Armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of the faith, but also as symbols of status, wealth, and power. The finest arms were made by master craftsmen working with the leading designers, goldsmiths, and jewelers, whose work transformed utilitarian military equipment into courtly works of art. This book reveals the diversity and artistic quality of one of the most important and encyclopedic collections of its kind in the West. The Metropolitan Museum's holdings span ten centuries and include representative pieces from almost every Islamic culture from Spain to the Caucasus. The collection includes rare early works, among them the oldest documented Islamic sword, and is rich in helmets and body armor, decorated with calligraphy and arabesques, that were worn in Iran and Anatolia in the late fifteenth century. Other masterpieces include a jeweled short sword (yatagan) with a blade of "watered" steel that comes from the court of Süleyman the Magnificent, a seventeenth-century gold-inlaid armor associated with Shah Jahan, and two gold-inlaid flintlock firearms belonging to the guard of Tipu Sultan of Mysore. Presenting 126 objects, each handsomely photographed and richly documented with a detailed description and discussion of its technical, historical, and artistic importance, this overview of the Met's holdings is supplemented by an introductory essay on the formation of the collection, and appendixes on iconography and on Turkman-style armor.

The technological relationship between the three main civilizations of the Western world - Byzantium, the Islamic world and the West - most particularly in the area of arms, armour and military technology is a field of research for which Dr Nicolle is noted. This volume deals principally with Western Europe and Byzantium, which for many centuries learnt from the Muslims in these matters; several articles also focus on military interactions in the Crusader states. The work draws upon both written and archaeological sources, but above all makes use of the depictions of war and military equipment in contemporary art to examine the interconnections across the medieval world.

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One of the problems pervading the study of medieval Islamic technology is the lack of surviving technical treatises. Tradition tended to be handed down by example and by word of mouth, and apprenticeships could last for decades. Fortunately, however, occasional treatises do exist. The treatise "On swords and their kinds" was written by the 9th century Muslim philosopher Ya'qub ibn Ishaq al-Kindi. This work was commissioned by a powerful patron of scholarship, the Abbasid caliph Mu'tasim, and the content of the treatise presumably reflects the ruler's general interest in his army and its equipment, and his specific interest in the technical aspects of sword production. In this work, Kindi discusses the difference between iron and steel, distinguishes different qualities of sword blade, and different centres of swordsmithing. He refers to the Indian Ocean trade in steel ingots and to the distinctive character of European swords of the period. He includes technical terms used by the makers, and distinguishes swords by their physical features - form, measurements, weight, watered pattern, sculptured details, or inlaid ornaments. This publication includes the text and a translation of Kindi's treatise, and a detailed commentary on the work. The volume also includes a translation of Friedrich Schwarzlose's work on swords, which is based on the hundreds of references to swords in early Arabic poetry. Written in German, this extraordinary compendium of information was first published some 120 years ago; this volume makes it available again, and for the first time in English.

Does Islam have a special approach to warfare and arms and armour? Do weapons from the Islamic world have particular characteristics? Publishing in conjunction with an exhibition at The David Collection in Copenhagen from 24 February to 15 August 2021, Fighting, Hunting, Impressing discusses the central issues relating to Islamic arms and armour: the types and the different contexts in which they were used in warfare, in hunting, and as symbols of social position. Other aspects include the roles of arms and armour in the Quran; their collection history from trophies to museum objects; their inscriptions; and furusiyya-literature - the manuals for the chivalrous Islamic warrior. The publication showcases 151 items of arms and armour from the Ottoman, Safavid and Mughal empires, in addition to miniature paintings that illustrate how the objects were used in their historical contexts, and supporting essays.