In this richly illustrated book, Neal B. Keating explores Iroquois visual expression through more than five thousand years, from its emergence in ancient North America into the early twenty-first century. Drawing on extensive archival research and fieldwork with Iroquois artists and communities, Keating foregrounds the voices and visions of Iroquois peoples, revealing how they have continuously used visual expression to adapt creatively to shifting political and economic environments. Iroquois, or Haudenosaunee, peoples have long been the subjects of Western study. From the seventeenth to the nineteenth century, European and Euro- American writers classified Iroquois works not as art but as culturally lower forms of expression. During the twentieth century, Western critics commonly rejected contemporary Native art both as art and as an "inauthentic" expression of Indianness. Keating exposes the false assumptions underlying these perceptions. Approaching his subject from the perspective of an anthropologist, he focuses on the social relations and processes that are indexed by Iroquois visual culture through time, and he shows how Iroquois images are deployed in colonized contexts. As he traces the history of Iroquois art practice, Keating seeks a middle road between ethnohistorical approaches and the activist perspectives of contemporaryartists. He is one of the first scholars in Iroquois studies to emphasize painting, a popular art form among present-day Iroquois. He conceptualizes painting broadly, to include writing, incising, drawing, tattoo, body painting, photography, videography, and digital media. Featuring more than 100 color and black-and-white reproductions, this volume embraces a wide array of artworks in diverse media, prompting new appreciation--and deeper understanding--of Iroquois art and its historical and contemporary significance.

An authoritative illustrated study of the People of the Longhouse. In this handsome book, Michael G. Johnson, the author of the award-winning Encyclopedia of Native American Tribes and its companion, Arts and Crafts of the North American Tribes, looks at the people of the Iroquois Confederacy. The tribes were the Mohawk, Oneida, Cayuga, Onondaga, Seneca, and -- admitted into the Iroquois as a sixth nation by 1722 -- the Tuscarora. Iroquois: People of the Longhouse details their story up to the present day, when perhaps 50,000 people of Iroquois descent still live on, or near, their reserves in Canada and the U.S., with that many again living in cities. Rich with archival, contemporary and modern photographs, maps and illustrations, Iroquois: People of the Longhouse contains certainty: The Origins of the Iroquois Confederacy The Six Nations and Incorporated Tribes History 1500-1750 The French and Indian War 1754-1766 New Wars in the Old Northwest The American Revolution and the Aftermath Disintegration, Reformation and Perseverance 1783 to the Present Iroquois in the West Iroquois Social & Political Warfare Food and Flora Religion and Rituals Material Culture: Longhouses, Dress, Wampum, Masks, Decorative Art, Beadwork Important People in Six Nations History. An Iroquois gazetteer, bibliography and list of Iroquois reserves and reservations and their populations complete this authoritative reference.

Brings the paranormal beings and places of the Iroquois folklore tradition to life through historic and contemporary accounts of otherworldly encounters • Recounts stories of shapeshifting witches, giant flying heads, enchanted masks, ethereal lights, talking animals, Little People, spirit-choirs, potent curses, and haunted hills, roads, and battlefields • Includes accounts of miraculous healings by shamans and medicine people such as Mad Bear and Ted Williams • Shows how these traditions can help one see the richness of the world and help those who have lost the chants of their own ancestors With a rich history reaching back more than one thousand years, the six nations of the Iroquois Confederacy--the Mohawk, the Oneida, the Onondaga, the Cayuga, the Seneca, and the Tuscarora--are considered to be the most avid storytellers on earth with a collection of tales so vast it would dwarf those of any other society. Covering nearly the whole of New York State from the Hudson and Mohawk River Valleys westward across the Finger Lakes region to Niagara Falls and Salamanca, this mystical culture’s supernatural tradition is the psychic bedrock of the Northeast, yet their treasury of tales and beliefs is largely unknown and their most powerful sacred sites unrecognized. Assembling the lore and beliefs of this guarded spiritual legacy, Michael Bastine and Mason Winfield share the stories they have collected of both historic and contemporary encounters with beings and places of Iroquois legend: shapeshifting witches, strange forest creatures, ethereal lights, vampire zombies, cursed areas, dark magicians, talking animals, enchanted masks, and haunted hills, roads, and battlefields as well as accounts of miraculous healings by medicine people such as Mad Bear and Ted Williams. Grounding their tales with a history of the Haundenosaunee, the People of the Long House, the authors show how the supernatural beings, places, and customs of the Iroquois live on in contemporary paranormal experience, still surfacing as startling and sometimes inspiring reports of otherworldly creatures, haunted sites, after-death messages, and mystical visions. Providing a link with America’s oldest spiritual roots, these stories help us more deeply know the nature and super-nature around us as well as offer spiritual insights for those who can no longer hear the chants of their own ancestors.

The Storied Landscape of Iroquoia explores the creation, destruction, appropriation, and enduring legacy of one of early America’s most important places: the homelands of the Haudenosaunees (also known as the Iroquois Six Nations). Throughout the late seventeenth, eighteenth, and early nineteenth centuries of European colonization the Haudenosaunees remained the dominant power in their homelands and one of the most important diplomatic players in the struggle for the continent following European settlement of North America by the Dutch, British, French, Spanish, and Russians. Chad L. Anderson offers a significant contribution to understanding colonialism, intercultural conflict, and intercultural interpretations of the Iroquoian landscape during this time in central and western New York. Although American public memory often recalls a nation founded along a frontier wilderness, these lands had long been inhabited in Native American villages, where history had been written on the land through place-names, monuments, and long-remembered settlements. Drawing on a wide range of material spanning more than a century, Anderson uncovers the real stories of the people—Native American and Euro-American—and the places at the center of the contested reinvention of a Native American homeland. These stories about Iroquoia were key to both Euro-American and Haudenosaunee understandings of their peoples’ pasts and futures.

Deep within the forest in northern Guatemala lie the ruins of Río Azul, a Maya city that reached one-third the size of Tikal. Discovered and partially explored in the early 1960s, Río Azul and the surrounding region were more fully investigated between 1983 and 1987 by an archaeological team led by Richard E. W. Adams. In this summary, Adams integrates the findings of field archaeologists with those of the epigraphers and art historians to recreate the life of this Maya city from the little-known Early Classic period. Remains in the Río Azul area date from 900 B.C. to A.D. 850. The data indicate that, unlike most Maya cities that have been studied, Río Azul was a frontier town, an administrative center, with alternating defense and trade outpost functions. About A.D. 385, the Río Azul region was conquered and the city founded by Tikal, serving as a Teotihuacan-linked garrison for that capital. Nearly all of the more than seven hundred structures found within Río Azul were erected between A.D. 390 and 530. Acres of pavement were laid down around some thirty complexes of residences, temples, and tombs notable for the brightly painted red hieroglyphs and murals on their walls. The elaborate complexes and sumptuous artifacts suggest a city with a heavy proportion of aristocratic families and retainers. Around A.D. 530, Río Azul appears to have been suddenly destroyed. The city was abandoned, then reoccupied--only to stagnate and finally collapse, like many other Classic Maya cities, in the late ninth century.

The Haudenosaunee, more commonly known as the Iroquois or Six Nations, have been one of the most widely written-about Indigenous groups in the United States and Canada. But seldom have the voices emerging from this community been drawn on in order to understand its enduring intellectual traditions. Rick Monture’s We Share Our Matters offers the first comprehensive portrait of how the Haudenosaunee of the Grand River region have expressed their long struggle for sovereignty in Canada. Drawing from individualsas diverse as Joseph Brant, Pauline Johnson and Robbie Robertson, Monture illuminates a unique Haudenosaunee world view comprised of three distinct features: a spiritual belief about their role and responsibility to the earth; a firm understanding of their sovereign status as a confederacy of independant nations; and their responsibility to maintain those relations for future generations. After more than two centuries of political struggle Haudenosaunee thought has avoided stagnant conservatism and continues to inspire ways to address current social and political realities.