This study analyzes the Septuagint version of Isaiah's Servant Poems (Isaiah 42:1-8; 49:1-9; 50:4-11; 52:13-53:12) as a translation and unique interpretation of the Hebrew text. The Septuagint version of the Servant Poems is of interest not only because it represents one of the earliest (if not the first) interpretations of the Hebrew text and thus an important stage in the history of exegesis of these poems, but also because this translation operates a transition from Hebrew modes of thinking and expression into a Greek language and context. The Septuagint version of the Servant Poems was cited by New Testament writers, read and commented on as Sacred Scripture by the early Church Fathers and continues to be used by the Eastern Church. This study is a helpful resource to Old Testament, New Testament and Patristic scholars and theologians alike. The introduction offers a methodology for classifying Septuagint differences to determine the specific exegesis and underlying theology of a given Septuagint text. Differences with the Hebrew text are categorized according to linguistic explanations (style, the translator's difficulty determining Greek semantic equivalents for obscure Hebrew vocabulary, errors or omissions, etc.) Hebrew Vorlagen, non-linguistic explanations like contextual and intertextual exegesis and combinations of linguistic and non-linguistic factors. The author identifies over 270 differences with the Masoretic Text in a presentation of the Septuagint text of each poem side-by-side with the Masoretic Text. Qumran variants are compared with the Masoretic Text and Septuagint to help classify Septuagint differences to determine which may be signs of the Septuagint's unique exegesis and theology. The Septuagint's numerous differences are bold-faced in the English translation of each poem before the author presents a detailed verse-by-verse literary analysis of the Septuagint in the wider context of Isaiah 1-66 and the Greek Pentateuch. The author argues that the vast majority of Septuagint differences with the Masoretic Text in Isaiah's Servant Poems reflect contextual and intertextual exegesis. The Septuagint version expresses theological perspectives that are at times similar and often distinct from the Masoretic Text. In a final chapter the author draws on the exegesis of each poem in preceding chapters to present the theology visible in the Septuagint version of Isaiah's Servant Poems, concluding with an appendix that catalogues textual differences between the Septuagint and the Masoretic Text and a biblical index.

How did the first Christians interpret the death of Christ? The answer lies within the earliest Christian documents, primarily within the Pauline letters. Before the users of a modern language could hope to come near an adequate description of what was expressed in these Greek texts of the first Christians, they have to deconstruct layers of later dogmatic interpretation. They need to keep to descriptive terminology reflecting the Greek of the sources and to trace the origin of the metaphoric language early Christians like Paul used. This volume sets out to construct some of the Jewish and Greco-Roman patterns of thought which were initially utilised to express the meaning of the death of Christ.

This book is essentially a very exacting comparison between the Septuaginta translation of the Esther Scroll and its Hebrew text. Each and every verse in the Scroll is graphically presented in a four columned table in which we inserted the Hebrew text, broken up into syntactically coherent short phrases, its Greek counterpart and the English translations of the Hebrew and Greek phrases respectively. In the running commentary we discuss the additions and the omissions, examine how the Translator succeeded in rendering especially difficult and complicated Hebrew verses, and try to throw light on his language, his methods and his translational idiosyncrasies. We also quote the Vulgate, the Aramaic Targumim and the Greek A Text and, in most cases translate them too in English. The added value of this book is the synoptic graphic presentation of each verse which enables one to get an immediate impression of the two texts and their juxtaposition.

In this original study, Dr Davis argues that Ezekiel's place in the history of prophecy is overdue for reassessment. As against current views that Ezekiel represents the collapse of prophetism into priestly and scribal forms, she argues that something radically different in prophecy begins with Ezekiel. Ezekiel represents the creation of a new literary idiom for prophecy. He develops an archival speech form oriented less toward current events than to reshaping the tradition. He has taken a step backward from direct confrontation with an audience as the basic dynamic of communication, and has made the medium of prophecy not the person of the prophet but the text. Like the postexilic prophets, Ezekiel participated in the transformation of the social role of prophecy, and thereby saved himself from oblivion.

In the twenty-first century, religion has come under determined attack from secular progressives in documentaries, opinion pieces and international bestsellers. Combative atheists have denounced faiths of every stripe, resulting in a crude intellectual polarization in which religious convictions and heritage must be rejected or accepted wholesale. In the long unavailable Atheism in Christianity, Ernst Bloch provides a way out from this either/or debate. He examines the origins of Christianity in an attempt to find its social roots, pursuing a detailed study of the Bible and its fascination for 'ordinary and unimportant' people. In the biblical promise of utopia and the scriptures' antagonism to authority, Bloch locates Christianity's appeal to the oppressed. Through a lyrical yet close and nuanced analysis, he explores the tensions within the Bible that promote atheism as a counter to the authoritarian metaphysical theism imposed by clerical exegesis. At the Bible's heart he finds a heretical core and the concealed message that, paradoxically, a good Christian must necessarily be a good atheist. This new edition includes an introduction by Peter Thompson, the Director of the Centre for Enrst Bloch Studies at the University of Sheffield.