The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Central Asia, a distinctive, hitherto unknown style - Islamic chinoiserie - was born in the art of Iran.Highly illustrated, Islamic Chinoiserie offers a fascinating glimpse into the artistic interaction between Iran and China under the Mongols. By using rich visual materials from various media of decorative and pictorial arts - textiles, ceramics, metalwork and manuscript painting - the book illustrates the process of adoption and adaptation of Chinese themes in the art of Mongol-ruled Iran in a visually compelling way. The observation of this unique artistic phenomenon serves to promote the understanding of the artistic diversity of Islamic art in the Middle Ages.Key Features*Covers various media of decorative and pictorial arts from Iran, Central Asia and China*Deals with a diverse range of issues related to the East-West artistic relationship in the Middle Ages*Features in-depth studies of style, technique and iconography in Iranian art under the Mongols*Includes 125 illustrations, 24 in colour

The Ilkhanate: from Tegüder Aḥmad to Öljeitü -- Muslim Ilkhans, the Buddhists and the People of the Book -- Rashīd al-Dīn, Islam and the Mongols -- The Islam of Ghazan, his generals and his minister: the view from outside -- EPILOGUE -- Legitimation by Chinggisid descent -- Allegiance to Mongol norms and institutions -- Turkicization -- The exodus of Muslims from the Mongol world -- The spread of Islam across Eurasia -- The movement of peoples and the emergence of new ethnicities -- The integration of Eurasia within a single disease zone: the Black Death -- CONCLUSION -- APPENDIX 1 Glossary of Technical Terms -- APPENDIX 2 Genealogical Tables and Lists of Rulers -- NOTES -- BIBLIOGRAPHY -- INDEX

Discover the essence of the Islamicate Cosmopolitan Spirit and what it has contributed to societies across the ages In Islamicate Cosmopolitan Spirit, author and expert, Bruce B. Lawrence, delivers a spiritual elan filtered through cultural practices and artefacts. Neither juridical nor creedal, the book expresses a desire for the just and the beautiful. The author sets out an original and fascinating theory, that Islamicate cosmopolitanism marks a new turn in global history. An unceasing, self-critical pursuit of truth, hitched to both beauty and justice, its history is marked by male elites who were scientific exemplars in the pre-modern period. In the modern period, these exemplars include women as well as men, artists as well as scientists. The Islamicate Cosmopolitans have had special impact across the Afro-Eurasian ecumene at the heart of civilized exchange between multiple groups with competing yet convergent interests. The Islamicate Cosmopolitan Spirit is a boundary busting challenge to those who think of the world merely in terms of an “Arab” Middle East. Readers will also benefit from: A thorough introduction to the Islamicate Cosmopolitan Spirit across time and space An exploration of premodern Afro-Eurasia and Persianate Culture in the Indian Ocean A practical discussion of the future of the Islamicate Cosmopolitan Spirit Perfect for all students of Islamicate civilization, both traditional and progressive, Islamicate Cosmopolitan Spirit will also earn a place in the libraries of general readers of world history and those grounded in the larger history of Islamicate Asia will find a perspective that centers their own contribution to the Islamicate Cosmopolitan Spirit.

The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)

Between the Mongol invasions in the mid-13th century and the rise of the Ottomans in the late 14th century, the Lands of Rum were marked by instability and conflict. Despite this, a rich body of illuminated manuscripts from the period survives, explored here in this extensively illustrated volume. Meticulously analysing 15 beautifully decorated Arabic and Persian manuscripts, including Qur'ans, mirrors-for-princes, historical chronicles and Sufi works, Cailah Jackson traces the development of calligraphy and illumination in late medieval Anatolia. She shows that the central Anatolian city of Konya, in particular, was a dynamic centre of artistic activity and that local Turcoman princes, Seljuk bureaucrats and Mevlevi dervishes all played important roles in manuscript production and patronage.

Published on the occasion of the exhibition The Art of the Qur'an: Treasures from the Museum of Turkish and Islamic Arts, Istanbul, held at the Arthur M. Sackler Gallery, Washington, D.C., October 15, 2016-February 20, 2017.

The Historian of Islam at Work is a volume in honor of Hugh N. Kennedy. It offers thirty contributions by three generations of prominent scholars in the field of pre-modern Middle Eastern studies, covering the many areas of Islamic historical inquiry in which Hugh Kennedy has been active throughout his career. Grouped around four major themes - Caliphate and power, economy and society, Abbasids, and frontiers and the others - the contributions deal with the history, archaeology, architecture and literature of the Middle East, North Africa and beyond, from the time of the Prophet until the fifteenth century.