En 1908, el capitán mexicano Ramón Arnaud y su esposa adolescente parten hacia un pequeño atolón en el Pacífico, conocido por los exploradores españoles como la Isla de la Pasión. Acompañado de once soldados y sus familias, el capitán tiene órdenes de defender la isla ante la improbable invasión francesa. Con su peligroso arrecife de coral y una laguna estancada, la isla es amenazadora e inhóspita y sus nuevos habitantes deben luchar para sobrevivir. Logran crear una comunidad viable, pero entre la agitación política en su país y los comienzos de la primera Guerra Mundial, se ven olvidados en medio del Pacífico. Abandonados a la intemperie, uno a uno van cayendo víctimas del escorbuto, el hambre, la desesperación, la rivalidad, la lujuria y la irremediable violencia. Alicia, una mujer resuelta e ingeniosa termina convirtiéndose en el punto de apoyo para los demás, cuya supervivencia dependerá en su valentía y astucia.

In 1908, under orders to defend a tiny, isolated Pacific atoll from an improbable French invasion, Mexican captain Ramón Arnaud, his young bride, Alicia, and eleven soldiers and their families set sail for the so-called Isle of Passion. In this dire, forbidding place, a viable community is created under Ramón's guidance and inspired by Alicia's dedication. But they are soon forgotten by a motherland distracted by political upheaval and the first rumblings of World War I. Left to the mercies of nature and one another—falling victim one by one to disease, hunger, lust, despair, and, ultimately, violence—the castaways who remain must find strength in the courage and steadfast resourcefulness of Alicia Arnaud, upon whom their collective survival now depends. Based on true events, Laura Restrepo's Isle of Passion is a brilliantly rendered and dramatic tale of savage human nature—and one woman's determination to triumph over a harrowing fate.

Mexico and the Law of the Sea: Contributions and Compromises examines Mexico’s legal work at the Third UN Conference on the Law of the Sea; its involvement at the regional Latin American meetings of Montevideo, Lima and Santo Domingo; and its current domestic legislation, in particular the Federal Oceans Act of 1986.

Cuba's cultural influence throughout the Western Hemisphere, and especially in the United States, has been disproportionally large for so small a country. This landmark volume is the first comprehensive overview of poetry written over the past sixty years. Presented in a beautiful Spanish-English en face edition, The Whole Island makes available the astonishing achievement of a wide range of Cuban poets, including such well-known figures as Nicolás Guillén, José Lezama Lima, and Nancy Morejón, but also poets widely read in Spanish who remain almost unknown to the English-speaking world—among them Fina García Marruz, José Kozer, Raúl Hernández Novás, and Ángel Escobar—and poets born since the Revolution, like Rogelio Saunders, Omar Pérez, Alessandra Molina, and Javier Marimón. The translations, almost all of them new, convey the intensity and beauty of the accompanying Spanish originals. With their work deeply rooted in Cuban culture, many of these poets—both on and off the island—have been at the center of the political and social changes of this tempestuous period. The poems offered here constitute an essential source for understanding the literature and culture of Cuba, its diaspora, and the Caribbean at large, and provide an unparalleled perspective on what it means to be Cuban.

In 2216 the world is run by bureaucratic artificial intelligences. Humanity wants for nothing. Life is good - no disease, no aging. Everyone is young and beautiful. Machines provide gourmet food, palatial housing, and AI-generated, extremely high-quality entertainment. No one works. Who would? Space exploration is nearly forgotten. Marion Michelle Morrison, ‘M’ seems to be the only person able to push aside this new opiate of the masses and leave Earth. If she wants to get outside the solar system, she just needs to learn the secret physics of the Charm Drive - and convince her ship to help her. When unknown forces throw her back to 1985, she must find a way to return and save the planet from an extinction-level event. Brad is a struggling young farmer in 1985. As if taking care of his ailing mother, his bedridden sister, and their failing farm are not enough, a metal sphere larger than his house has crashed into one of his corn fields.

In the late nineteenth century, Mexico and France laid claim to Clipperton Island. In 1908 Mexico places a garrison of men and their families on the island to reinforce their claim. All goes well until 1914 when, because of the revolution that tears Mexico apart, the garrison is no longer supplied. Scurvy claims many of their lives and in a desperate attempt to save those that are left, the Captain tries to row a boat for help. He perishes along with three men he took with him. The lone man, left on the island, goes crazy and declares himself king. For twenty-two months he rapes, tortures and murders some of the women and children of the garrison. Finally, two of the women are successful in killing him. A United States warship, looking for Germans, rescues the survivors and returns them to Mexico and safety.