survives today. Davis provides a comprehensive history of St. Simons, connecting its stories to broader historical moments. Timbers for Old Ironsides were hewn from St. Simons's live oaks during the Revolutionary War. Aaron Burr fled to St. Simons after killing Alexander Hamilton. Susie Baker King Taylor became the first black person to teach openly in a freedmen's school during her stay on the island. Rachel Carson spent time on St. Simons, which she wrote about in The Edge of the Sea. The island became a popular tourist destination in the 1800s, with visitors arriving on ferries until a causeway opened in 1924. Davis describes the challenges faced by the community with modern growth and explains how St. Simons has retained the unique charm and strong sense of community that it is known for today. Featuring more than two hundred contemporary photographs, historical images, and maps, Island Time is an essential book for people interested in the Georgia coast. A Friends Fund publication.

The task of living in modern New Zealand – and especially in modern Auckland – is not just to understand how to live with different peoples, but how to adapt to the future that has already happened. New Zealand is a nation that exists on Pacific Islands, but does not, will not, perhaps cannot, see itself as a Pacific Island nation. Yet turning to the Pacific, argues Damon Salesa, enables us to grasp a fuller understanding of what life is really like on these shores. After all, Salesa argues, in many ways New Zealand’s Pacific future has already happened. Setting a course through the ‘islands’ of Pacific life in New Zealand – Ōtara, Tokoroa, Porirua, Ōamaru and beyond – he charts a country becoming ‘even more Pacific by the hour’. What would it mean, this far-sighted book asks, for New Zealand to recognise its Pacific talent and finally act like a Pacific nation?

“Utterly engaging...a page-turner that is certain to win the author legions of new readers and fans.”—George R. R. Martin, author of A Game of Thrones It's spring on Nantucket and everything is perfectly normal, until a sudden storm blankets the entire island. When the weather clears, the island's inhabitants find that they are no longer in the late twentieth century...but have been transported instead to the Bronze Age! Now they must learn to survive with suspicious, warlike peoples they can barely understand and deal with impending disaster, in the shape of a would-be conqueror from their own time.

Through anecdotes and 200 drawings, Hilary Stewart shares her delight in discovering the small wonders of the natural world. Wandering the island’s beaches, forests and lakes, she gathers seaweeds, mushrooms and berries. Ever curious, she expands her knowledge of wild-flowers, lichens, lowly beetles and more. Her encounters with deer, bats, raccoons, frogs, snakes, birds and other wildlife are, by turns, humorous, exasperating and poignant. And she constantly works at enhancing her three acres of garden, meadow and forest jungle. In On Island Time, Hilary Stewart also offers glimpses of the people and events that make up island life: learning local ways and history, attending Native peoples’ ceremonies, observing the water dowser, helping to discover petroglyphs, circumnavigating Quadra by boat, coping with wild winter storms, taking part in the annual eagle count—and drumming up the full moon. Here are the many pleasures and occasional frustrations of life on a small island. It’s a life attuned to the natural world, sparked by the joy of discovery, flowing with the seasons, the weather and the tides—on island time.

Islands in Time explores the ecological and cultural development of prehistoric island societies. It considers the prehistory of the Mediterranean and offers an explanation of the effects of isolation on the development of human communities. Evidence is drawn from a broad range of Mediterranean islands including Cyprus, Crete and the Cyclades, Malta, Lipari, Corsica and Sardinia.

A close look at how wylers, a popular musical style from the island of St. Kitts and Nevis, expresses a unique mode of relation in the postcolonial Caribbean. In Island Time, ethnomusicologist Jessica Swanston Baker examines wylers, a musical form from St. Kitts and Nevis that is characterized by speed. Baker argues that this speed becomes a useful and highly subjective metric for measuring the relationship between Caribbean aspirations and the promises of economic modernity; women’s bodily autonomy and the nationalist fantasies that would seek to curb that autonomy; and the material realities of Kittitian-Nevisian youth living in the disillusionment following postcolonial independence. She traces the wider Caribbean musical, cultural, and media-based resonances of wylers, posing an alternative model to scholarship on Caribbean music that has tended to privilege the big islands—Trinidad, Jamaica, and Haiti—thus neglecting not only the unique cultural worlds of smaller nations but also the unbounded nature of musical exchange in the region. The archipelago emerges as a useful model for apprehending the relationality across scales that governs the temporal and spatial logics that undergird Caribbean performance. The archipelago and its speeds ultimately emerge as a meaningful medium for postcolonial, postmodern world-making.