A compilation of previously unavailable translated commentaries by the Church Fathers on the book of Isaiah. Fourth and fifth-century exegetes are featured especially, but there are many excerpts from Sts. Justin Maryr, Irenaeus, Athanasius of Alexandria, Jerome, Ambrose and others. Modern commentary (from 1775 to the present) has been added to enhance our understanding by providing insight into the historical context, poetry and structure. In some chapters, a short Judaic section has been included to point to Messianic passages and assist with some obscure metaphors and references.

The first systematic and comprehensive attempt to identify and analyze the role of Isaianic language and imagery in literature, art, and music Using reception history as its basis for study, Isaiah Through the Centuries is an unprecedented exploration of the afterlife of the Book of Isaiah, specifically in art, literature, and music. This is a commentary that guides the reader through the Book of Isaiah, examining the differing interpretations of each phrase or passage from a variety of cultural and religious perspectives, Jewish, Christian and Muslim. Clearly structured and accessible, and richly illustrated, the book functions as a complete and comprehensive educational reference work. Isaiah Through the Centuries encourages readers to learn with an open mind and to understand how different interpretations have helped in the teaching and comprehension of the Bible and Isaiah’s place in it. As part of the Wiley-Blackwell Bible Commentaries series, which is primarily concerned with reception history, the book emphasizes that how people interpret the prophet—and how they’ve been influenced by him—is often just as important as the sacred text’s original meaning. Uses reception history to study the renowned prophet Provides a historical context for every use or interpretation discussed Offers essential background information on authors, artists, musicians, etc. in its glossary and biographies Minimizes historical details in order to focus as much as possible on exegetical matters Presents the role of Isaiah and the Bible in the creative arts Will be useful to multiple disciplines including theology and religion, English literature, art history and the history of music, not just Biblical Studies Comprehensive in scope, Isaiah Through the Centuries is a much-needed resource for all those interested in the influence of the Bible on Western culture, and presents unique perspectives for anyone interested in the Bible to discuss and debate for many years to come.

The Song of Songs is a fascinating text. Read as an allegory of God’s love for Israel, the Church, or individual believers, it became one of the most influential texts from the Bible. This volume includes twenty-three essays that cover the Song’s reception history from antiquity to the present. They illuminate the richness of this reception history, paying attention to diverse interpretations in commentaries, sermons, and other literature, as well as the Song’s impact on spirituality, theological and intellectual debates, and the arts.

Few passages in the Hebrew Bible have been subject to more scrutiny than Genesis 1 and 2. In this volume, a diverse international team of experts guides readers through interpretations of the Genesis creation stories throughout history, inviting them to consider perspectives from the earliest times to the present. The book offers an accurate description of how these chapters have been read through the centuries, explaining each interpretive approach in its own terms. Each chapter includes sidebars and suggestions for further reading.

The book of Isaiah is a product of history. The nature of that history and what it means that Isaiah is a product of it are hardly matters of consensus in the field. Nonetheless, Isaianic scholarship has put its collective finger on the crux of the methodological problem. At the heart of an historical understanding of this prophetic book lies a consideration of the word "history" in two distinct but related applications. First, what historical processes led to the book's final form? How did Isaiah become a book? And second, what kind of historical representation does the book offer to the reader? How does Isaiah present the past? For most scholars, answering either question involves asking the other. To understand better the history of Isaiah, this volume of essays devotes itself to these two lines of inquiry and their relationship.

Covering a landscape of literary, theological and cultural creativity, the authors explore the variety of interpretations inspired by Lamentations. The book explores a examples ranging from the Dead Sea Scrolls; Yehudah Halevy; John Calvin; and composer, Thomas Tallis; through to the interpretations of Marc Chagall; contemporary novelist, Cynthia Ozick; and Zimbabwean junk sculpture. It deploys "reception exegesis", a new genre of commentary that creatively blends reception history and biblical exegesis. --From publisher's description.

Isaiah in context and through the ages. Reading the book of Isaiah in its original context is the crucial prerequisite for understanding its citation and use in later interpretations, including the New Testament writings, argues Ben Witherington III. Here he offers pastors, teachers, and students an accessible commentary on Isaiah, as well as a reasoned consideration of how Isaiah was heard and read in early Christianity. By reading "forward and backward," Witherington advances the scholarly discussion of intertextuality and opens a new avenue for biblical theology. - Back cover.