Isabelle Huppert stands out among actresses due to her audacious choices of roles, both for films as well as for the theater. Her intelligence and intuition are evident in the parts she plays. Her renown as an actress is not limited to the French cinema but embraces Europe and the rest of the world. This most mysterious of actresses likes to be photographed but she is not an easy subject. She offers herself to the eye of the camera yet remains secretive, almost absent. The great photographers of our time -- Richard Avedon, Edouard Boubat, Guy Bourdin, Henri Cartier-Bresson, Elliot Erwitt, Lartigues, Annie Leibovitz, Steven Meisel, Helmut Newton, Sylvia Plachy, Marc Riboud, and Scavullo -- took up the challenge. Huppert's energy and strength are often shrouded behind a kind of melancholy, and these photographers have captured beautifully that contradictory quality. Not only a collection of gorgeous images, this haunting book also unveils the bond between the public image and the secret soul of this unique woman.

Featuring a lineup of distinguished academics, this collection remedies the absence of scholarly attention to French cinematic legend Isabelle Huppert. This volume deconstructs Huppert's star persona and public profile through critical and theoretical analysis of her various screen roles-from her very early appearances alongside Romy Schneider in César et Rosalie (Sautet, 1972) and Gérard Depardieu in Les Valseuses (1974) to a number of celebrated collaborations with high-profile European auteurs such as Catherine Breillat, Claire Denis, Jean-Luc Godard, Michael Haneke and Joseph Losey, and with more popular auteurs such as Claude Chabrol and François Ozon. Known for a cerebral internalization of characterization, a technical mastery of extreme emotions, and a singular brand of icy intellectualism, Huppert's performances continue to impress, stun and surprise audiences. By focusing on several theoretical questions that relate to image, identity, sexuality and place, this volume situates Huppert's star persona in the more practical creative contexts of performance, authorship, genre and collaboration. This volume contrasts complementary critical accounts of her stardom by working across the different periods and territories of her career.

Thus, Isabelle Huppert, Modernist Performance demonstrates its premise through close readings considering how performance must be read in tandem with the whole.

Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.

"Deconstructs Huppert's star persona and public profile through critical and theoretical analysis of her various screen roles"--

A historical overview of German film from the silent era to the present, presenting close readings of 14 films from five major historical periods of German cinema. Each chapter analyzes a single film, discussing filmmakers' personal styles, genre, and modes of narration, and looks at the wider contexts of film production and reception including political issues and social change. Films include a Nazi propaganda musical, Ernst Lubitsch's Passion, and Wim Wenders' Paris, Texas. Includes film credits for each film, bandw photos, and extensive notes. Annotation copyright by Book News, Inc., Portland, OR

This collection of conversations on the subject of time between a legendary couturier and leaders in the worlds of art, design, and popular culture will inspire readers to take greater control over their life and develop their creativity. One of the characteristics of modern-day life seems to be that we are doing more and more at an ever-increasing rate. Uncompromising couturier Azzedine Alaïa hosted salon-style discussions between creative luminaries on this subject. The result is a collection of never-before-published conversations between some of the most famous minds of our generation about time--an increasingly valuable commodity in twenty-first-century society. Taking Time presents musings from some of the world's most respected figures in cinema, music, and design: Jonathan Ive and Marc Newson discuss time as the first ergonomic product; Julian Schnabel and Jean-Claude Carrière consider it in respect to art and film; and Robert Wilson and Isabelle Huppert speak about the importance of time in theater and acting. You will discover ways of appreciating and managing time that are helpful and will embolden you to manifest your creativity and enjoy life to the fullest...and truly to take your time.