American and Indian scholars of religion, anthropology, women's studies, and psychology look at the complex relationship between the living worship of female divinities and women in India. In keeping with the multiplicity, especially of Hinduism but also Buddhism and Jainism, the anthology presents a number of sometimes conflicting views rather than a consistent account. Only authors are indexed. c. Book News Inc.

First published in 1999. One of the most unexpected developments of the late twentieth century is the rebirth of the religion of the Goddess in western cultures. Though we were taught that the Gods and Goddesses died with the triumph of Christianity, the re-emergence of the Goddess is not as surprising as it might seem. This book explores the meaning of the Goddess, and the questions we ask as well as the ways we answer them.

Hauke provides a tour de force study of the history and basic characteristics of modern feminism. Hauke presents an objective, detailed study of the facts of feminist theology around the world, using their own words and writings. He looks at the distinctiveness of feminist theology, what its image of man is as a fundamental point of departure, its basis from the experience of women as "formal principle", its views of the image of God, Christ, Mary, the Church, liturgy, ecology and eschatology. After carefully describing what the feminist position is, Hauke gives a critique from the point of view of the Catholic tradition. "The purpose of the present work is to provide, not a kind of "encyclopedia" on feminist theology, but an introduction and representative survey of central themes that will enable one to form a personal opinion. Addressed here are not just specialists in theology but all women and men who desire to inform themselves further about the powerful historical current that is feminist theology." -Manfred Hauke

A fascinating introduction to one of the fastest-growing religious movements in the United States today. Through interviews, participant-observation, and analysis of movement literature, Cynthia Eller explores what women who worship the goddess believe; how they express those beliefs in private, in public, and in the political realm; and the place of feminist spirituality in the history of American religion.

Goddess worship is among the original forms of human religious expression. Thomas Cleary and Sartaz Aziz show how the Divine Feminine has never really disappeared from religion-in spite of its suppression by patriarchal culture. Whether conceptualized as divine person, saint, mythic figure, archetype, or abstract principle, the Divine Feminine inevitably arises, manifesting in hidden as well as obvious ways. This book is a guided tour of the feminine principles, symbols, and imagery found in Hinduism, Taoism, Buddhism, and the Sufi tradition of Islam, with insightful meditations on the deep meanings of these manifestations of the Divine.

Here, archaeologically documented,is the story of the religion of the Goddess. Under her, women’s roles were far more prominent than in patriarchal Judeo-Christian cultures. Stone describes this ancient system and, with its disintegration, the decline in women’s status.

Honorable Mention for the 2022 Elli Köngäs-Maranda Prize awarded by the Women's Section of the American Folklore Society Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (included essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe. Building on critiques of other skeptical scholars, this feminist, folkloristic approach deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women’s speculative fiction). This goddess spectrum persistently essentializes gender, stereotyping women as emotional, intuitive, sexual, motherly beings (good or bad), precluded from complex potential and fuller natures. Within apparent good-over-evil, pop-culture narrative frames, these goddesses all suffer significantly. However, a few recent intersectional writers, like N. K. Jemisin, break through these dark reflections of contemporary power dynamics to offer complex characters who evince “hopepunk.” They resist typical simplified, reductionist absolutes to offer messages that resonate with potential for today’s world. Mythic narratives featuring goddesses often do, but need not, serve merely as ideological mirrors of our culture’s still problematically reductionist approach to women and all humanity.