Many men dream of running away to a tropical island and living surrounded by beauty and exotic exuberance. Walter Spies did more than dream. He actually did it. In the 1920s and 30s, Walter Spies — ethnographer, choreographer, film maker, natural historian and painter — transformed the perception of Bali from that of a remote island to become the site for Western fantasies about Paradise and it underwent an influx of foreign visitors. The rich and famous flocked to Spies’ house in Ubud and his life and work forged a link between serious academics and the visionaries from the Golden Age of Hollywood. Charlie Chaplin, Noel Coward, Miguel Covarrubias, Vicki Baum, Barbara Hutton and many others sought to experience the vision Spies offered while Margaret Mead and Gregory Bateson, the foremost anthropologists of their day, attempted to capture the secret of this tantalizing and enigmatic culture. Island of Demons is a fascinating historical novel, mixing anthropology, the history of ideas and humour. It offers a unique insight into that complex and multi-hued world that was so soon to be swept away, exploring both its ideas and the larger than life characters that inhabited it.

What’s America’s top female action star doing on a tropical island shrouded in secrecy? To Gina Bliss, competing in a survival-type reality show is a nice change from fending off on-screen villains. Until she meets real-life action hero Derek Marks. A survival specialist in a tight black T and sexy stubble, he’s arousing every bad-boy fantasy she’s ever had . . . and testing her survival skills to the max. Martial arts, jungle warfare—Derek’s done it all. But his latest mission is more dangerous than a stick of dynamite. Try telling that to the sexy, adrenaline-pumped actress who’s got his libido racing off the charts. As the heat rises between them and real-life violence erupts, suddenly Derek and Gina are on the run . . . and when they uncover a secret so explosive it could blow the lid off their so-called reality show, these two unlikely heroes are about to discover what surviving’s really about. . . . From the Paperback edition.

Just as surely as Haiti is "possessed" by the gods and spirits of vaudun (voodoo), the island "possessed" Katherine Dunham when she first went there in 1936 to study dance and ritual. In this book, Dunham reveals how her anthropological research, her work in dance, and her fascination for the people and cults of Haiti worked their spell, catapulting her into experiences that she was often lucky to survive. Here Dunham tells how the island came to be possessed by the demons of voodoo and other cults imported from various parts of Africa, as well as by the deep class divisions, particularly between blacks and mulattos, and the political hatred still very much in evidence today. Full of the flare and suspense of immersion in a strange and enchanting culture, Island Possessed is also a pioneering work in the anthropology of dance and a fascinating document on Haitian politics and voodoo.

For seeker Raine Benares, a demon infestation on the Isle of Mid couldn't come at a worse time. Already fighting the influence of the Saghred, a soul-stealing stone, Raine discovers she is also magically bonded to a dark mage and a white knight, two dangerous and powerful men on opposing sides. Turns out, the demons want the key to unlock the Saghred. As a seeker, Raine should be able to find it first. As the axis of light and dark powers, she's a magical cataclysm waiting to happen.

Hell knows that Rys is awake, and his old employers are keen to enforce his original contract. But there's a key difference between now and the last time he worked for them. They're stuck in Hell while he reigns in Harrium. He has no plans to serve his former masters. But despite the infernal powers circling him like vultures, Rys has unfinished business he needs to resolve. The Malus League retreated to lick its wounds after their confrontation with him, but he lacked the power to crush them once and for all. That needs to change and to do that he must reinforce his armies and construct alliances. If only the foxes from abroad would stop meddling in his affairs. Rys has enough on his plate without it being smothered in fluffy tails all the time. Demon's Throne is an empire-building series with violence, undefined relationships, beast girls, and scenes that don't fade to black. Consider yourself warned.

‘There were friends once, but they melted away. Things are different now I am a MONSTER’ Frances is alone. Cast away on a small island in the middle of the Indian Ocean, she has to find water, food and shelter. But survival is hard. Especially when she is haunted by memories of the things that she did before, the things that made her a monster. Pushed to the limit in extreme conditions, she battles to come to terms with her past, and find a future worth fighting for. This is a gripping and thought-provoking story about one girl’s journey to become the person she believes she can be.

During the early modern period, western Europe was transformed by the proliferation of new worlds—geographic worlds found in the voyages of discovery and conceptual and celestial worlds opened by natural philosophy, or science. The response to incredible overseas encounters and to the profound technological, religious, economic, and intellectual changes occurring in Europe was one of nearly overwhelming wonder, expressed in a rich variety of texts. In the need to manage this wonder, to harness this imaginative overabundance, Mary Baine Campbell finds both the sensational beauty of early scientific works and the beginnings of the divergence of the sciences—particularly geography, astronomy, and anthropology—from the writing of fiction. Campbell's learned and brilliantly perceptive new book analyzes a cross section of texts in which worlds were made and unmade; these texts include cosmographies, colonial reports, works of natural philosophy and natural history, fantastic voyages, exotic fictions, and confessions. Among the authors she discusses are André Thevet, Thomas Hariot, Francis Bacon, Galileo, Margaret Cavendish, and Aphra Behn. Campbell's emphasis is on developments in England and France, but she considers works in languages other than English or French which were well known in the polyglot book culture of the time. With over thirty well-chosen illustrations, Wonder and Science enhances our understanding of the culture of early modern Europe, the history of science, and the development of literary forms, including the novel and ethnography.