Tracing the development of Islam as a multidimensional force in Egypt, Sullivan (political science, Northeastern U.) and Abed-Kotob (associate editor, Middle East Journal) analyze the role it plays in governance and opposition to political authority; in social relations (including between women and men, and Muslims and Christians); and in the often overlooked area of socioeconomic development. They conclude by weighing the potential for cooperation between a secular regime and a resurgent religious society. Many of the references are translated from Arabic. Annotation copyrighted by Book News, Inc., Portland, OR

For 130 years, tensions have raged over the place of Islamic ideas and practices within modern Egypt. This history focuses on a pivotal yet understudied school, Dar al-Ulum, whose alumni became authoritative arbiters of how to be modern and authentic within a Muslim-majority community, including by founding the Muslim Brotherhood.

Review: "Christians versus Muslims in Modern Egypt is the first study of Christian identity politics in contemporary Egypt. S.S. Hasan begins by looking at how the Coptic generation of the 1940s and 1950s remembered, recovered, and imagined the ancient history of Christianity in Egypt in order to weld the Copts into a unified nation, resistant to the growing encroachments of Islam. She argues that this interpretation of history, in which Egyptian martyrs figure prominently, made possible the rebirth of the Coptic church and community - in much the same way as the preservation of Hebrew and the historical memory of Jewish tribulations served the purpose of national reconstruction of the state of Israel."--Jacket

Analyzing the modernist art movement that arose in Cairo and Alexandria from the late nineteenth century through the 1960s, Alex Dika Seggerman reveals how the visual arts were part of a multifaceted transnational modernism. While the work of diverse, major Egyptian artists during this era may have appeared to be secular, she argues, it reflected the subtle but essential inflection of Islam, as a faith, history, and lived experience, in the overarching development of Middle Eastern modernity. Challenging typical views of modernism in art history as solely Euro-American, and expanding the conventional periodization of Islamic art history, Seggerman theorizes a "constellational modernism" for the emerging field of global modernism. Rather than seeing modernism in a generalized, hyperconnected network, she finds that art and artists circulated in distinct constellations that encompassed finite local and transnational relations. Such constellations, which could engage visual systems both along and beyond the Nile, from Los Angeles to Delhi, were materialized in visual culture that ranged from oil paintings and sculpture to photography and prints. Based on extensive research in Egypt, Europe, and the United States, this richly illustrated book poses a compelling argument for the importance of Muslim networks to global modernism.

The Muslim Brotherhood is one of the oldest and most influential Islamist movements. As the party ascends to power in Egypt, it is poised to adopt a new system of governance and state-society relations, the effects of which are likely to extend well beyond Egypt's national borders. This book examines the Brotherhood's visions and practices, from its inception in 1928, up to its response to the 2011 uprising, as it moves to redefine democracy along Islamic lines. The book analyses the Muslim Brotherhood's position on key issues such as gender, religious minorities, and political plurality, and critically analyses whether claims that the Brotherhood has abandoned extremism and should be engaged with as a moderate political force can be substantiated. It also considers the wider political context of the region, and assesses the extent to which the Brotherhood has the potential to transform politics in the Middle East.

Preaching Islamic Renewal examines the life and work of Muhammad Mitwalli Sha‘rawi, one of Egypt's most beloved and successful Islamic preachers. His wildly popular TV program aired every Friday for years until his death in 1998. At the height of his career, it was estimated that up to 30 million people tuned in to his show each week. Yet despite his pervasive and continued influence in Egypt and the wider Muslim world, Sha‘rawi was for a long time neglected by academics. While much of the academic literature that focuses on Islam in modern Egypt repeats the claim that traditionally trained Muslim scholars suffered the loss of religious authority, Sha‘rawi is instead an example of a well-trained Sunni scholar who became a national media sensation. As an advisor to the rulers of Egypt as well as the first Arab television preacher, he was one of the most important and controversial religious figures in late-twentieth-century Egypt. Thanks to the repurposing of his videos on television and on the Internet, Sha‘rawi’s performances are still regularly viewed. Jacquelene Brinton uses Sha‘rawi and his work as a lens to explore how traditional Muslim authorities have used various media to put forth a unique vision of how Islam can be renewed and revived in the contemporary world. Through his weekly television appearances he popularized long held theological and ethical beliefs and became a scholar-celebrity who impacted social and political life in Egypt.

"Islam's revival is reshaping Egypt and other Arab countries in ways beyond violent politics. The yearning for personal solace, a just political system, indigenous lifestyles, and relevant theology all await satisfaction....Just as the Nile runs through Egypt for almost eight hundred miles, giving it life, so also the Straight Way, the way of Allah, runs through it, beckoning its people. The search by Egypt's Muslims for a modern understanding of the Straight Way is the essence of today's passion for Islam." -- from Chapter 1, "First Verses" Written by a Pulitzer Prize-winning journalist, this authoritative and enthralling primer on the modern face of Islam provides one of the most comprehensive accountings for the roots of religious terrorism and Middle Eastern strife. Over decades, a myriad of social, political, and religious factors has made today's Middle East a combustible region and has contributed to Islam's new power and turmoil. Passion for Islam uses one particular country, Egypt, as a lens through which to show how these forces play out across the area, allowing terrorism to gain a foothold. Through the personal experiences and observations of individual Egyptians encountered during her five years as the Washington Post's Cairo bureau chief, veteran journalist Caryle Murphy explores how Islam's contemporary revival is unfolding on four different levels: "Pious Islam" highlights the groundswell of grassroots piety that has created more Islamic societies; "Political Islam" examines how Islamists, using both violent and peaceful means, are reshaping the region's authoritarian secular political order and redefining Islam's role in the public arena; "Cultural Islam" looks at Egyptian efforts to resist a ubiquitous Western culture by asserting an Islamic identity; "Thinking Islam" reveals how intellectuals are reexamining their theological heritage with the aim of modernizing Islam. Representing years of exhaustive research, Passion for Islam also looks at how the tortured Israeli-Palestinian conflict has contributed to the region's religious ferment and political tumult. By revealing the day-to-day ramifications of all these issues through the eyes of Egyptian intellectuals, holy men, revolutionaries, and ordinary citizens, Passion for Islam brings an unparalleled vitality and depth to Western perceptions of Middle Eastern conflict.