"In a study that combines archival research, a firm grounding in the historical context, biographical analysis, and sustained attention to specific works of art, Amy Lyford provides an account of Isamu Noguchi's work between 1930 and 1950 and situates him among other artists who found it necessary to negotiate the issues of race and national identity. In particular, Lyford explores Noguchi's sense of his art as a form of social activism and a means of struggling against stereotypes of race, ethnicity, and national identity. Ultimately, the aesthetics and rhetoric of American modernism in this period both energized Noguchi's artistic production and constrained his public reputation"--

This volume presents the ceramic oeuvre of Isamu Noguchi and includes other major ceramic artists from postwar Japan, analyzing the conflict between modernity and tradition and the search for cultural identity.

"From the author of Arshile Gorky, a major biography of the great American sculptor that redefines his legacy"--

Explores how the ancient world shaped innovative American sculptor Isamu Noguchi's inspirational vision for the future.

Published on the occasion of the exhibition Changing and Unchanging Things: Noguchi and Hasegawa in Postwar Japan, organized by The Isamu Noguchi Foundation and Garden Museum. Venues: Yokohama Museum of Art, January 12-March 24, 2019; The Isamu Noguchi Foundation and Garden Museum, May 1-July 14, 2019; Asian Art Museum of San Francisco, September 27-December 8, 2019. This exhibition is made possible through lead support from the Terra Foundation for American Art.

This nuanced portrait of Gordon Bunshaft and his work for the architecture firm SOM explores his role in defining the built aesthetic of corporate America.

In an insightful portrait of the personal struggles and triumphs of artist Isamu Noguchi, new light is cast on his life and career based on his letters and reminiscences, as well as interviews with his friends and colleagues.