Armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of the faith, but also as symbols of status, wealth, and power. The finest arms were made by master craftsmen working with the leading designers, goldsmiths, and jewelers, whose work transformed utilitarian military equipment into courtly works of art. This book reveals the diversity and artistic quality of one of the most important and encyclopedic collections of its kind in the West. The Metropolitan Museum's holdings span ten centuries and include representative pieces from almost every Islamic culture from Spain to the Caucasus. The collection includes rare early works, among them the oldest documented Islamic sword, and is rich in helmets and body armor, decorated with calligraphy and arabesques, that were worn in Iran and Anatolia in the late fifteenth century. Other masterpieces include a jeweled short sword (yatagan) with a blade of "watered" steel that comes from the court of Süleyman the Magnificent, a seventeenth-century gold-inlaid armor associated with Shah Jahan, and two gold-inlaid flintlock firearms belonging to the guard of Tipu Sultan of Mysore. Presenting 126 objects, each handsomely photographed and richly documented with a detailed description and discussion of its technical, historical, and artistic importance, this overview of the Met's holdings is supplemented by an introductory essay on the formation of the collection, and appendixes on iconography and on Turkman-style armor.

This is a lavishly illustrated presentation of the Nasser D. Khalili Collection of Islamic Art's collection of arms and armor. The items range in date from the seventh to the nineteenth centuries A.D. In avoiding the strictly typological classification of most previous catalogues of the subject, the aim is to give a full sense of the panoply of warfare: the stirrup, the drum, and the talismanic shirt were as important to the Muslim warrior as the sword and the mail shirt. David Alexander, the leading authority on Islamic arms and armor, has provided a detailed scholarly guide to this outstanding collection.

"This extensively illustrated catalogue is published in conjunction with the first comprehensive exhibition devoted to the arts of the samurai, including the finest examples of swords - the spirit of the samurai - as well as sword mountings and fittings, armor and helmets, saddles, textiles, and paintings. The works in the catalogue, drawn from public and private collections in Japan, include 34 officially designated National Treasures and 64 Important Cultural Properties, the largest number ever to be shown together at one time. Dating from the 5th to the early 20th century, these majestic objects offer a complete picture of samurai culture and its unique blend of the martial and the refined." "Many of the greatest Japanese swordsmiths are represented in this volume, from early masters such as Yasuie (12th century) and Tomomitsu (14th century) to the Edo-period smiths Nagasone Kotetsu and Kiyomaro. The blades by these and other masters, cherished as much for their beauty as for their cutting efficiency, were equipped with elaborate hilts and scabbards prized for their exquisite craftsmanship and fine materials such as silk, rayskin, gold, lacquer, and certain alloys unique to Japan. Japanese armor is also fully surveyed, from the rarest iron armor of the Kofun period (5th century) to the inventive ceremonial helmets made toward the end of the age of the samurai." --Book Jacket.

From 711 when they arrived on the Iberian Peninsula until 1492 when scholars contribute a wide-ranging series of essays and catalogue entries which are fully companion to the 373 illustrations (324 in color) of the spectacular art and architecture of the nearly vanished culture. 91/2x121/2 they were expelled by Ferdinand and Isabella, the Muslims were a powerful force in al-Andalus, as they called the Iberian lands they controlled. This awe-inspiring volume, which accompanies a major exhibition presented at the Alhambra in Granada and The Metropolitan Museum of Art in New York, is devoted to the little-known artistic legacy of Islamic Spain, revealing the value of these arts as part of an autonomous culture and also as a presence with deep significance for both Europe and the Islamic world. Twenty-four international Annotation copyrighted by Book News, Inc., Portland, OR