Irish writing has been influenced by religion from the beginning; indeed it was the arrival of Christianity which brought Latin orthography, which men of learning adopted. Pagan beliefs were assimilated into Christianity, but not entirely so: a theme which is dealt with in the essay on writing in early Ireland. The relationship between the various Irish Churches and writers in the 18th and 19th centuries is examined as is the influence of folk religion in modern Irish literature. There follow essays on: ghosts, Yeats, Synge, Joyce and Beckett; and on the poets Macneice, Kavanagh and Desmond Egan. Contributors: Lance St. John Butler; Peter Denman; Desmond Egan; Ruth Fleischmann; A. M. Gibbs; Barbara Hayley; Eamonn Hughes; Anne McCartney; Seamus MacMathuna; Joseph McMinn; Nuala ni Dhomhnaill; Mitsuko Ohno; Daithi O Hogain; Alan Peacock; Patricia Rafroidi and Robert Welch. Irish Literary Studies Series No. 37.

In this expansive study, Bryan Giemza recovers a neglected subculture and retrieves a missing chapter of Irish Catholic heritage by canvassing the literature of American Irish writers from the U.S. South. Giemza offers a defining new view of Irish American authors and their interrelationships within both transatlantic and ethnic regional contexts. From the first Irish American novel, published in Winchester, Virginia, in 1817, Giemza investigates a cast of nineteenth-century writers contending with the turbulence of their time—writers influenced by both American and Irish revolutions. Additionally, he considers dramatists and propagandists of the Civil War and Lost Cause memoirists who emerged in its wake. Some familiar names reemerge in an Irish context, including Joel Chandler Harris, Lafcadio Hearn, and Kate (O'Flaherty) Chopin. Giemza also examines the works of twentieth-century southern Irish writers, such as Margaret Mitchell, John Kennedy Toole, Flannery O'Connor, Pat Conroy, Anne Rice, Valerie Sayers, and Cormac McCarthy. For each author, Giemza traces the influences of Catholicism as it shaped both faith and ethnic identity, pointing to shared sensibilities and contradictions. Flannery O'Connor, for example, resisted identification as an Irish American, while Cormac McCarthy, described by some as "anti-Catholic," continues a dialogue with the Church from which he distanced himself. Giemza draws on many never-before-seen documents, including authorized material from the correspondence of Cormac McCarthy, interviews from the Irish community of Flannery O'Connor's native Savannah, Georgia, and Giemza's own correspondence with writers such as Valerie Sayers and Anne Rice. This lively literary history prompts a new understanding of how the Irish in the region helped invent a regional mythos, an enduring literature, and a national image.

The struggle between Catholic and Protestant has shaped Irish history since the Reformation, with tragic consequences up to the present day. But how do Catholics and Protestants in Ireland see each other? And how do they view their own communities and what these communities stand for? Tracing the history of religious identities in Ireland over the last three centuries, Marianne Elliott argues that these two questions are inextricably linked and that the identity of both Catholics and Protestants is shaped by the way that each community views the other. Cutting through the layers of myths, lies, and half-truths that make up the vision that Catholics and Protestants have of each other, she looks at how mutual religious stereotypes were developed over the centuries, how they were perpetuated and entrenched, and how they have defined modern identities and shaped Ireland's historical destiny, from the independence struggle and partition to the Troubles of the last four decades.

Focused in scope, and emphasizes methodological aspects of Celtic scholarship. This collection of original essays illuminates the importance of theoretical considerations in the study of early medieval sources.

Ancient monuments, legends and folklore interpreted to illuminate the realities of prehistoric Irish belief. The myths and legends of prehistoric Ireland have inspired writers through the ages, down to W.B. Yeats and Seamus Heaney in our own century, but what do we know of the realities of ancient Irish belief? Daithi O hOgain's book approaches the question by studying archaeological remains such as tumuli, stone henges and circular enclosures and analysing the rich materials that have been handed down both in the great cycles of Irish heroic tales and the humblebut significant survivals of modern folklore, for instance the traditions associated with wells and springs. Drawing evidence from these varied sources, he arrives at a balanced picture of a society and its beliefs which have alltoo often been the subject of conjecture and fancy. CONTENTS Pre-Celtic Cultures . Basic Tenets in the Iron Age . The Druids and their Practices . The Teachings of the Druids . The Society of the Gods . The Rites of Sovereignty . The Triumph of Christianity. DAITHI O HOGAIN was Professor of Folklore at University College Dublin.

For much of the twentieth century, Ireland has been synonymous with conflict, the painful struggle for its national soul part of the regular fabric of life. And because the Irish have emigrated to all parts of the world--while always remaining Irish--"the troubles" have become part of a common heritage, well beyond their own borders. In most accounts of Irish history, the focus is on the political rivalry between Unionism and Republicanism. But the roots of the Irish conflict are profoundly and inescapably religious. As Marcus Tanner shows in this vivid, warm, and perceptive book, only by understanding the consequences over five centuries of the failed attempt by the English to make Ireland into a Protestant state can the pervasive tribal hatreds of today be seen in context. Tanner traces the creation of a modern Irish national identity through the popular resistance to imposed Protestantism and the common defense of Catholicism by the Gaelic Irish and the Old English of the Pale, who settled in Ireland after its twelfth-century conquest. The book is based on detailed research into the Irish past and a personal encounter with today's Ireland, from Belfast to Cork. Tanner has walked with the Apprentice Boys of Derry and explored the so-called Bandit Country of South Armagh. He has visited churches and religious organizations across the thirty-two counties of Ireland, spoken with priests, pastors, and their congregations, and crossed and re-crossed the lines that for centuries have isolated the faiths of Ireland and their history.